Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Emmanuel Amiot

Biographic Data

ID1645023
NAMEEmmanuel Amiot
GIVEN NAMESEmmanuel
FAMILY NAMEAmiot
SIGNATUREAMIOT E
AFFILIATIONSPerpignan University
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS1
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2015
H-INDEX1
  • Old and New Isometries between Pc sets in the Planet-4D Model

    Open Access•Emmanuel Amiot, Gilles Baroin•ARTICLE•Music Theory Online•2015•Cited by: 1•References: 8

    The Planet-4D model introduced by Baroin 2011b is a richer model of pitch-class relationships than the standard cyclic model of the clock-face diagram: instead of the distribution of twelve points on a circle in a 2D plane, the Planet-4D model places the twelve pcs on a 4D hypersphere. Beyond the usual T/I group of symmetries, which is still featured in this new musical space, the additional dimensions yield other isometries (most notably now inc…

  • Discrete Fourier Transform and Bach’s Good Temperament

    Open Access•Emmanuel Amiot•ARTICLE•Music Theory Online•2009

    The statement by Bradley Lehman that the scribble at the beginning of the first page of the WTC shows how J.S. Bach tuned his harpsichord is much disputed. The use of a mathematical and rather abstract characterization of major scales puts forward a quality of the Lehman temperament that singles it out among all competing temperaments, thereby sustaining his claim

  • Gammes bien réparties et transformée de Fourier discrète

    Emmanuel Amiot•ARTICLE•Mathématiques et sciences humaines•2007

    Un des concepts les plus intéressants de ces dernières années dans la recherche mathématico-musicale américaine est celui de « Maximally Even Set », ou gamme bien répartie. Il est particulièrement pertinent aussi bien pour le musicien, qui y retrouvera ses gammes préférées, que pour le mathématicien qui y verra des définitions claires et d’intéressants problèmes d’optimisation discrète. Cet article vise à présenter cette notion et son histoire au…

  • Old and New Isometries between Pc sets in the Planet-4D Model

    Open Access•Emmanuel Amiot, Gilles Baroin•ARTICLE•Music Theory Online•2015•Cited by: 1•References: 8

    The Planet-4D model introduced by Baroin 2011b is a richer model of pitch-class relationships than the standard cyclic model of the clock-face diagram: instead of the distribution of twelve points on a circle in a 2D plane, the Planet-4D model places the twelve pcs on a 4D hypersphere. Beyond the usual T/I group of symmetries, which is still featured in this new musical space, the additional dimensions yield other isometries (most notably now inc…

  • Gammes bien réparties et transformée de Fourier discrète

    Emmanuel Amiot•ARTICLE•Mathématiques et sciences humaines•2007

    Un des concepts les plus intéressants de ces dernières années dans la recherche mathématico-musicale américaine est celui de « Maximally Even Set », ou gamme bien répartie. Il est particulièrement pertinent aussi bien pour le musicien, qui y retrouvera ses gammes préférées, que pour le mathématicien qui y verra des définitions claires et d’intéressants problèmes d’optimisation discrète. Cet article vise à présenter cette notion et son histoire au…

  • Discrete Fourier Transform and Bach’s Good Temperament

    Open Access•Emmanuel Amiot•ARTICLE•Music Theory Online•2009

    The statement by Bradley Lehman that the scribble at the beginning of the first page of the WTC shows how J.S. Bach tuned his harpsichord is much disputed. The use of a mathematical and rather abstract characterization of major scales puts forward a quality of the Lehman temperament that singles it out among all competing temperaments, thereby sustaining his claim

  • Old and New Isometries between Pc sets in the Planet-4D Model

    Open Access•Emmanuel Amiot, Gilles Baroin•ARTICLE•Music Theory Online•2015•Cited by: 1•References: 8

    The Planet-4D model introduced by Baroin 2011b is a richer model of pitch-class relationships than the standard cyclic model of the clock-face diagram: instead of the distribution of twelve points on a circle in a 2D plane, the Planet-4D model places the twelve pcs on a 4D hypersphere. Beyond the usual T/I group of symmetries, which is still featured in this new musical space, the additional dimensions yield other isometries (most notably now inc…

Musicology and Musical Analysis (3 works) · Mathematics (2 works) · Music Technology and Sound Studies (2 works) · Neuroscience and Music Perception (2 works) · Philosophy (2 works) · Physics (2 works) · Art (1 work) · Art history (1 work) · Computer Science (1 work) · Epistemology (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae