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Susan Sheridan

Biographic Data

ID164357
NAMESusan Sheridan
GIVEN NAMESSusan
FAMILY NAMESheridan
SIGNATURESHERIDAN S
AFFILIATIONSFlinders University
ORCID0000-0003-0414-8259
VERIFIEDYes
TOTAL WORKS35
TOTAL CITATIONS63
AUTHOR COUNT35
EDITOR COUNT0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2025
H-INDEX5
  • Associations between school characteristics and learning gains for pre-K attenders and non-attenders: Important constructs, limited evidence

    Open Access•Arya Ansari, Natalie A Koziol et al.•ARTICLE•Early Childhood Research Quarterly•2025•References: 1

  • Feminism and Friendship

    Susan Sheridan•ARTICLE•Journal of Intercultural Studies•2024

    I first met Sneja Gunew at a Women’s Studies conference in Wollongong in 1981. Together with Louise Adler, she gave a presentation, ‘Method and Madness in Female Writing’, which made a challenging intervention into this gathering. Intervention was her preferred practice of intellectual responsibility and challenge her characteristic style. I joined the staff at Deakin in 1985-1986, and during that time Sneja and I became firm friends, and her wor…

  • Dental microwear texture analysis of Homo sapiens sapiens: Foragers, farmers, and pastoralists

    Open Access•Christopher W Schmidt, Ashley Remy et al.•ARTICLE•American Journal of Physical…•2019•Cited by: 11•References: 116

    OBJECTIVES: The current study seeks to determine if a sample of foragers, farmers, and pastoralists are distinguishable based on their dental microwear texture signatures. MATERIALS AND METHODS: The study included a sample of 719 individuals from 51 archeological sites (450 farmers, 192 foragers, 77 pastoralists). All were over age 12 and sexes were pooled. Using a Sensofar® white-light confocal profiler we collected dental microwear texture anal…

  • Politics and Passion in Stead’s Late Novels

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2016

    This essay examines some recent attempts to devise a new critical approach to Steadâ s fiction which can encompass both the socialism she endorsed and the feminism she rejected, and asks how these approaches attempt to account for the affective as well as the intellectual impact of politics in Steadâ s novels, in particular Cottersâ England and Iâ m Dying Laughing

  • Sex and the City: New Novels by Women and Middlebrow Culture at Mid-Century

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2012

    â Central to developments in Australian literature during the period from the end of Second World War until the mid-1960sâ what might be called the â long 1950sâ â was the emergence of the kind of modernist novel written by Patrick White as the benchmark of modern fiction. This was the outcome of a struggle among opinion-makers in the literary field, which during this period came to be dominated for the first time by academic critics. They, by an…

  • White Women Writing in the Contact Zone: Catherine Martin and Nancy Cato

    Susan Sheridan•ARTICLE•Australian Feminist Studies•2012•Cited by: 1•References: 4

    Margaret Allen's PhD thesis (1991) was concerned with South Australian women writers of the colonial period. A particularly exciting discovery was the work of Catherine Martin, who has been the subject of Allen's sustained biographical research over many years. Among Martin's publications was The Incredible Journey, the first Australian novel to feature an Aboriginal woman as its central character. Largely due to Margaret Allen's subsequent work,…

  • Historical Novels Challenging the National Story

    Susan Sheridan•ARTICLE•History Australia•2011•Cited by: 1

    Historical novels dealing with the colonial past have always played a key role in constructing popular understandings of the national story in Australia, whether by reinforcing its legends or challenging them. In recent debates historical fiction’s claims to authority have been perceived as competing with the work of historical scholars. By considering two such novels of the 1970s, Jessica Anderson’s The Commandant and Thea Astley’s A Kindness Cu…

  • A Friendship in Letters: The Correspondence of Judith Wright and Barbara Blackman

    Susan Sheridan•ARTICLE•Life Writing•2011•References: 1

    The exchange of letters between the poet Judith Wright and essayist Barbara Blackman extended over 50 years until Wright's death in 2000. It is recorded in a selection of over 300 letters, edited by Bryony Cosgrove, in Portrait of a Friendship (2007). Their correspondence has come to signify their friendship, especially because their circumstances meant that the two women rarely met face to face. The letters are rich with references to the public…

