John Lutterbie
Biographic Data
| ID | 1638650 |
|---|---|
| NAME | John Lutterbie |
| GIVEN NAMES | John |
| FAMILY NAME | Lutterbie |
| SIGNATURE | LUTTERBIE J |
| AFFILIATIONS | Stony Brook University |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Feeling Beauty, Time, and the Body in Neuroaesthetics
Innovations in neural imaging have given rise to the relatively new field of neuroaesthetics, an interdisciplinary approach to issues of aesthetics located at the intersection of the cognitive sciences, arts, and humanities. Using G. Gabrielle Starr's discussion of Gian Bernini's Apollo and Daphne in Feeling Beauty: The Neuroscience of Aesthetic Experience (2013), this essay expands on her work by stressing the importance of the phenomenological …
Edges of Loss (review)
Conversations with Arthur Miller
Subjects of Silence
The use of silence as a dramaturgical convention in the modern theatre was first exploited by Anton Chekhov, who used it as a means of revealing subtext, in this instance the unspoken interaction between characters. The exploration of this interplay of desire within personal relationships assumed that characters are coherent subjects, psychologically grounded in perceptual reality. Recently, however, this definition of the subject has been challe…
Subjects of Silence
The use of silence as a dramaturgical convention in the modern theatre was first exploited by Anton Chekhov, who used it as a means of revealing subtext, in this instance the unspoken interaction between characters. The exploration of this interplay of desire within personal relationships assumed that characters are coherent subjects, psychologically grounded in perceptual reality. Recently, however, this definition of the subject has been challe…
Conversations with Arthur Miller
Edges of Loss (review)
Feeling Beauty, Time, and the Body in Neuroaesthetics
Innovations in neural imaging have given rise to the relatively new field of neuroaesthetics, an interdisciplinary approach to issues of aesthetics located at the intersection of the cognitive sciences, arts, and humanities. Using G. Gabrielle Starr's discussion of Gian Bernini's Apollo and Daphne in Feeling Beauty: The Neuroscience of Aesthetic Experience (2013), this essay expands on her work by stressing the importance of the phenomenological …
Art (4 works) · Aesthetics (2 works) · Psychology (2 works) · Aesthetic Perception and Analysis (1 work) · Beauty (1 work) · Biology (1 work) · Cartography (1 work) · Cultural Studies and Interdisciplinary Research (1 work) · Ecology (1 work) · Environmental ethics (1 work)