Kimberly Blaeser
Biographic Data
| ID | 1638969 |
|---|---|
| NAME | Kimberly Blaeser |
| GIVEN NAMES | Kimberly |
| FAMILY NAME | Blaeser |
| SIGNATURE | BLAESER K |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 1 |
Captivity
Captivity
82 WLT MAY–AUGUST 2017 photo courtesy of the author cover feature new native writing WORLDLIT.ORG 83 Captivity by Kimberly Blaeser I. A mark across the body. The morning I watched my beloved uncle disappear down the alley. His car left sitting in our yard for thirty days. This tattoo we cover with shame. The stories my mother whispered as if gitchi-manidoo was a child who should not be told of the troubles of humans. All those taken. Visits made …
Gerald Vizenor
Journal Article Gerald Vizenor: Writing in the Oral Tradition. Kimberly M. Blaeser. Norman: University of Oklahoma Press, 1996. xii + 260 pages. $27.95. Get access Gerald Vizenor: Writing in the Oral Tradition. Kimberly M. Blaeser. Norman: University of Oklahoma Press, 1996. xii + 260 pages. $27.95. Linda Rouse Linda Rouse Bowling Green State University Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 24, Iss…
Centering Words
Once in his life a man ought to concentrate his mind upon the remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. E?…
"Like "Reeds Through the Ribs of a Basket
Over morning coffee in a Michigan bookstore, we are talking about Native literature: reading it, teaching it, theorizing it, living it. We are searching for interpretive ground, a critical center. It doesn't take long to realize that the center inhabits shifting ground, borderland in motion. Mixed blood, margins, cross blood, mixed culture, frontier space.... We are pretty serious about the discussion, as serious as you can get about trickster te…
Brewing Trouble
Redefining American Literary History
Portage Lake
Crossbloods, Bone Courts, Bingo and Other Reports
"Like "Reeds Through the Ribs of a Basket
Over morning coffee in a Michigan bookstore, we are talking about Native literature: reading it, teaching it, theorizing it, living it. We are searching for interpretive ground, a critical center. It doesn't take long to realize that the center inhabits shifting ground, borderland in motion. Mixed blood, margins, cross blood, mixed culture, frontier space.... We are pretty serious about the discussion, as serious as you can get about trickster te…
Crossbloods, Bone Courts, Bingo and Other Reports
Crossbloods, Bone Courts, Bingo and Other Reports
Redefining American Literary History
Portage Lake
Brewing Trouble
"Like "Reeds Through the Ribs of a Basket
Over morning coffee in a Michigan bookstore, we are talking about Native literature: reading it, teaching it, theorizing it, living it. We are searching for interpretive ground, a critical center. It doesn't take long to realize that the center inhabits shifting ground, borderland in motion. Mixed blood, margins, cross blood, mixed culture, frontier space.... We are pretty serious about the discussion, as serious as you can get about trickster te…
Gerald Vizenor
Journal Article Gerald Vizenor: Writing in the Oral Tradition. Kimberly M. Blaeser. Norman: University of Oklahoma Press, 1996. xii + 260 pages. $27.95. Get access Gerald Vizenor: Writing in the Oral Tradition. Kimberly M. Blaeser. Norman: University of Oklahoma Press, 1996. xii + 260 pages. $27.95. Linda Rouse Linda Rouse Bowling Green State University Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 24, Iss…
Centering Words
Once in his life a man ought to concentrate his mind upon the remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. E?…
Captivity
Captivity
82 WLT MAY–AUGUST 2017 photo courtesy of the author cover feature new native writing WORLDLIT.ORG 83 Captivity by Kimberly Blaeser I. A mark across the body. The morning I watched my beloved uncle disappear down the alley. His car left sitting in our yard for thirty days. This tattoo we cover with shame. The stories my mother whispered as if gitchi-manidoo was a child who should not be told of the troubles of humans. All those taken. Visits made …
History (7 works) · History (5 works) · Art (4 works) · Art history (2 works) · Captivity (2 works) · Engineering (2 works) · Literature (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Alley (1 work)