  • Books

    Susanne Davies, Libby Robin et al.•ARTICLE•Australian Historical Studies•2009

  • Celebrating Elizabeth Jolley

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2009

    When Elizabeth Jolley died in February 2007, the world lost one of the most distinctive literary voices of the late twentieth century. Jolley left a wide-ranging body of work - novels, short stories, radio plays, essays, poetry- unified by her persistent concern with social and sexual outsiders, with predators and victims. Her writing renders the pain of loneliness and loss with her characteristic wildly dark humour

  • Generations Lost and Found: Reading Women Writers Together

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2009

    The articles discusses reading a group of women writers together as a manifestation of literary feminism. It focuses on Australian women born between 1912 and 1928 which were often overlooked in their own lifetime, particularly in the decades after the Second World War, and mostly did not know each other

  • Australian Letters and Postwar Modernity

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2008•Cited by: 1

  • Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic Modernity

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2007

    Discusses Gwen Harwood's approach to suburban life and domestic modernity, particularly in her satirical and pseudonymous poems. 'Despite her clear apprehension that, in the world's eyes, "housewife" and "poet" were incompatible terms, she wrote a small but significant group of poems on domestic themes where satire is only one element of her complex treatment of the plight of creative women imprisoned in social definitions of the housewife and mo…

  • Adrienne Rich and the Women's Liberation Movement: A Politics of Reception

    Susan Sheridan•ARTICLE•Women s Studies•2006•Cited by: 1•References: 5

  • Thea Astley: A Woman Among the Satirists of Post-War Modernity

    Susan Sheridan•ARTICLE•Australian Feminist Studies•2003

    Modernity differs from other kinds of periodization in possessing a normative as well as a descriptive dimension-one can be ‘for’ or ‘against’ modernity in a way that one cannot be for or against the Renaissance, for example. The symbolic force of the term lies in its enunciation of a process of differentiation, an act of separation from the past. The rhetorical power carried by the idea of the modern is, as Felski points out, combined with its f…

  • Cold War, Home Front: Australian Women Writers and Artists in the 1950s

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2002

    In paying tribute to Dorothy Green, Sheridan recalls the generation of women writers and artists who emerged in the 1940s and 1950s, their social visions and their contributions to progressive cultural politics and artistic achievements during the Cold War years

  • My Brilliant Career: The Career of the *Career

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2002•Cited by: 1

    Sheridan examines the somewhat chequered publication history and critical reception of My Brilliant Career, one hundred years after it was first published by Blackwood of Edinburgh and London

  • Words and Things: Some Feminist Debates on Culture and Materialism

    Susan Sheridan•ARTICLE•Australian Feminist Studies•2002•Cited by: 8•References: 8

  • Local, Global, Regional: Women's Studies in Australia

    Susan Magarey, Susan Sheridan•ARTICLE•Feminist Studies•2002•Cited by: 3

  • Celebrity Feminism as Synthesis: Germaine Greer, The Female Eunuch and the Australian print media

    Sandra Lilburn, Susan Magarey et al.•ARTICLE•Continuum•2000•Cited by: 14•References: 2

  • The 'Australian Woman' and her Migrant Others in the Postwar Australian Women's Weekly

    Susan Sheridan•ARTICLE•Continuum•2000•Cited by: 7

    (2000). The 'Australian Woman' and her Migrant Others in the Postwar Australian Women's Weekly. Continuum: Vol. 14, No. 2, pp. 121-132

  • Eating the Other: Food and cultural difference in the Australian Women's Weekly in the 1960s

    Susan Sheridan•ARTICLE•Journal of Intercultural Studies•2000•Cited by: 5•References: 1

    This paper brings issues of gender and cultural difference together in analysing representations of food in a popular women's magazine during a period when the dominant culture's eating habits changed rapidly, in the 1960s. An examination of food advertising and cookery features in the Australian Women's Weekly brings into focus the domestic rather than the restaurant kitchen as a site of the turn to 'ethnic' foods. As a study of representations,…

  • Transcending tauromachy: The beginnings of women's studies in Adelaide

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1998•Cited by: 2•References: 2

