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Patricia Grace

Biographic Data

ID1640100
NAMEPatricia Grace
GIVEN NAMESPatricia
FAMILY NAMEGrace
SIGNATUREGRACE P
ORCID0000-0001-6721-3201
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS3
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Archival violence

    Patricia Grace•ARTICLE•Philosophy of Photography•2023•References: 1

    Photographs of violence carry an implicit critique of the social order from which they emerge. This necessitates the systemic management of their affect. Recognition of the experience carried by these signals has the potential to catalyse and contribute to emancipatory thought and action. The apparatus of epistemic control - characterized here as the Archive - has evolved to neutralize their affective potential. Certain artworks that reconfigure …

  • Headlights

    Patricia Grace•ARTICLE•World Literature Today•2009

    You will want toexplore how words work? how words can be made towork. You will want to be aware of the job that words, sentences, and paragraphs can do. It is important for a writer to understand who he/she is and to understand that she/he is unique with a unique set of experiences, and that it is the everyday experiences which are important. In thepast,when workshopping with young writers, I've had things said tome such as, "Oh, I don't have any…

  • The World Where You Are

    Patricia Grace•ARTICLE•World Literature Today•2009•Cited by: 1

    I come from a place in New Zealand called Hongoeka Bay, which is right by the sea and is situated thirty kilometers from the capital city of Wellington on the North Island. There are about twenty-seven houses in this small settlement, and because we are by the sea we like to spend our leisure time fishing?either from small boats or from the rocks on the shore. We can gather shellfish there when the weather is calm and the tide is low. Or even whe…

  • Mutuwhenua, the Moon Sleeps

    J Burns, Patricia Grace•ARTICLE•World Literature Today•1979•Cited by: 2

  • Mutuwhenua, the Moon Sleeps

    J Burns, Patricia Grace•ARTICLE•World Literature Today•1979•Cited by: 2

  • The World Where You Are

    Patricia Grace•ARTICLE•World Literature Today•2009•Cited by: 1

    I come from a place in New Zealand called Hongoeka Bay, which is right by the sea and is situated thirty kilometers from the capital city of Wellington on the North Island. There are about twenty-seven houses in this small settlement, and because we are by the sea we like to spend our leisure time fishing?either from small boats or from the rocks on the shore. We can gather shellfish there when the weather is calm and the tide is low. Or even whe…

  • Mutuwhenua, the Moon Sleeps

    J Burns, Patricia Grace•ARTICLE•World Literature Today•1979•Cited by: 2

  • Headlights

    Patricia Grace•ARTICLE•World Literature Today•2009

    You will want toexplore how words work? how words can be made towork. You will want to be aware of the job that words, sentences, and paragraphs can do. It is important for a writer to understand who he/she is and to understand that she/he is unique with a unique set of experiences, and that it is the everyday experiences which are important. In thepast,when workshopping with young writers, I've had things said tome such as, "Oh, I don't have any…

  • The World Where You Are

    Patricia Grace•ARTICLE•World Literature Today•2009•Cited by: 1

    I come from a place in New Zealand called Hongoeka Bay, which is right by the sea and is situated thirty kilometers from the capital city of Wellington on the North Island. There are about twenty-seven houses in this small settlement, and because we are by the sea we like to spend our leisure time fishing?either from small boats or from the rocks on the shore. We can gather shellfish there when the weather is calm and the tide is low. Or even whe…

  • Archival violence

    Patricia Grace•ARTICLE•Philosophy of Photography•2023•References: 1

    Photographs of violence carry an implicit critique of the social order from which they emerge. This necessitates the systemic management of their affect. Recognition of the experience carried by these signals has the potential to catalyse and contribute to emancipatory thought and action. The apparatus of epistemic control - characterized here as the Archive - has evolved to neutralize their affective potential. Certain artworks that reconfigure …

Art (3 works) · Aesthetics (2 works) · History (2 works) · Law (2 works) · Political science (2 works) · Sociology (2 works) · African history and culture studies (1 works) · Art history (1 works) · Astrobiology (1 works) · Astronomy (1 works)

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