Stratos E Constantinidi
Biographic Data
| ID | 1638556 |
|---|---|
| NAME | Stratos E Constantinidi |
| GIVEN NAMES | Stratos E |
| FAMILY NAME | Constantinidi |
| SIGNATURE | CONSTANTINIDI S E |
| ORCID | 0000-0002-3543-3792 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 0 |
Greek Theatre Between Antiquity and Independence
Reviewed by: Greek Theatre Between Antiquity and Independence: A History of Reinvention from the Third Century B. C. to 1830 by Walter Puchner Stratos E. Constantinidis Walter Puchner. Greek Theatre Between Antiquity and Independence: A History of Reinvention from the Third Century b. c. to 1830. Cambridge: Cambridge University Press, 2017. Pp. xix, 355. $99.99. ISBN 978-1-107-05947-4. Assisted by Andrew Walker White. This historical account of G…
The Broadhead Hypothesis
Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been revisioned and adapted over the last 2500 years, focusing both on his theatrical reception and his reception in other media and genres
Theatre under Deconstruction? A Question of Approach
Illusion in Theater
Maurice Merleau-Ponty concludes his discussion of the Higher Forms of Behavior: Pavlov's Reflexology and its Postulates (1967:52-128) by submitting two major propositions: first, unlike lower responses which are functions of antecedent conditions unfolding in objective time and space, higher responses do not depend on stimuli, taken materially, but rather on the meaning of the situation (1967:125). Second, behavior consists of relations that are …
No prominent works on this page.
Illusion in Theater
Maurice Merleau-Ponty concludes his discussion of the Higher Forms of Behavior: Pavlov's Reflexology and its Postulates (1967:52-128) by submitting two major propositions: first, unlike lower responses which are functions of antecedent conditions unfolding in objective time and space, higher responses do not depend on stimuli, taken materially, but rather on the meaning of the situation (1967:125). Second, behavior consists of relations that are …
Theatre under Deconstruction? A Question of Approach
The Broadhead Hypothesis
Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been revisioned and adapted over the last 2500 years, focusing both on his theatrical reception and his reception in other media and genres
Greek Theatre Between Antiquity and Independence
Reviewed by: Greek Theatre Between Antiquity and Independence: A History of Reinvention from the Third Century B. C. to 1830 by Walter Puchner Stratos E. Constantinidis Walter Puchner. Greek Theatre Between Antiquity and Independence: A History of Reinvention from the Third Century b. c. to 1830. Cambridge: Cambridge University Press, 2017. Pp. xix, 355. $99.99. ISBN 978-1-107-05947-4. Assisted by Andrew Walker White. This historical account of G…
Art (2 works) · Classical Antiquity Studies (2 works) · History (2 works) · Aesthetics (1 work) · Balkans: History, Politics, Society (1 work) · Classics (1 work) · Cognitive psychology (1 work) · Computer Science (1 work) · Contemporary and Historical Greek Studies (1 work) · Deconstruction (building (1 work)