    1998). ‘Transcending tauromachy’: The beginnings of women's studies in Adelaide. Australian Feminist Studies: Vol. 13, The return of the Repressed: Feminism in the Quad, pp. 67-73

  • Feminism and cultural studies: Same or different

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1997

    Terry Lovell (ed.), Feminist Cultural Studies, 2 vols, International Library of Studies in Media and Culture (Edward Elgar) Aldershot, UK, 1995. Glenn Jordan and Chris Weedon, Cultural Politics: Class, Gender, Race and the Postmodern World (Blackwell) Oxford, 1995. Rosemary Buikema and Anneke Smelik (eds), Women's Studies and Culture: A Feminist Introduction (Zed Books) London and New Jersey, 1995. Xtext, no. 1, August 1996, ‘Crossing Performance…

  • Interdisiplinary Collaboration: Variations on a Theme

    Open Access•Nancy Winitzky, E Roussou et al.•ARTICLE•Journal of Teacher Education•1995•Cited by: 5•References: 5

Next
  • Celebrity Feminism as Synthesis: Germaine Greer, The Female Eunuch and the Australian print media

    Sandra Lilburn, Susan Magarey et al.•ARTICLE•Continuum•2000•Cited by: 14•References: 2

  • Dental microwear texture analysis of Homo sapiens sapiens: Foragers, farmers, and pastoralists

    Open Access•Christopher W Schmidt, Ashley Remy et al.•ARTICLE•American Journal of Physical…•2019•Cited by: 11•References: 116

    OBJECTIVES: The current study seeks to determine if a sample of foragers, farmers, and pastoralists are distinguishable based on their dental microwear texture signatures. MATERIALS AND METHODS: The study included a sample of 719 individuals from 51 archeological sites (450 farmers, 192 foragers, 77 pastoralists). All were over age 12 and sexes were pooled. Using a Sensofar® white-light confocal profiler we collected dental microwear texture anal…

  • Words and Things: Some Feminist Debates on Culture and Materialism

    Susan Sheridan•ARTICLE•Australian Feminist Studies•2002•Cited by: 8•References: 8

  • The 'Australian Woman' and her Migrant Others in the Postwar Australian Women's Weekly

    Susan Sheridan•ARTICLE•Continuum•2000•Cited by: 7

    (2000). The 'Australian Woman' and her Migrant Others in the Postwar Australian Women's Weekly. Continuum: Vol. 14, No. 2, pp. 121-132

  • Eating the Other: Food and cultural difference in the Australian Women's Weekly in the 1960s

    Susan Sheridan•ARTICLE•Journal of Intercultural Studies•2000•Cited by: 5•References: 1

    This paper brings issues of gender and cultural difference together in analysing representations of food in a popular women's magazine during a period when the dominant culture's eating habits changed rapidly, in the 1960s. An examination of food advertising and cookery features in the Australian Women's Weekly brings into focus the domestic rather than the restaurant kitchen as a site of the turn to 'ethnic' foods. As a study of representations,…

  • Interdisiplinary Collaboration: Variations on a Theme

    Open Access•Nancy Winitzky, E Roussou et al.•ARTICLE•Journal of Teacher Education•1995•Cited by: 5•References: 5

  • Local, Global, Regional: Women's Studies in Australia

    Susan Magarey, Susan Sheridan•ARTICLE•Feminist Studies•2002•Cited by: 3

  • Transcending tauromachy: The beginnings of women's studies in Adelaide

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1998•Cited by: 2•References: 2

    1998). ‘Transcending tauromachy’: The beginnings of women's studies in Adelaide. Australian Feminist Studies: Vol. 13, The return of the Repressed: Feminism in the Quad, pp. 67-73

  • From margin to mainstream: Situating women's studies

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1986•Cited by: 2

  • White Women Writing in the Contact Zone: Catherine Martin and Nancy Cato

    Susan Sheridan•ARTICLE•Australian Feminist Studies•2012•Cited by: 1•References: 4

    Margaret Allen's PhD thesis (1991) was concerned with South Australian women writers of the colonial period. A particularly exciting discovery was the work of Catherine Martin, who has been the subject of Allen's sustained biographical research over many years. Among Martin's publications was The Incredible Journey, the first Australian novel to feature an Aboriginal woman as its central character. Largely due to Margaret Allen's subsequent work,…

