Antonio Sgamellotti
Biographic Data
| ID | 1627674 |
|---|---|
| NAME | Antonio Sgamellotti |
| GIVEN NAMES | Antonio |
| FAMILY NAME | Sgamellotti |
| SIGNATURE | SGAMELLOTTI A |
| AFFILIATIONS | University of Perugia |
| VERIFIED | No |
| TOTAL WORKS | 14 |
| TOTAL CITATIONS | 44 |
| AUTHOR COUNT | 14 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2003 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 4 |
Things Always Come in Three
Non-invasive optical spectroscopical analyses were conducted on the three main walls of Alexander and Roxane’s Wedding Room in Villa Farnesina, Rome. The north and the east walls were frescoed by Sodoma in 1519. The decoration of the third wall was subsequent and neither the author nor the period is known. The north and east walls underwent various restorations, some even very invasive. For these reasons, the supposed remaining original parts of …
Science and Art
Cultural and Historical Implications of Non-destructive Analyses on Mesoamerican Codices in the Bodleian Libraries
Disclosing the composition of historical commercial felt-tip pens used in art by integrated vibrational spectroscopy and pyrolysis-gas chromatography/mass spectrometry
Further Insight into Mesoamerican Paint Technology
Here, we report on the analytical findings and their cultural implications of a multidisciplinary study of the pre‐Columbian Codex Fejérváry‐Mayer. Today conserved at the World Museum in Liverpool, it is one of the finest Mesoamerican codices among the few extant. Thanks to the exploitation of non‐invasive analytical methodologies accessible through the MOLAB European mobile facility, the study allowed us to disclose the chemical composition of t…
Molab
MOLAB est un ensemble unique d’instruments mobiles intégrés créé en Italie en 2001 et disponible à un accès transnational depuis 2004 dans le cadre des programmes européens Eu-ARTECH (6e PC) et CHARISMA (7e PC). Son utilisation a démontré au cours des dix dernières années que l’on peut obtenir des résultats analytiques de qualité par des travaux in situ sur différents types d’objets du patrimoine sans avoir à prélever des échantillons ou à les tr…
Molab growth, aims and results
MOLAB is a unique collection of integrated mobile instrumentation established in Italy in 2001 and open from 2004 to transnational access within the European projects Eu-ARTECH (FP6) and CHARISMA (FP7). Its application demonstrated in the last decade that satisfactory analytical results can be obtained through in situ studies of a variety of heritage objects without sampling or moving them to a laboratory, achieving significant overviews on natur…
Non-invasive investigation of a pre-Hispanic Maya screenfold book
Colouring materials of pre-Columbian codices
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino
Durability of the artificial calcium oxalate protective on two Florentine monuments
A Study on Late Medieval Transparent‐glazed Pottery and Archaic Majolica From Orvieto (Central Italy)
Nineteen samples of medieval transparent‐glazed pottery and archaic majolica from Orvieto (central Italy) were studied. They were classified by archaeological criterion as follows: five transparent‐glazed fragments with green and brown decorations (first half of the 13th century), eight green transparent‐glazed fragments (13th century) and six tin‐glazed fragments with green and brown decorations (second half of the 13th century). SEM–EDX, XRD (t…
Characterisation of lustre and pigment composition in ancient pottery by laser induced fluorescence and breakdown spectroscopy
Microtexture and microchemistry of glaze and pigments in Italian Renaissance pottery from Gubbio and Deruta
Colouring materials of pre-Columbian codices
Non-invasive investigation of a pre-Hispanic Maya screenfold book
Durability of the artificial calcium oxalate protective on two Florentine monuments
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino
Disclosing the composition of historical commercial felt-tip pens used in art by integrated vibrational spectroscopy and pyrolysis-gas chromatography/mass spectrometry
A Study on Late Medieval Transparent‐glazed Pottery and Archaic Majolica From Orvieto (Central Italy)
Nineteen samples of medieval transparent‐glazed pottery and archaic majolica from Orvieto (central Italy) were studied. They were classified by archaeological criterion as follows: five transparent‐glazed fragments with green and brown decorations (first half of the 13th century), eight green transparent‐glazed fragments (13th century) and six tin‐glazed fragments with green and brown decorations (second half of the 13th century). SEM–EDX, XRD (t…
