Latifa Zoulagh
Biographic Data
| ID | 1639669 |
|---|---|
| NAME | Latifa Zoulagh |
| GIVEN NAMES | Latifa |
| FAMILY NAME | Zoulagh |
| SIGNATURE | ZOULAGH L |
| AFFILIATIONS | Bowie State University |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Writing the Body, Writing for the Body
This article delves into the intricate landscape of Moroccan society, a traditional Arab-Muslim milieu often perceived as a realm where women are confined. Yet, within this cloistered existence, the emergence of the female voice manifests a rich tapestry of women’s writing. This literary production is deeply woven into collective feminine traditions, such as the enduring practices of tattooing and henna calligraphy, which serve as the foundation …
Que disent-tissent les femmes ? Formes et espaces de l'écriture féminine marocaine
Cet article examine comment, dans le contexte d'une société arabo-musulmane traditionnelle comme la société marocaine, où on pense souvent que les femmes sont cloîtrées, l'émergence de la voix féminine donne lieu à une écriture féminine complexe. Cette écriture est illustrée par une évolution des traditions collectives du tissage et du tatouage indélébile et au henné vers des pratiques plus modernes de la créativité artistique et littéraire. Tout…
Harraga by Boualem Sansal
with delicious phrasings such as “dazzling points of light on a distant hillside” and “when the common-room was suddenly in gloom after the last shafts of sunlight had passed from the nearby panes.” In its incongruity, as the narrator addresses the discerning and undiscerning reader, the work tilts the balance of normative reading. It compels the reader to question the relationship between fiction and reality, the visible and invisible world, pro…
No prominent works on this page.
Que disent-tissent les femmes ? Formes et espaces de l'écriture féminine marocaine
Cet article examine comment, dans le contexte d'une société arabo-musulmane traditionnelle comme la société marocaine, où on pense souvent que les femmes sont cloîtrées, l'émergence de la voix féminine donne lieu à une écriture féminine complexe. Cette écriture est illustrée par une évolution des traditions collectives du tissage et du tatouage indélébile et au henné vers des pratiques plus modernes de la créativité artistique et littéraire. Tout…
Harraga by Boualem Sansal
with delicious phrasings such as “dazzling points of light on a distant hillside” and “when the common-room was suddenly in gloom after the last shafts of sunlight had passed from the nearby panes.” In its incongruity, as the narrator addresses the discerning and undiscerning reader, the work tilts the balance of normative reading. It compels the reader to question the relationship between fiction and reality, the visible and invisible world, pro…
Writing the Body, Writing for the Body
This article delves into the intricate landscape of Moroccan society, a traditional Arab-Muslim milieu often perceived as a realm where women are confined. Yet, within this cloistered existence, the emergence of the female voice manifests a rich tapestry of women’s writing. This literary production is deeply woven into collective feminine traditions, such as the enduring practices of tattooing and henna calligraphy, which serve as the foundation …
Art (2 works) · Philosophy (2 works) · African history and culture studies (1 works) · Appropriation (1 works) · Archaeology (1 works) · Art history (1 works) · Brother (1 works) · Clothing (1 works) · Colonialism, slavery, and trade (1 works) · Emblem (1 works)