Nina Lager Vestberg
Biographic Data
| ID | 1631136 |
|---|---|
| NAME | Nina Lager Vestberg |
| GIVEN NAMES | Nina Lager |
| FAMILY NAME | Vestberg |
| SIGNATURE | VESTBERG N L |
| AFFILIATIONS | Birkbeck, University of London |
| ORCID | 0000-0002-5088-5543 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 4 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Reproducing a Nation
Seeing, Saving, and Remembering Barnardo’s Children
Seeing, Saving, and Remembering Barnardo’s Children: Technologies of Access and Preservation in Historical Research. Un article de la revue Scientia Canadensis (Photography: Science, Technology and Practice) diffusée par la plateforme Érudit
A digital museum's contribution to diversity - a user study
Responding to the Norwegian cultural policy concern of diversity, this article presents the results from three data sets that capture user background, behaviour, values and opinions regarding the digital portal for museum objects, images and stories, DigitaltMuseum. Specifically, the exploratory research draws data from a ‘population’ survey of digital consumption in Norway, a DigitaltMuseum user survey, and device and usage data captured by Goog…
Documenting the World
Edited collections of essays get a hard press these days: as books they tend to be ineligible for assessment in evaluation exercises aimed at determining research excellence, and ambitious academic
Media and the Ecological Crisis
Introduction: Media Ecology Recycled Richard Maxwell, Jon Raundalen, and Nina Lager Vestberg Part 1: New Media Materialism 1. Powering the Digital: From Energy Ecologies to Electronic Environmentalism Jennifer Gabrys 2. Immaterial Culture? The (Un)Sustainability of Screens Paul Micklethwaite 3.Damaged Nature: The Media Ecology of Auto-destructive Art Synnove Marie Vik 4. Documenting Depletion: Of Algorithmic Machines, Experience Streams, and Plas…
Ordering, Searching, Finding
The functions of an archive depend on the medium in which its holdings are recorded; the material on which they are inscribed; the location in which the materials are stored, and the system of order in which all of these elements are configured. Digital technology enables archives to be organized in new and multiple ways, according to the principles of what Weinberger calls a ‘new digital disorder’ in his 2007 book, Everything Is Miscellaneous: T…
Robert Doisneau and the Making of a Universal Cliché
This article explores the theme of photographic universality through a close examination of the widely reproduced image The Kiss at the Hôtel de Ville (1950) by Robert Doisneau. It considers to what extent this image can be constructed as a French photograph, located within a particular national paradigm of photographic humanism, suggesting that the image may be more appropriately accommodated in a historical rather than a national perspective, a…
Archive Style
Copyright Between Commerce and Creativity
Archival Value
In light of the recent material turn in photography studies, this article proposes a reconsideration of two of its favourite tropes: the index and the archive. It argues for a reconception of indexicality that privileges the referent associated with the photographic object, as opposed to the photographic image, with reference to contemporary repackaging of erstwhile ephemeral and disposable photographic prints in the context of both the art museu…
Fsa
Édouard Boubat
Archival Value
In light of the recent material turn in photography studies, this article proposes a reconsideration of two of its favourite tropes: the index and the archive. It argues for a reconception of indexicality that privileges the referent associated with the photographic object, as opposed to the photographic image, with reference to contemporary repackaging of erstwhile ephemeral and disposable photographic prints in the context of both the art museu…
A digital museum's contribution to diversity - a user study
Responding to the Norwegian cultural policy concern of diversity, this article presents the results from three data sets that capture user background, behaviour, values and opinions regarding the digital portal for museum objects, images and stories, DigitaltMuseum. Specifically, the exploratory research draws data from a ‘population’ survey of digital consumption in Norway, a DigitaltMuseum user survey, and device and usage data captured by Goog…
Édouard Boubat
Fsa
Archive Style
Copyright Between Commerce and Creativity
Archival Value
In light of the recent material turn in photography studies, this article proposes a reconsideration of two of its favourite tropes: the index and the archive. It argues for a reconception of indexicality that privileges the referent associated with the photographic object, as opposed to the photographic image, with reference to contemporary repackaging of erstwhile ephemeral and disposable photographic prints in the context of both the art museu…
Robert Doisneau and the Making of a Universal Cliché
This article explores the theme of photographic universality through a close examination of the widely reproduced image The Kiss at the Hôtel de Ville (1950) by Robert Doisneau. It considers to what extent this image can be constructed as a French photograph, located within a particular national paradigm of photographic humanism, suggesting that the image may be more appropriately accommodated in a historical rather than a national perspective, a…
Ordering, Searching, Finding
The functions of an archive depend on the medium in which its holdings are recorded; the material on which they are inscribed; the location in which the materials are stored, and the system of order in which all of these elements are configured. Digital technology enables archives to be organized in new and multiple ways, according to the principles of what Weinberger calls a ‘new digital disorder’ in his 2007 book, Everything Is Miscellaneous: T…
Media and the Ecological Crisis
Introduction: Media Ecology Recycled Richard Maxwell, Jon Raundalen, and Nina Lager Vestberg Part 1: New Media Materialism 1. Powering the Digital: From Energy Ecologies to Electronic Environmentalism Jennifer Gabrys 2. Immaterial Culture? The (Un)Sustainability of Screens Paul Micklethwaite 3.Damaged Nature: The Media Ecology of Auto-destructive Art Synnove Marie Vik 4. Documenting Depletion: Of Algorithmic Machines, Experience Streams, and Plas…
Documenting the World
Edited collections of essays get a hard press these days: as books they tend to be ineligible for assessment in evaluation exercises aimed at determining research excellence, and ambitious academic
A digital museum's contribution to diversity - a user study
Responding to the Norwegian cultural policy concern of diversity, this article presents the results from three data sets that capture user background, behaviour, values and opinions regarding the digital portal for museum objects, images and stories, DigitaltMuseum. Specifically, the exploratory research draws data from a ‘population’ survey of digital consumption in Norway, a DigitaltMuseum user survey, and device and usage data captured by Goog…
Seeing, Saving, and Remembering Barnardo’s Children
Seeing, Saving, and Remembering Barnardo’s Children: Technologies of Access and Preservation in Historical Research. Un article de la revue Scientia Canadensis (Photography: Science, Technology and Practice) diffusée par la plateforme Érudit
Reproducing a Nation
Art (8 works) · Computer Science (8 works) · Visual arts (8 works) · Art history (7 works) · History (5 works) · Photography (5 works) · Photography and Visual Culture (5 works) · Citation (4 works) · Law (4 works) · Library science (4 works)