Microtexture and microchemistry of glaze and pigments in Italian Renaissance pottery from Gubbio and Deruta
Further Insight into Mesoamerican Paint Technology
Here, we report on the analytical findings and their cultural implications of a multidisciplinary study of the pre‐Columbian Codex Fejérváry‐Mayer. Today conserved at the World Museum in Liverpool, it is one of the finest Mesoamerican codices among the few extant. Thanks to the exploitation of non‐invasive analytical methodologies accessible through the MOLAB European mobile facility, the study allowed us to disclose the chemical composition of t…
Molab growth, aims and results
MOLAB is a unique collection of integrated mobile instrumentation established in Italy in 2001 and open from 2004 to transnational access within the European projects Eu-ARTECH (FP6) and CHARISMA (FP7). Its application demonstrated in the last decade that satisfactory analytical results can be obtained through in situ studies of a variety of heritage objects without sampling or moving them to a laboratory, achieving significant overviews on natur…
Characterisation of lustre and pigment composition in ancient pottery by laser induced fluorescence and breakdown spectroscopy
Microtexture and microchemistry of glaze and pigments in Italian Renaissance pottery from Gubbio and Deruta
A Study on Late Medieval Transparent‐glazed Pottery and Archaic Majolica From Orvieto (Central Italy)
Nineteen samples of medieval transparent‐glazed pottery and archaic majolica from Orvieto (central Italy) were studied. They were classified by archaeological criterion as follows: five transparent‐glazed fragments with green and brown decorations (first half of the 13th century), eight green transparent‐glazed fragments (13th century) and six tin‐glazed fragments with green and brown decorations (second half of the 13th century). SEM–EDX, XRD (t…
The combined use of lead-tin yellow type I and II on a canvas painting by Pietro Perugino
Durability of the artificial calcium oxalate protective on two Florentine monuments
Colouring materials of pre-Columbian codices
Non-invasive investigation of a pre-Hispanic Maya screenfold book
Molab
MOLAB est un ensemble unique d’instruments mobiles intégrés créé en Italie en 2001 et disponible à un accès transnational depuis 2004 dans le cadre des programmes européens Eu-ARTECH (6e PC) et CHARISMA (7e PC). Son utilisation a démontré au cours des dix dernières années que l’on peut obtenir des résultats analytiques de qualité par des travaux in situ sur différents types d’objets du patrimoine sans avoir à prélever des échantillons ou à les tr…
Molab growth, aims and results
MOLAB is a unique collection of integrated mobile instrumentation established in Italy in 2001 and open from 2004 to transnational access within the European projects Eu-ARTECH (FP6) and CHARISMA (FP7). Its application demonstrated in the last decade that satisfactory analytical results can be obtained through in situ studies of a variety of heritage objects without sampling or moving them to a laboratory, achieving significant overviews on natur…
Cultural and Historical Implications of Non-destructive Analyses on Mesoamerican Codices in the Bodleian Libraries
Disclosing the composition of historical commercial felt-tip pens used in art by integrated vibrational spectroscopy and pyrolysis-gas chromatography/mass spectrometry
Further Insight into Mesoamerican Paint Technology
Here, we report on the analytical findings and their cultural implications of a multidisciplinary study of the pre‐Columbian Codex Fejérváry‐Mayer. Today conserved at the World Museum in Liverpool, it is one of the finest Mesoamerican codices among the few extant. Thanks to the exploitation of non‐invasive analytical methodologies accessible through the MOLAB European mobile facility, the study allowed us to disclose the chemical composition of t…
Science and Art
Things Always Come in Three
Non-invasive optical spectroscopical analyses were conducted on the three main walls of Alexander and Roxane’s Wedding Room in Villa Farnesina, Rome. The north and the east walls were frescoed by Sodoma in 1519. The decoration of the third wall was subsequent and neither the author nor the period is known. The north and east walls underwent various restorations, some even very invasive. For these reasons, the supposed remaining original parts of …
Cultural Heritage Materials Analysis (12 works) · Building materials and conservation (9 works) · Conservation Techniques and Studies (9 works) · Archaeology (7 works) · Art (6 works) · Materials Science (6 works) · Metallurgy (5 works) · Chemistry (4 works) · Geography (4 works) · History (4 works)