Joris Dik
Biographic Data
| ID | 1627656 |
|---|---|
| NAME | Joris Dik |
| GIVEN NAMES | Joris |
| FAMILY NAME | Dik |
| SIGNATURE | DIK J |
| AFFILIATIONS | Delft University of Technology |
| ORCID | 0000-0002-8905-8174 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 21 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2012 |
| H-INDEX | 2 |
Rembrandt and/or Studio, Saul and David, c.1655: Visualising the curtain using cross-section analyses and X-ray fluorescence imaging
Les recherches techniques récentes sur une peinture tardive de Rembrandt – Saül et David, vers 1655 – de la collection du Mauritshuis de La Haye ont livré des informations nouvelles sur l’état de la peinture et sur son aspect d’origine. On le sait, dans le passé, les deux figures ont été découpées puis rassemblées en réintégrant un large morceau de toile manquant au-dessus de la tête de David et en ajoutant d’étroites bandes sur les bordures supé…
Process for the 3D virtual reconstruction of a microcultural heritage artifact obtained by synchrotron radiation CT technology using open source and free software
Dark and Shiny: The Discovery of Chromite in Bronze Age Faience
The Late Bronze Age (1550–1200 bc ) in the Near East was a period of cultural development, international trade and technological innovation, notably in metallurgy and silicate technology. As a spin‐off of the new glass technology, new colorants were also applied to faience glazes presumably to increase their aesthetic value. Here, we report on the presence of chromite minerals in the glaze of a faience vessel from Deir ‘Alla, Jordan, 1200 years e…
Early Production Recipes for Lead Antimonate Yellow in Italian Art
Lead antimonate yellow, or Naples Yellow, is one of the most common yellow pigments in Western European art. It was used mainly in the period from 1500 to 1850. During the 18th and 19th centuries, a whole range of production recipes was published. However, the early production history of the pigment is not well understood. In this paper, a study of two early production recipes is reported. Under the nomenclature of potters’ yellow, the recipes de…
Early Production Recipes for Lead Antimonate Yellow in Italian Art
Lead antimonate yellow, or Naples Yellow, is one of the most common yellow pigments in Western European art. It was used mainly in the period from 1500 to 1850. During the 18th and 19th centuries, a whole range of production recipes was published. However, the early production history of the pigment is not well understood. In this paper, a study of two early production recipes is reported. Under the nomenclature of potters’ yellow, the recipes de…
Process for the 3D virtual reconstruction of a microcultural heritage artifact obtained by synchrotron radiation CT technology using open source and free software
Early Production Recipes for Lead Antimonate Yellow in Italian Art
Lead antimonate yellow, or Naples Yellow, is one of the most common yellow pigments in Western European art. It was used mainly in the period from 1500 to 1850. During the 18th and 19th centuries, a whole range of production recipes was published. However, the early production history of the pigment is not well understood. In this paper, a study of two early production recipes is reported. Under the nomenclature of potters’ yellow, the recipes de…
Dark and Shiny: The Discovery of Chromite in Bronze Age Faience
The Late Bronze Age (1550–1200 bc ) in the Near East was a period of cultural development, international trade and technological innovation, notably in metallurgy and silicate technology. As a spin‐off of the new glass technology, new colorants were also applied to faience glazes presumably to increase their aesthetic value. Here, we report on the presence of chromite minerals in the glaze of a faience vessel from Deir ‘Alla, Jordan, 1200 years e…
Rembrandt and/or Studio, Saul and David, c.1655: Visualising the curtain using cross-section analyses and X-ray fluorescence imaging
Les recherches techniques récentes sur une peinture tardive de Rembrandt – Saül et David, vers 1655 – de la collection du Mauritshuis de La Haye ont livré des informations nouvelles sur l’état de la peinture et sur son aspect d’origine. On le sait, dans le passé, les deux figures ont été découpées puis rassemblées en réintégrant un large morceau de toile manquant au-dessus de la tête de David et en ajoutant d’étroites bandes sur les bordures supé…
Process for the 3D virtual reconstruction of a microcultural heritage artifact obtained by synchrotron radiation CT technology using open source and free software
Cultural Heritage Materials Analysis (3 works) · Archaeology (2 works) · Art (2 works) · Computer Science (2 works) · Conservation Techniques and Studies (2 works) · Geography (2 works) · Materials Science (2 works) · Metallurgy (2 works) · 3D Shape Modeling and Analysis (1 works) · 3D Surveying and Cultural Heritage (1 works)