Anna Frajlich
Biographic Data
| ID | 1639935 |
|---|---|
| NAME | Anna Frajlich |
| GIVEN NAMES | Anna |
| FAMILY NAME | Frajlich |
| SIGNATURE | FRAJLICH A |
| AFFILIATIONS | Northwest African American Museum |
| ORCID | 0000-0002-3846-3057 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2006 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
Real Books
Real Books by Anna Frajlich translated by Piotr Florczyk And yet they still read real books turning page after page on the bus on the subway on the train sitting next to me on the bench a young man is reading Death in Venice. I also know another one he was so taken with little Tadzio that he rejected his own name and now goes by “Tadzio.” Little Tadzio has died and so has the great Thomas Mann. Death in Venice lives on. Translation from the Polis…
Israel Poems
I. In the desertThereis nothing in the desertnot even a grain of sandjust the bands of eons written in the rockthere is nothing in the desert—save the pain of the prophetshaggard, limping it climbs the cliffsthere is nothing in the desert—save the Bedouinsblack goats grazing in dried-up riverbeds.May 1991II. JerusalemAlways white and gold—blood that's spilled heredoesn't leave a markon the whitest stone.Eight gatesthrough which will he enteron do…
Wenecja” Aleksandra Błoka w tłumaczeniu Kazimierza Wierzyńskiego. Refleksje na temat przekładu
The article provides a comparative interpretation of the poem „Венеция” by Aleksander Błok and its Polish translation by Kazimierz Wierzyński. According to the author of the article, both poetical devices of the original and its main topics and motifs – although modified to some extent in the translation process – have been replaced in the translation by semantic and stylistic equivalents that not only successfully represent artistic values of th…
Spotkania za oceanem. O Józefie Wittlinie (i nie tylko) z Anną Frajlich rozmawia Maciej Wcisło
Konteksty Kultury » 2020 » Tom 17 zeszyt 2 » Spotkania za oceanem. O Józefie Wittlinie (i nie tylko) z AnnÄ Frajlich rozmawia Maciej WcisÅ o A A A
The Legacy of Ancient Rome in the Russian Silver Age
For poets throughout the world Rome was the world. This is particularly true for Russian poets, owing to the anagrammatical relation of the words Rome and mir (Rome and world). The legacy of ancient Rome has always constituted an important component of the Russian cultural consciousness. The revitalization of classical scholarship in nineteenth-century Russia and new approaches to antiquity prompted many of the Russian Symbolists to seek their in…
Between Dawn and the Wind. Selected Poetry
No prominent works on this page.
Between Dawn and the Wind. Selected Poetry
The Legacy of Ancient Rome in the Russian Silver Age
For poets throughout the world Rome was the world. This is particularly true for Russian poets, owing to the anagrammatical relation of the words Rome and mir (Rome and world). The legacy of ancient Rome has always constituted an important component of the Russian cultural consciousness. The revitalization of classical scholarship in nineteenth-century Russia and new approaches to antiquity prompted many of the Russian Symbolists to seek their in…
Wenecja” Aleksandra Błoka w tłumaczeniu Kazimierza Wierzyńskiego. Refleksje na temat przekładu
The article provides a comparative interpretation of the poem „Венеция” by Aleksander Błok and its Polish translation by Kazimierz Wierzyński. According to the author of the article, both poetical devices of the original and its main topics and motifs – although modified to some extent in the translation process – have been replaced in the translation by semantic and stylistic equivalents that not only successfully represent artistic values of th…
Spotkania za oceanem. O Józefie Wittlinie (i nie tylko) z Anną Frajlich rozmawia Maciej Wcisło
Konteksty Kultury » 2020 » Tom 17 zeszyt 2 » Spotkania za oceanem. O Józefie Wittlinie (i nie tylko) z AnnÄ Frajlich rozmawia Maciej WcisÅ o A A A
Israel Poems
I. In the desertThereis nothing in the desertnot even a grain of sandjust the bands of eons written in the rockthere is nothing in the desert—save the pain of the prophetshaggard, limping it climbs the cliffsthere is nothing in the desert—save the Bedouinsblack goats grazing in dried-up riverbeds.May 1991II. JerusalemAlways white and gold—blood that's spilled heredoesn't leave a markon the whitest stone.Eight gatesthrough which will he enteron do…
Real Books
Real Books by Anna Frajlich translated by Piotr Florczyk And yet they still read real books turning page after page on the bus on the subway on the train sitting next to me on the bench a young man is reading Death in Venice. I also know another one he was so taken with little Tadzio that he rejected his own name and now goes by “Tadzio.” Little Tadzio has died and so has the great Thomas Mann. Death in Venice lives on. Translation from the Polis…
Art (5 works) · History (4 works) · Literature (4 works) · Philosophy (4 works) · Poetry (4 works) · Central European Literary Studies (3 works) · Chemistry (2 works) · Classics (2 works) · Language and Culture (2 works) · Linguistics (2 works)