Marc E Hannaford
Biographic Data
| ID | 1645173 |
|---|---|
| NAME | Marc E Hannaford |
| GIVEN NAMES | Marc E |
| FAMILY NAME | Hannaford |
| SIGNATURE | HANNAFORD M E |
| AFFILIATIONS | University of Michigan |
| ORCID | 0000-0001-8818-6898 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Eric Dolphy’s and Yusef Lateef’s Synthetic Formations
This article focuses on a "synthetic scale" reproduced in Yusef Lateef's Repository of Scales and Melodic Patterns and attributed to Eric Dolphy.Linking music theory, jazz studies, and Black performance theory, I deploy archival research and meta-theoretical analysis to discuss the various music-theoretical, creative, social, and political resonances of this entry.The article positions Dolphy's scale and Lateef's engagement with it as a testament…
Theory on the South Side
Muhal Richard Abrams's ground-breaking work as a composer, improviser, and cofounder of the Association for the Advancement of Creative Musicians (AACM) is far reaching and multifaceted. Russian composer, theorist, and polymath Joseph Schillinger appears repeatedly in discussions of Abrams and the AACM, suggesting that music theory played a generative role in Abrams's creative practice and pedagogy. This article focuses on Abrams's engagement wit…
Subjective (Re)positioning in Musical Improvisation
This article analyzes the music of five female improvisers. I employ these women's lived experiences of discrimination as a basis for my analysis of improvisation in terms of what I call subjective (re)positioning.Given these women's experiences of discrimination, trust means something far richer than musically working together during performance. Trusting improvising partners create a conceptual space in which musicians are able to position and …
Subjective (Re)positioning in Musical Improvisation
This article analyzes the music of five female improvisers. I employ these women's lived experiences of discrimination as a basis for my analysis of improvisation in terms of what I call subjective (re)positioning.Given these women's experiences of discrimination, trust means something far richer than musically working together during performance. Trusting improvising partners create a conceptual space in which musicians are able to position and …
Subjective (Re)positioning in Musical Improvisation
This article analyzes the music of five female improvisers. I employ these women's lived experiences of discrimination as a basis for my analysis of improvisation in terms of what I call subjective (re)positioning.Given these women's experiences of discrimination, trust means something far richer than musically working together during performance. Trusting improvising partners create a conceptual space in which musicians are able to position and …
Theory on the South Side
Muhal Richard Abrams's ground-breaking work as a composer, improviser, and cofounder of the Association for the Advancement of Creative Musicians (AACM) is far reaching and multifaceted. Russian composer, theorist, and polymath Joseph Schillinger appears repeatedly in discussions of Abrams and the AACM, suggesting that music theory played a generative role in Abrams's creative practice and pedagogy. This article focuses on Abrams's engagement wit…
Eric Dolphy’s and Yusef Lateef’s Synthetic Formations
This article focuses on a "synthetic scale" reproduced in Yusef Lateef's Repository of Scales and Melodic Patterns and attributed to Eric Dolphy.Linking music theory, jazz studies, and Black performance theory, I deploy archival research and meta-theoretical analysis to discuss the various music-theoretical, creative, social, and political resonances of this entry.The article positions Dolphy's scale and Lateef's engagement with it as a testament…
Art (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Diverse Music Education Insights (2 works) · Linguistics (2 works) · Music History and Culture (2 works) · Musical (2 works) · Musicology and Musical Analysis (2 works) · Sociology (2 works) · Visual arts (2 works)