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Vincent Detalle

Biographic Data

ID1627469
NAMEVincent Detalle
GIVEN NAMESVincent
FAMILY NAMEDetalle
SIGNATUREDETALLE V
AFFILIATIONSLaboratoire de Recherche des Monuments Historiques
ORCID0000-0002-2716-6057
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS2
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Junon au milieu des nuées. Restauration au C2RMF: Les innovations au service de la conservation-restauration

    Open Access•Dominique Martos-Levif, Dominique Martos‐Levif et al.•ARTICLE•Spotlight•2025

    La dépose, en 1901, de la fresque de Giambattista Tiepolo Junon au milieu des nuées, son remontage sur un nouveau support et toute son histoire matérielle avaient provoqué un certain nombre d’altérations d’ordre structurel et esthétique. À l’occasion de son entrée dans les collections publiques lors de son acquisition par le musée du Louvre en 2020, l’œuvre a été restaurée et nettoyée au laser par une équipe de restaurateurs indépendants, avec l’…

  • Time-Gated Pulsed Raman Spectroscopy with NS Laser for Cultural Heritage

    Open Access•Xueshi Bai, Vincent Detalle•ARTICLE•Heritage•2023

    Raman spectroscopy, a non-destructive reference technique, is used in heritage science to directly identify materials like pigments, minerals, or binding media. However, depending on the material, the laser source can induce a strong fluorescence signal that may mask the Raman signal during spectral detection. This photo-induced effect can prevent the detection of a Raman peak. A pulsed Raman spectroscopy, using a time-gated detection and pulsed …

  • Contribution to Controlled Method of Varnish Removal from Easel Paintings by ns Pulsed Nd: YAG Laser

    Open Access•Maxime Lopez, Xueshi Bai et al.•ARTICLE•Heritage•2023•References: 1

    Varnish removal from easel paintings is a restoration procedure that is regularly undertaken by cultural heritage conservators. In very few cases, traditional methods (chemical and mechanical) do not allow them to reach the goal of a perfectly controlled and selective cleaning. UV laser ablation has been considered since the 1990s to overcome these limitations, but its application to real cases is far from common practice. This study proposes a c…

  • Historical pyrite “mirrors” from the Ecuadorian Cañari culture, digital microscopy observations, mineralogical and elemental analysis

    Open Access•François Gendron, Xueshi Bai et al.•ARTICLE•Journal of Archaeological Science…•2023•References: 1

  • Vers une nouvelle approche du nettoyage de peintures: Le laser comme outil de dévernissage

    Open Access•Maxime Lopez, Xueshi Bai et al.•ARTICLE•Spotlight•2020

    Le nettoyage de peintures de chevalet est une opération de restauration courante qui comprend le décrassage, l’allègement ou le retrait de vernis oxydés, ainsi que le retrait de repeints indésirables. Dans certaines situations, les méthodes traditionnelles utilisées par les restaurateurs (solubilisation ou retrait mécanique) ne suffisent pas pour aboutir à un nettoyage parfaitement contrôlé et sélectif. Pour pallier ces limitations, l’ablation la…

  • Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system

    Open Access•A Martínez-Hernández, M Oujja et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 2•References: 1

  • Calcium alkoxides as alternative consolidants for wall paintings: Evaluation of their performance in laboratory and on site, on model and original samples, in comparison to conventional products

    Open Access•Elsa Bourguignon, Patrizia Tomasin et al.•ARTICLE•Journal of Cultural Heritage•2018•References: 17

  • Technical study of Germolles’ wall paintings: The inputof imaging technique

    Open Access•Christian Degrigny, Francesca Piqué et al.•ARTICLE•Virtual Archaeology Review•2016

    The Château de Germolles is one of the rare palace in France dating from the 14 th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely courts of the time. After being concealed sometime in the 19 th century, the paintings were rediscovered and uncovered in the middle of the 20 th century and partly restored at the end of the 1990s. No scientific documentation accompa…

  • Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system

    Open Access•A Martínez-Hernández, M Oujja et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 2•References: 1

