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J Daniel Jenkins

Biographic Data

ID1645001
NAMEJ Daniel Jenkins
GIVEN NAMESJ Daniel
FAMILY NAMEJenkins
SIGNATUREJENKINS J D
AFFILIATIONSUniversity of South Carolina
VERIFIEDNo
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1959
LATEST PUBLICATION YEAR2022
H-INDEX0
  • The Early Years of the American Musical in Vienna

    Open Access•J Daniel Jenkins•ARTICLE•Journal of Austrian-American…•2022

    The individual most responsible for bringing the American musical to the Viennese stage was Marcel Prawy (1911–2003). Born into a Jewish Austro-Hungarian noble family, Prawy moved to the US in the late 1930s. While his first love was opera, he also developed an appreciation for the Broadway musical. He returned to Vienna after World War II and produced musical revues in local theaters that included showtunes. Upon becoming a dramaturge at the Vie…

  • Leonard Bernstein and the Language of Jazz

    J Daniel Jenkins•ARTICLE•American Music•2020

  • After the Harvest

    Open Access•J Daniel Jenkins•ARTICLE•Music Theory Online•2010•References: 10

    I. Introduction(1)[1] While reflecting on Elliott Night Fantasies (1980) and those pieces that followed, David Schiff writes, after years of ploughing through rocky soil it was now time for the (Schiff 1988, 2). As various scholars have demonstrated, in the harvest period, Carter cultivated two main structural elements in his music: a harmonic language that focused on all-interval twelve-note chords and a rhythmic language that relied on long-ran…

  • An Anthology of African Music. The Music of Ethiopia

    Kurt Suttner, J Daniel Jenkins et al.•ARTICLE•Ethnomusicology•1970

  • Musical Instruments

    Curt Sachs, J Daniel Jenkins et al.•ARTICLE•Ethnomusicology•1959

No prominent works on this page.

  • Musical Instruments

    Curt Sachs, J Daniel Jenkins et al.•ARTICLE•Ethnomusicology•1959

  • An Anthology of African Music. The Music of Ethiopia

    Kurt Suttner, J Daniel Jenkins et al.•ARTICLE•Ethnomusicology•1970

  • After the Harvest

    Open Access•J Daniel Jenkins•ARTICLE•Music Theory Online•2010•References: 10

    I. Introduction(1)[1] While reflecting on Elliott Night Fantasies (1980) and those pieces that followed, David Schiff writes, after years of ploughing through rocky soil it was now time for the (Schiff 1988, 2). As various scholars have demonstrated, in the harvest period, Carter cultivated two main structural elements in his music: a harmonic language that focused on all-interval twelve-note chords and a rhythmic language that relied on long-ran…

  • Leonard Bernstein and the Language of Jazz

    J Daniel Jenkins•ARTICLE•American Music•2020

  • The Early Years of the American Musical in Vienna

    Open Access•J Daniel Jenkins•ARTICLE•Journal of Austrian-American…•2022

    The individual most responsible for bringing the American musical to the Viennese stage was Marcel Prawy (1911–2003). Born into a Jewish Austro-Hungarian noble family, Prawy moved to the US in the late 1930s. While his first love was opera, he also developed an appreciation for the Broadway musical. He returned to Vienna after World War II and produced musical revues in local theaters that included showtunes. Upon becoming a dramaturge at the Vie…

Art (5 works) · History (3 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Visual arts (3 works) · Art history (2 works) · Music Technology and Sound Studies (2 works) · Musical (2 works) · Theater, Performance, and Music History (2 works) · Acoustics (1 work)

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