Asiya Bulatova
Biographic Data
| ID | 1638440 |
|---|---|
| NAME | Asiya Bulatova |
| GIVEN NAMES | Asiya |
| FAMILY NAME | Bulatova |
| SIGNATURE | BULATOVA A |
| AFFILIATIONS | Nanyang Technological University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Estranging Objects and Complicating Form
In Viktor Shklovsky’s essay “Art as Device” habitual perception is described as a dangerous practice, which renders one insensitive to the experiences of modernity. Importantly, the subjects’ automatized relationship with the surrounding world disrupts their ability to engage with objects. Rather than being experienced through the senses, the object is recognized through an epistemological (preconceived) framework. As a result, Shklovsky argues, …
Displaced Modernism
From its first publication in 1923, Viktor Shklovsky's book Zoo, or Letters Not about Love has been discussed as a text that takes up a borderline position between literature and literary theory. The fact that the book was written and first published in Berlin ensured its place in studies of émigré literature concerned with geographic borders. In light of this twofold understanding of border as a boundary between genres and a category of literary…
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Displaced Modernism
From its first publication in 1923, Viktor Shklovsky's book Zoo, or Letters Not about Love has been discussed as a text that takes up a borderline position between literature and literary theory. The fact that the book was written and first published in Berlin ensured its place in studies of émigré literature concerned with geographic borders. In light of this twofold understanding of border as a boundary between genres and a category of literary…
Estranging Objects and Complicating Form
In Viktor Shklovsky’s essay “Art as Device” habitual perception is described as a dangerous practice, which renders one insensitive to the experiences of modernity. Importantly, the subjects’ automatized relationship with the surrounding world disrupts their ability to engage with objects. Rather than being experienced through the senses, the object is recognized through an epistemological (preconceived) framework. As a result, Shklovsky argues, …
Art (3 works) · Literature (3 works) · Philosophy (3 works) · Russian Literature and Bakhtin Studies (3 works) · Spatial and Cultural Studies (2 works) · Aesthetics (1 work) · Comparative literature (1 work) · Contemporary Literature and Criticism (1 work) · Epistemology (1 work) · European Linguistics and Anthropology (1 work)