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Gilles Wallez

Biographic Data

ID1627460
NAMEGilles Wallez
GIVEN NAMESGilles
FAMILY NAMEWallez
SIGNATUREWALLEZ G
AFFILIATIONSUniversité Paris Sciences et Lettres
ORCID0000-0001-6377-3121
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS4
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2024
H-INDEX1
  • Révéler les choix matériels et techniques de Léonard de Vinci par l’analyse chimique: Le cas du pigment blanc de plomb

    Open Access•Victor Gonzalez, Víctor Fernando Herrera González et al.•ARTICLE•Spotlight•2024

    Collecter des informations chimiques sur les matériaux employés par Léonard de Vinci permet de mieux comprendre la matérialité de ses pratiques picturales et fournit de nouvelles informations pouvant contribuer à la conservation de ses œuvres. Mais les peintures de Léonard sont des systèmes chimiques complexes, assemblages hybrides de pigments minéraux et de composés organiques, notamment liants à l’huile. Ces pigments étaient obtenus par des voi…

  • Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs

    Open Access•Gianluca Gariani, Florian Beaugnon et al.•ARTICLE•Spotlight•2021

    The production of devotional reliefs, flourished in 15th century in Florence, where models from Renaissance Masters were reproduced in series by using a large variety of materials. One of the most frequently used is gypsum plaster, often referred to as “stucco” or “gesso”. Despite devotional reliefs wide diffusion, details concerning their constitutive materials and manufacture are insufficiently studied. In the framework of a research program fo…

  • Microstructure imaging of Florentine stuccoes through X-ray tomography: A new insight on ancient plaster-making techniques

    Open Access•Florian Beaugnon, Gianluca Gariani et al.•ARTICLE•Journal of Cultural Heritage•2019•References: 18

  • First insights on the mineral composition of "stucco" devotional reliefs from Italian Renaissance Masters: Investigating Technological Practices and Raw Material Sourcing

    Open Access•Gianluca Gariani, Patrice Lehuédé et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 4•References: 9

  • First insights on the mineral composition of "stucco" devotional reliefs from Italian Renaissance Masters: Investigating Technological Practices and Raw Material Sourcing

    Open Access•Gianluca Gariani, Patrice Lehuédé et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 4•References: 9

  • First insights on the mineral composition of "stucco" devotional reliefs from Italian Renaissance Masters: Investigating Technological Practices and Raw Material Sourcing

    Open Access•Gianluca Gariani, Patrice Lehuédé et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 4•References: 9

  • Microstructure imaging of Florentine stuccoes through X-ray tomography: A new insight on ancient plaster-making techniques

    Open Access•Florian Beaugnon, Gianluca Gariani et al.•ARTICLE•Journal of Cultural Heritage•2019•References: 18

  • Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs

    Open Access•Gianluca Gariani, Florian Beaugnon et al.•ARTICLE•Spotlight•2021

    The production of devotional reliefs, flourished in 15th century in Florence, where models from Renaissance Masters were reproduced in series by using a large variety of materials. One of the most frequently used is gypsum plaster, often referred to as “stucco” or “gesso”. Despite devotional reliefs wide diffusion, details concerning their constitutive materials and manufacture are insufficiently studied. In the framework of a research program fo…

  • Révéler les choix matériels et techniques de Léonard de Vinci par l’analyse chimique: Le cas du pigment blanc de plomb

    Open Access•Victor Gonzalez, Víctor Fernando Herrera González et al.•ARTICLE•Spotlight•2024

    Collecter des informations chimiques sur les matériaux employés par Léonard de Vinci permet de mieux comprendre la matérialité de ses pratiques picturales et fournit de nouvelles informations pouvant contribuer à la conservation de ses œuvres. Mais les peintures de Léonard sont des systèmes chimiques complexes, assemblages hybrides de pigments minéraux et de composés organiques, notamment liants à l’huile. Ces pigments étaient obtenus par des voi…

Art (4 works) · Cultural Heritage Materials Analysis (4 works) · Building materials and conservation (3 works) · Conservation Techniques and Studies (3 works) · Materials Science (3 works) · Archaeology (2 works) · Chemistry (2 works) · Geology (2 works) · Gypsum (2 works) · History (2 works)

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