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Pasqualina Eckerström

Biographic Data

ID1637270
NAMEPasqualina Eckerström
GIVEN NAMESPasqualina
FAMILY NAMEEckerström
SIGNATUREECKERSTRÖM P
AFFILIATIONSUniversity of Helsinki
ORCID0000-0001-7023-875X
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2022
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Religion as a tool for governance: (De)legitimation of religion among metal musicians and fans in Iran and Saudi Arabia

    Open Access•Pasqualina Eckerström•ARTICLE•Religion State & Society•2026

    Strict religious regulations in Iran and Saudi Arabia restrict artistic expression, particularly for those who challenge the status quo, impacting metal musicians and fans in both countries. Despite this, metal music in these two contexts has often opposed the use of religion as a means of control. Metal is considered harām (forbidden) by religious authorities in Iran, who associate it with criticism of organised religion. Recently, Saudi Arabia …

  • A retrospective of Mark LeVine’s Heavy Metal Islam: Rock, Resistance and the Struggle for the Soul of Islam

    Pasqualina Eckerström•ARTICLE•Metal Music Studies•2025

    This study has significantly influenced metal music research by exploring alternative music scenes in the Middle East and North Africa. This retrospective reflects on the visionary insights of this work and its ongoing relevance in contemporary discussions about cultural resistance

  • The unintended consequences of state-enforced religion: Blasphemous' metal music as secondary deviation in Iran

    Open Access•Pasqualina Eckerström, T Hjelm•ARTICLE•Religion•2025•References: 35

    The concept of blasphemy has been the subject of considerable legal debate and normative analysis. However, we know much less about the lived realities of people living under regimes that not only criminalise blasphemy but also actively monitor and enforce blasphemy laws. This article analyses metal music as a form of religious deviance in Iran, where the production and consumption of most types of metal music have been banned. We examine how Ira…

  • Putting transgression into context within the complex Saudi heavy metal scene

    Pasqualina Eckerström•ARTICLE•Metal Music Studies•2024

    After the 1979 seizure of the Mecca Grand Mosque by local radicals, the Saudi authorities banned entertainment for four decades to appease clerics and to silence artists, including musicians. As a result, heavy metal music in Saudi Arabia has primarily been created and played in secret. Vision 2030 brings entertainment to the public Saudi stage, including metal music, but limitations exist. In most secular countries, extreme heavy metal is no lon…

  • Extreme heavy metal and blasphemy in Iran: The case of Confess

    Open Access•Pasqualina Eckerström•ARTICLE•Contemporary Islam•2022•Cited by: 1•References: 7

    Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, distur…

  • Extreme heavy metal and blasphemy in Iran: The case of Confess

    Open Access•Pasqualina Eckerström•ARTICLE•Contemporary Islam•2022•Cited by: 1•References: 7

    Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, distur…

  • Extreme heavy metal and blasphemy in Iran: The case of Confess

    Open Access•Pasqualina Eckerström•ARTICLE•Contemporary Islam•2022•Cited by: 1•References: 7

    Since the revolution in 1979, the Islamic Republic of Iran has imprisoned musicians, especially punk, hip-hop, and hard rock bands, as well as those playing heavy metal subgenres. Extreme heavy metal artists and fans emerged in the 1990s. The government soon targeted them as Satanists and began a systematic crackdown on metalheads. The metalcore band Confess is the most well-known case. The band was arrested in 2015 on counts of blasphemy, distur…

  • Putting transgression into context within the complex Saudi heavy metal scene

    Pasqualina Eckerström•ARTICLE•Metal Music Studies•2024

    After the 1979 seizure of the Mecca Grand Mosque by local radicals, the Saudi authorities banned entertainment for four decades to appease clerics and to silence artists, including musicians. As a result, heavy metal music in Saudi Arabia has primarily been created and played in secret. Vision 2030 brings entertainment to the public Saudi stage, including metal music, but limitations exist. In most secular countries, extreme heavy metal is no lon…

  • A retrospective of Mark LeVine’s Heavy Metal Islam: Rock, Resistance and the Struggle for the Soul of Islam

    Pasqualina Eckerström•ARTICLE•Metal Music Studies•2025

    This study has significantly influenced metal music research by exploring alternative music scenes in the Middle East and North Africa. This retrospective reflects on the visionary insights of this work and its ongoing relevance in contemporary discussions about cultural resistance

  • The unintended consequences of state-enforced religion: Blasphemous' metal music as secondary deviation in Iran

    Open Access•Pasqualina Eckerström, T Hjelm•ARTICLE•Religion•2025•References: 35

    The concept of blasphemy has been the subject of considerable legal debate and normative analysis. However, we know much less about the lived realities of people living under regimes that not only criminalise blasphemy but also actively monitor and enforce blasphemy laws. This article analyses metal music as a form of religious deviance in Iran, where the production and consumption of most types of metal music have been banned. We examine how Ira…

  • Religion as a tool for governance: (De)legitimation of religion among metal musicians and fans in Iran and Saudi Arabia

    Open Access•Pasqualina Eckerström•ARTICLE•Religion State & Society•2026

    Strict religious regulations in Iran and Saudi Arabia restrict artistic expression, particularly for those who challenge the status quo, impacting metal musicians and fans in both countries. Despite this, metal music in these two contexts has often opposed the use of religion as a means of control. Metal is considered harām (forbidden) by religious authorities in Iran, who associate it with criticism of organised religion. Recently, Saudi Arabia …

History (3 works) · Islam (3 works) · Philosophy (3 works) · Theology (3 works) · Islamic Studies and History (2 works) · Jewish and Middle Eastern Studies (2 works) · Law (2 works) · Music History and Culture (2 works) · Political science (2 works) · Religious studies (2 works)

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