  • Technical study of Germolles’ wall paintings: The inputof imaging technique

    Open Access•Christian Degrigny, Francesca Piqué et al.•ARTICLE•Virtual Archaeology Review•2016

    The Château de Germolles is one of the rare palace in France dating from the 14 th century. The noble floor is decorated with wall paintings that are a unique example of courtly love spirit that infused the princely courts of the time. After being concealed sometime in the 19 th century, the paintings were rediscovered and uncovered in the middle of the 20 th century and partly restored at the end of the 1990s. No scientific documentation accompa…

  • Analysis of heritage stones and model wall paintings by pulsed laser excitation of Raman, laser-induced fluorescence and laser-induced breakdown spectroscopy signals with a hybrid system

    Open Access•A Martínez-Hernández, M Oujja et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 2•References: 1

  • Calcium alkoxides as alternative consolidants for wall paintings: Evaluation of their performance in laboratory and on site, on model and original samples, in comparison to conventional products

    Open Access•Elsa Bourguignon, Patrizia Tomasin et al.•ARTICLE•Journal of Cultural Heritage•2018•References: 17

  • Vers une nouvelle approche du nettoyage de peintures: Le laser comme outil de dévernissage

    Open Access•Maxime Lopez, Xueshi Bai et al.•ARTICLE•Spotlight•2020

    Le nettoyage de peintures de chevalet est une opération de restauration courante qui comprend le décrassage, l’allègement ou le retrait de vernis oxydés, ainsi que le retrait de repeints indésirables. Dans certaines situations, les méthodes traditionnelles utilisées par les restaurateurs (solubilisation ou retrait mécanique) ne suffisent pas pour aboutir à un nettoyage parfaitement contrôlé et sélectif. Pour pallier ces limitations, l’ablation la…

  • Time-Gated Pulsed Raman Spectroscopy with NS Laser for Cultural Heritage

    Open Access•Xueshi Bai, Vincent Detalle•ARTICLE•Heritage•2023

    Raman spectroscopy, a non-destructive reference technique, is used in heritage science to directly identify materials like pigments, minerals, or binding media. However, depending on the material, the laser source can induce a strong fluorescence signal that may mask the Raman signal during spectral detection. This photo-induced effect can prevent the detection of a Raman peak. A pulsed Raman spectroscopy, using a time-gated detection and pulsed …

  • Contribution to Controlled Method of Varnish Removal from Easel Paintings by ns Pulsed Nd: YAG Laser

    Open Access•Maxime Lopez, Xueshi Bai et al.•ARTICLE•Heritage•2023•References: 1

    Varnish removal from easel paintings is a restoration procedure that is regularly undertaken by cultural heritage conservators. In very few cases, traditional methods (chemical and mechanical) do not allow them to reach the goal of a perfectly controlled and selective cleaning. UV laser ablation has been considered since the 1990s to overcome these limitations, but its application to real cases is far from common practice. This study proposes a c…

  • Historical pyrite “mirrors” from the Ecuadorian Cañari culture, digital microscopy observations, mineralogical and elemental analysis

    Open Access•François Gendron, Xueshi Bai et al.•ARTICLE•Journal of Archaeological Science…•2023•References: 1

  • Junon au milieu des nuées. Restauration au C2RMF: Les innovations au service de la conservation-restauration

    Open Access•Dominique Martos-Levif, Dominique Martos‐Levif et al.•ARTICLE•Spotlight•2025

    La dépose, en 1901, de la fresque de Giambattista Tiepolo Junon au milieu des nuées, son remontage sur un nouveau support et toute son histoire matérielle avaient provoqué un certain nombre d’altérations d’ordre structurel et esthétique. À l’occasion de son entrée dans les collections publiques lors de son acquisition par le musée du Louvre en 2020, l’œuvre a été restaurée et nettoyée au laser par une équipe de restaurateurs indépendants, avec l’…

Cultural Heritage Materials Analysis (8 works) · Materials Science (5 works) · Art (4 works) · Chemistry (4 works) · Conservation Techniques and Studies (4 works) · Optics (4 works) · Laser (3 works) · Laser-induced spectroscopy and plasma (3 works) · Mineralogy (3 works) · Analytical Chemistry (journal (2 works)

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