Drew F Nobile
Biographic Data
| ID | 1645135 |
|---|---|
| NAME | Drew F Nobile |
| GIVEN NAMES | Drew F |
| FAMILY NAME | Nobile |
| SIGNATURE | NOBILE D F |
| AFFILIATIONS | University of Oregon |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2011 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
Teleology in Verse-Prechorus-Chorus Form, 1965-2020
This article traces a stylistic history of verse-prechorus-chorus form from its inception in mid-1960s rock 'n' roll through the EDM-infused pop of the 2010s. The central argument is that across its various presentations, verse-prechorus-chorus form is based on a consistent teleological structure, which I term thetelos principle. I chronicle this form's history through three style periods: I begin with the 1960s through '80s, over which time vers…
Interval Permutations
This paper presents a framework for analyzing the interval structure of pitch-class segments (ordered pitch-class sets). An “interval permutation” is a reordering of the intervals that arise between adjacent members of these pitch-class segments. Because pitch-class segments related by interval permutation are not necessarily members of the same set-class, this theory has the capability to demonstrate aurally significant relationships between set…
Form and Voice Leading in Early Beatles Songs
In the early music of the Beatles, form, harmony, and voice leading are intricately related. The most common form of this period-AABA where each A section contains an SRDC (Statement-Restatement-Departure-Conclusion) phrase structure as defined by Walter Everett (2001 and 2009)-carries with it harmonic and melodic implications which allow for the creation of a voice-leading model for this form. This paper examines how this model interacts with va…
Form and Voice Leading in Early Beatles Songs
In the early music of the Beatles, form, harmony, and voice leading are intricately related. The most common form of this period-AABA where each A section contains an SRDC (Statement-Restatement-Departure-Conclusion) phrase structure as defined by Walter Everett (2001 and 2009)-carries with it harmonic and melodic implications which allow for the creation of a voice-leading model for this form. This paper examines how this model interacts with va…
Form and Voice Leading in Early Beatles Songs
In the early music of the Beatles, form, harmony, and voice leading are intricately related. The most common form of this period-AABA where each A section contains an SRDC (Statement-Restatement-Departure-Conclusion) phrase structure as defined by Walter Everett (2001 and 2009)-carries with it harmonic and melodic implications which allow for the creation of a voice-leading model for this form. This paper examines how this model interacts with va…
Interval Permutations
This paper presents a framework for analyzing the interval structure of pitch-class segments (ordered pitch-class sets). An “interval permutation” is a reordering of the intervals that arise between adjacent members of these pitch-class segments. Because pitch-class segments related by interval permutation are not necessarily members of the same set-class, this theory has the capability to demonstrate aurally significant relationships between set…
Teleology in Verse-Prechorus-Chorus Form, 1965-2020
This article traces a stylistic history of verse-prechorus-chorus form from its inception in mid-1960s rock 'n' roll through the EDM-infused pop of the 2010s. The central argument is that across its various presentations, verse-prechorus-chorus form is based on a consistent teleological structure, which I term thetelos principle. I chronicle this form's history through three style periods: I begin with the 1960s through '80s, over which time vers…
Musicology and Musical Analysis (3 works) · Computer Science (2 works) · Music History and Culture (2 works) · Neuroscience and Music Perception (2 works) · Art (1 works) · Artificial Intelligence (1 works) · Chorus (1 works) · Combinatorics (1 works) · Discrete mathematics (1 works) · Diverse Music Education Insights (1 works)