Mats Haraldsen
Biographic Data
| ID | 1638547 |
|---|---|
| NAME | Mats Haraldsen |
| GIVEN NAMES | Mats |
| FAMILY NAME | Haraldsen |
| SIGNATURE | HARALDSEN M |
| AFFILIATIONS | University of Oslo |
| ORCID | 0000-0001-9385-0909 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2023 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Vittorini’s double realities in Conversations in Sicily: Embodied remembering in reading
Readers, we argue, frequently engage with the events unfolding in literary texts without relying on symbolic representation. When immersing themselves in embodied and imaginative depictions of memories during reading, readers can directly experience and engage with these cognitive processes. We construct a theoretical framework rooted in an embodied-ecological view on language and reading to argue against the ‘code view’ where reading is seen as …
Engineering the mind: The arts of memory, writing literature and economic agency in digital technology
From a 4E cognition framework, this article compares earlier cultural and technologically mediated expert practices with contemporary use of digital technology. I discuss two case studies. First, the art of memory, where I look at how medieval monks constructed memory palaces inside their minds to enable creative thinking and how Renaissance thinker Giulio Camillo built on this tradition to create a complex machine to think. The second example is…
Making a comic: Cognitive event analysis of narrative affordance navigation
In this article, we investigate how a process of creative and imaginative narration emerges from the interaction between an expert comic writer and his environment. Our argument is based on a cognitive video-ethnographic investigation of a critically acclaimed Norwegian comic author, Anders Kvammen. From the perspective of ecological psychology, we present a detailed analysis of a single concrete example to illustrate our argument, supported by b…
Thinking elsewhere: Designer environments for religion and literature
Making Sense of the Past Together: Collaborative Remembering in Cry, Mother Spain
What are the relationships linking memory, literature, and the different minds that write and remember in literature? This article explores how recent research on memory within cognitive science can provide us with new ways of understanding these interconnections as they play out in Lydie Salvayre's novel Cry, Mother Spain (Pas Pleurer). First, drawing on work within the study of extended cognition and the reconstructive nature of memory, the art…
Extended Remembering: Georges Perec and Writing as Thinking
What are the relations among writing, thinking, and remembering? This article sets forth the epistemological claim that Georges Perec’s book W, or the Memory of Childhood is an integrated part of Perec’s cognitive process of remembering. By drawing on the extended mind thesis, as well as recent work on memory within cognitive science, it argues that Perec’s cognitive processes are extended into his text and, furthermore, that they are partly acce…
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Extended Remembering: Georges Perec and Writing as Thinking
What are the relations among writing, thinking, and remembering? This article sets forth the epistemological claim that Georges Perec’s book W, or the Memory of Childhood is an integrated part of Perec’s cognitive process of remembering. By drawing on the extended mind thesis, as well as recent work on memory within cognitive science, it argues that Perec’s cognitive processes are extended into his text and, furthermore, that they are partly acce…
Engineering the mind: The arts of memory, writing literature and economic agency in digital technology
From a 4E cognition framework, this article compares earlier cultural and technologically mediated expert practices with contemporary use of digital technology. I discuss two case studies. First, the art of memory, where I look at how medieval monks constructed memory palaces inside their minds to enable creative thinking and how Renaissance thinker Giulio Camillo built on this tradition to create a complex machine to think. The second example is…
Making a comic: Cognitive event analysis of narrative affordance navigation
In this article, we investigate how a process of creative and imaginative narration emerges from the interaction between an expert comic writer and his environment. Our argument is based on a cognitive video-ethnographic investigation of a critically acclaimed Norwegian comic author, Anders Kvammen. From the perspective of ecological psychology, we present a detailed analysis of a single concrete example to illustrate our argument, supported by b…
Thinking elsewhere: Designer environments for religion and literature
Making Sense of the Past Together: Collaborative Remembering in Cry, Mother Spain
What are the relationships linking memory, literature, and the different minds that write and remember in literature? This article explores how recent research on memory within cognitive science can provide us with new ways of understanding these interconnections as they play out in Lydie Salvayre's novel Cry, Mother Spain (Pas Pleurer). First, drawing on work within the study of extended cognition and the reconstructive nature of memory, the art…
Vittorini’s double realities in Conversations in Sicily: Embodied remembering in reading
Readers, we argue, frequently engage with the events unfolding in literary texts without relying on symbolic representation. When immersing themselves in embodied and imaginative depictions of memories during reading, readers can directly experience and engage with these cognitive processes. We construct a theoretical framework rooted in an embodied-ecological view on language and reading to argue against the ‘code view’ where reading is seen as …
Cognition (4 works) · Art (3 works) · Cognitive science (3 works) · Psychology (3 works) · Computer Science (2 works) · Embodied and Extended Cognition (2 works) · Embodied cognition (2 works) · Epistemology (2 works) · Sociology (2 works) · Visual arts (2 works)