  • Historical Novels Challenging the National Story

    Susan Sheridan•ARTICLE•History Australia•2011•Cited by: 1

    Historical novels dealing with the colonial past have always played a key role in constructing popular understandings of the national story in Australia, whether by reinforcing its legends or challenging them. In recent debates historical fiction’s claims to authority have been perceived as competing with the work of historical scholars. By considering two such novels of the 1970s, Jessica Anderson’s The Commandant and Thea Astley’s A Kindness Cu…

  • Australian Letters and Postwar Modernity

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2008•Cited by: 1

  • Adrienne Rich and the Women's Liberation Movement: A Politics of Reception

    Susan Sheridan•ARTICLE•Women s Studies•2006•Cited by: 1•References: 5

  • My Brilliant Career: The Career of the *Career

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2002•Cited by: 1

    Sheridan examines the somewhat chequered publication history and critical reception of My Brilliant Career, one hundred years after it was first published by Blackwood of Edinburgh and London

  • Louisa Lawson, Miles Franklin and Feminist writing, 1888-1901

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1988•Cited by: 1•References: 5

  • From margin to mainstream: Situating women's studies

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1986•Cited by: 2

  • Feminism and the humanities year at the humanities research centre, ANU: Convenor's introduction

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1986

  • The seventh Berkshire conference on the history of women

    Susan Magarey, Susan Sheridan•ARTICLE•Australian Feminist Studies•1987•References: 1

  • Louisa Lawson, Miles Franklin and Feminist writing, 1888-1901

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1988•Cited by: 1•References: 5

  • Gender and Genre in Barbara Baynton’s *Human Toll

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•1989

    Sheridan challenges negative evaluations of Human Toll that measure the success of the novel against the well-made realist novel. Sheridan argues that the novel is not disguised autobiography, but employs the narrative devices of late nineteenth century womenâ s fiction while subverting certain elements of that genre. Human Toll destabilizes the conventions of the heroic womenâ s novel, producing a narrative that operates in a Gothic/tragic mode

  • Texts of Limits, the Limits of Texts, and the Containment of Politics in Contemporary Critical Theory

    Donald Morton, Stanley Fish et al.•ARTICLE•diacritics•1990

  • Anthologomania

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1990

    Drusilla Modjeska (ed.), Inner Cities: Australian Women's Memory of Place (Penguin) Ringwood, 1989; Susan Hawthorne and Jenny Pausacker (eds), Moments of Desire: Sex and Sensuality by Australian Feminist Writers (Penguin), Ringwood, 1989; Gillian Whitlock (ed.), Eight Voices of the Eighties (The University of Queensland Press) St. Lucia, 1989; Guilia Guiffré (ed.), A Writing Life (Allen and Unwin) Sydney, 1990

  • TheAustralian Women's Weekly1946-1971: A textual and historical analysis

    Barbara Baird, Lyndall Ryan et al.•ARTICLE•Australian Feminist Studies•1992

  • Angela Carter

    Susan Magarey, Susan Sheridan•ARTICLE•Australian Feminist Studies•1992

  • Debutante Nation: Feminism Contests the 1890s

    Open Access•John Rickard, Susan Magarey et al.•ARTICLE•Labour History•1994

    Introduction The politics of respectability: identifying masculinist context Marilyn Lake The feminist legend: a new historicism? John Docker A redivision of labour: women and wage regulation in Victoria 1896--1903 Jenny Lee Knocking out a living: survival strategies and popular protest in 1890s depression Bruce Scates Reorganising masculinist contest: conflicting masculinisms in New South Wales Public Service Bill debates of 1895 Desley Deacon T…

  • Interdisiplinary Collaboration: Variations on a Theme

    Open Access•Nancy Winitzky, E Roussou et al.•ARTICLE•Journal of Teacher Education•1995•Cited by: 5•References: 5

  • Feminism and cultural studies: Same or different

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1997

    Terry Lovell (ed.), Feminist Cultural Studies, 2 vols, International Library of Studies in Media and Culture (Edward Elgar) Aldershot, UK, 1995. Glenn Jordan and Chris Weedon, Cultural Politics: Class, Gender, Race and the Postmodern World (Blackwell) Oxford, 1995. Rosemary Buikema and Anneke Smelik (eds), Women's Studies and Culture: A Feminist Introduction (Zed Books) London and New Jersey, 1995. Xtext, no. 1, August 1996, ‘Crossing Performance…

