Henry Klumpenhouwer
Biographic Data
| ID | 1644995 |
|---|---|
| NAME | Henry Klumpenhouwer |
| GIVEN NAMES | Henry |
| FAMILY NAME | Klumpenhouwer |
| SIGNATURE | KLUMPENHOUWER H |
| AFFILIATIONS | University of Alberta |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1994 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Interval
In the Western music-theoretical tradition, intervals are basic and foundational. They are also transhistorical, occupying theorists continually from classical origins to the present. Considering their foundational position, one might assume that intervals have a primitive, elementary character with little ideational content, and that the relevant literature is weakly innovative. Intervals appear within systems that reflect certain styles of thin…
Harmonic Dualism as Historical and Structural Imperative
This article aims to provide more sympathetic readings and accounts of harmonic dualism. It makes two claims in particular: first, that the traditional attacks on harmonic dualism that focus on putative structural contradictions in the system are entirely unjustified; and second, that harmonic dualism is a good, legitimate, and useful perspective which can generate enlightening accounts of tonal pieces of music. The argument in this article is pa…
Reconsidering Klumpenhouwer Networks: A Response
My initial response to Buchler's essay is to recommend that if a reader doesn't find K-nets useful or interesting, then by all means she should use another approach. Moreover, I agree with Buchler that one should refrain from concentrating all one's efforts on K-net analysis, although not for Buchler's reasons
Late Capitalism, Late Marxism and the Study of Music
Some Remarks on the Use of Riemann Transformations
The essay examines Lewin's and Hyer's use of transformations derived from Riemann's work, and suggests a number of revisions. An expanded collection of transformations is introduced and used in an short analysis of excerpts from Wagner's Ring
Some Remarks on the Use of Riemann Transformations
The essay examines Lewin's and Hyer's use of transformations derived from Riemann's work, and suggests a number of revisions. An expanded collection of transformations is introduced and used in an short analysis of excerpts from Wagner's Ring
Late Capitalism, Late Marxism and the Study of Music
Some Remarks on the Use of Riemann Transformations
The essay examines Lewin's and Hyer's use of transformations derived from Riemann's work, and suggests a number of revisions. An expanded collection of transformations is introduced and used in an short analysis of excerpts from Wagner's Ring
Late Capitalism, Late Marxism and the Study of Music
Reconsidering Klumpenhouwer Networks: A Response
My initial response to Buchler's essay is to recommend that if a reader doesn't find K-nets useful or interesting, then by all means she should use another approach. Moreover, I agree with Buchler that one should refrain from concentrating all one's efforts on K-net analysis, although not for Buchler's reasons
Harmonic Dualism as Historical and Structural Imperative
This article aims to provide more sympathetic readings and accounts of harmonic dualism. It makes two claims in particular: first, that the traditional attacks on harmonic dualism that focus on putative structural contradictions in the system are entirely unjustified; and second, that harmonic dualism is a good, legitimate, and useful perspective which can generate enlightening accounts of tonal pieces of music. The argument in this article is pa…
Interval
In the Western music-theoretical tradition, intervals are basic and foundational. They are also transhistorical, occupying theorists continually from classical origins to the present. Considering their foundational position, one might assume that intervals have a primitive, elementary character with little ideational content, and that the relevant literature is weakly innovative. Intervals appear within systems that reflect certain styles of thin…
Art (4 works) · Musicology and Musical Analysis (3 works) · Computer Science (2 works) · Epistemology (2 works) · Literature (2 works) · Neuroscience and Music Perception (2 works) · Philosophy (2 works) · Sociology (2 works) · Aesthetics (1 works) · Algebraic and Geometric Analysis (1 works)