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Brian Karl

Biographic Data

ID164177
NAMEBrian Karl
GIVEN NAMESBrian
FAMILY NAMEKarl
SIGNATUREKARL B
AFFILIATIONSColumbia University
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS2
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Digital Tradition

    Brian Karl, Brian M Karl•ARTICLE•Technology and Culture•2018

    Reviewed by: Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture by Eliot Bates Brian Karl (bio) Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture. By Eliot Bates. Oxford: Oxford University Press, 2016. Pp. 344. Paperback $24.95. This ambitious monograph succeeds in covering a lot: the development of multiple Turkish popular musical genres through much of the twentieth century; a close loo…

  • The coming of Americans

    Brian Karl, Brian J Karl•ARTICLE•The Journal of North African…•2014•Cited by: 2•References: 9

    This article explores the mediation by Moroccans of cross-cultural difference through the production and reception of popular music in the modern eras of colonialism and post-colonialism, impelled by the increased circulation and contact of people, ideas, and cultural products and processes during those eras. The explication in this article of music and lyrical texts from three songs recorded over a 60-year period tracks the adoption, distortion,…

  • Technology in Modern Moroccan Musical Practices

    Open Access•Brian Karl, Brian J Karl•ARTICLE•International Journal Middle East…•2012•References: 3

    The proliferation of technologies in use for popular music in Morocco points to cultural interactions beyond the most local or national influences that inform musical practices there. Examining the integration of technologies from outside Morocco—including musical instruments, recording media, and distribution systems—sheds light on negotiations of novelty and difference in contemporary Moroccan social and political life and thus on multiple face…

  • The Adventure of the Real

    Open Access•Brian Karl•ARTICLE•Cultural Anthropology•2011

  • The coming of Americans

    Brian Karl, Brian J Karl•ARTICLE•The Journal of North African…•2014•Cited by: 2•References: 9

    This article explores the mediation by Moroccans of cross-cultural difference through the production and reception of popular music in the modern eras of colonialism and post-colonialism, impelled by the increased circulation and contact of people, ideas, and cultural products and processes during those eras. The explication in this article of music and lyrical texts from three songs recorded over a 60-year period tracks the adoption, distortion,…

  • The Adventure of the Real

    Open Access•Brian Karl•ARTICLE•Cultural Anthropology•2011

  • Technology in Modern Moroccan Musical Practices

    Open Access•Brian Karl, Brian J Karl•ARTICLE•International Journal Middle East…•2012•References: 3

    The proliferation of technologies in use for popular music in Morocco points to cultural interactions beyond the most local or national influences that inform musical practices there. Examining the integration of technologies from outside Morocco—including musical instruments, recording media, and distribution systems—sheds light on negotiations of novelty and difference in contemporary Moroccan social and political life and thus on multiple face…

  • The coming of Americans

    Brian Karl, Brian J Karl•ARTICLE•The Journal of North African…•2014•Cited by: 2•References: 9

    This article explores the mediation by Moroccans of cross-cultural difference through the production and reception of popular music in the modern eras of colonialism and post-colonialism, impelled by the increased circulation and contact of people, ideas, and cultural products and processes during those eras. The explication in this article of music and lyrical texts from three songs recorded over a 60-year period tracks the adoption, distortion,…

  • Digital Tradition

    Brian Karl, Brian M Karl•ARTICLE•Technology and Culture•2018

    Reviewed by: Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture by Eliot Bates Brian Karl (bio) Digital Tradition: Arrangement and Labor in Istanbul's Recording Studio Culture. By Eliot Bates. Oxford: Oxford University Press, 2016. Pp. 344. Paperback $24.95. This ambitious monograph succeeds in covering a lot: the development of multiple Turkish popular musical genres through much of the twentieth century; a close loo…

Art (4 works) · Sociology (4 works) · Aesthetics (3 works) · Musical (3 works) · Visual arts (3 works) · Art history (2 works) · Hispanic-African Historical Relations (2 works) · History (2 works) · History (2 works) · Literature (2 works)

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