  • Transcending tauromachy: The beginnings of women's studies in Adelaide

    Susan Sheridan•ARTICLE•Australian Feminist Studies•1998•Cited by: 2•References: 2

    1998). ‘Transcending tauromachy’: The beginnings of women's studies in Adelaide. Australian Feminist Studies: Vol. 13, The return of the Repressed: Feminism in the Quad, pp. 67-73

  • Celebrity Feminism as Synthesis: Germaine Greer, The Female Eunuch and the Australian print media

    Sandra Lilburn, Susan Magarey et al.•ARTICLE•Continuum•2000•Cited by: 14•References: 2

  • The 'Australian Woman' and her Migrant Others in the Postwar Australian Women's Weekly

    Susan Sheridan•ARTICLE•Continuum•2000•Cited by: 7

    (2000). The 'Australian Woman' and her Migrant Others in the Postwar Australian Women's Weekly. Continuum: Vol. 14, No. 2, pp. 121-132

  • Eating the Other: Food and cultural difference in the Australian Women's Weekly in the 1960s

    Susan Sheridan•ARTICLE•Journal of Intercultural Studies•2000•Cited by: 5•References: 1

    This paper brings issues of gender and cultural difference together in analysing representations of food in a popular women's magazine during a period when the dominant culture's eating habits changed rapidly, in the 1960s. An examination of food advertising and cookery features in the Australian Women's Weekly brings into focus the domestic rather than the restaurant kitchen as a site of the turn to 'ethnic' foods. As a study of representations,…

  • Cold War, Home Front: Australian Women Writers and Artists in the 1950s

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2002

    In paying tribute to Dorothy Green, Sheridan recalls the generation of women writers and artists who emerged in the 1940s and 1950s, their social visions and their contributions to progressive cultural politics and artistic achievements during the Cold War years

  • My Brilliant Career: The Career of the *Career

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2002•Cited by: 1

    Sheridan examines the somewhat chequered publication history and critical reception of My Brilliant Career, one hundred years after it was first published by Blackwood of Edinburgh and London

  • Words and Things: Some Feminist Debates on Culture and Materialism

    Susan Sheridan•ARTICLE•Australian Feminist Studies•2002•Cited by: 8•References: 8

  • Local, Global, Regional: Women's Studies in Australia

    Susan Magarey, Susan Sheridan•ARTICLE•Feminist Studies•2002•Cited by: 3

  • Thea Astley: A Woman Among the Satirists of Post-War Modernity

    Susan Sheridan•ARTICLE•Australian Feminist Studies•2003

    Modernity differs from other kinds of periodization in possessing a normative as well as a descriptive dimension-one can be ‘for’ or ‘against’ modernity in a way that one cannot be for or against the Renaissance, for example. The symbolic force of the term lies in its enunciation of a process of differentiation, an act of separation from the past. The rhetorical power carried by the idea of the modern is, as Felski points out, combined with its f…

  • Adrienne Rich and the Women's Liberation Movement: A Politics of Reception

    Susan Sheridan•ARTICLE•Women s Studies•2006•Cited by: 1•References: 5

  • Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic Modernity

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2007

    Discusses Gwen Harwood's approach to suburban life and domestic modernity, particularly in her satirical and pseudonymous poems. 'Despite her clear apprehension that, in the world's eyes, "housewife" and "poet" were incompatible terms, she wrote a small but significant group of poems on domestic themes where satire is only one element of her complex treatment of the plight of creative women imprisoned in social definitions of the housewife and mo…

  • Australian Letters and Postwar Modernity

    Open Access•Susan Sheridan•ARTICLE•Australian Literary Studies•2008•Cited by: 1

  • Books

    Susanne Davies, Libby Robin et al.•ARTICLE•Australian Historical Studies•2009

Sociology (30 works) · Gender Studies (19 works) · Art (17 works) · Australian History and Society (16 works) · History (15 works) · Political science (15 works) · History (12 works) · Law (12 works) · Gender Studies (11 works) · Law (9 works)

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