Muriel Vervat
Biographic Data
| ID | 1627615 |
|---|---|
| NAME | Muriel Vervat |
| GIVEN NAMES | Muriel |
| FAMILY NAME | Vervat |
| SIGNATURE | VERVAT M |
| AFFILIATIONS | Opificio delle Pietre Dure |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 18 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
An ARCHLAB project: Researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
The objective of this research was to create a comparative database comprising findings from the London and Paris Battle’s with those that are currently being obtained from the research on the Uffizi painting. With experts from the Scientific Departments of the two Museums we made a comparative study of the silver-leaf usage and decoration techniques, and study the nature of the decorative organic layers present on the surface of metal leaf, from…
Trans-illumination and trans-irradiation with digital cameras: Potentials and limits of two imaging techniques used for the diagnostic investigation of paintings
The palette of the Macchia Italian artist Giovanni Fattori in the second half of the xixth century
A study of the blue colors used by Telemaco Signorini (1835-1901)
Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: Identification of Pigments and Colourimetric Analysis
A study of the blue colors used by Telemaco Signorini (1835-1901)
Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: Identification of Pigments and Colourimetric Analysis
Trans-illumination and trans-irradiation with digital cameras: Potentials and limits of two imaging techniques used for the diagnostic investigation of paintings
The palette of the Macchia Italian artist Giovanni Fattori in the second half of the xixth century
Non-invasive spectroscopic measurements on the Il ritratto della figliastra by Giovanni Fattori: Identification of Pigments and Colourimetric Analysis
A study of the blue colors used by Telemaco Signorini (1835-1901)
The palette of the Macchia Italian artist Giovanni Fattori in the second half of the xixth century
Trans-illumination and trans-irradiation with digital cameras: Potentials and limits of two imaging techniques used for the diagnostic investigation of paintings
An ARCHLAB project: Researches on the painting technique of the three panels of the Battle of San Romano by Paolo Uccello
The objective of this research was to create a comparative database comprising findings from the London and Paris Battle’s with those that are currently being obtained from the research on the Uffizi painting. With experts from the Scientific Departments of the two Museums we made a comparative study of the silver-leaf usage and decoration techniques, and study the nature of the decorative organic layers present on the surface of metal leaf, from…
Art (5 works) · Painting (5 works) · Visual arts (5 works) · Art history (4 works) · Cultural Heritage Materials Analysis (4 works) · Chemistry (2 works) · Conservation Techniques and Studies (2 works) · Engineering (2 works) · Physics (2 works) · Ancient history (1 works)