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Kate Heidemann

Biographic Data

ID1645211
NAMEKate Heidemann
GIVEN NAMESKate
FAMILY NAMEHeidemann
SIGNATUREHEIDEMANN K
AFFILIATIONSColby College
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS8
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2016
LATEST PUBLICATION YEAR2016
H-INDEX1
  • A System for Describing Vocal Timbre in Popular Song

    Open Access•Kate Heidemann, Kate Ellen Heidemann•ARTICLE•Music Theory Online•2016•Cited by: 8•References: 30

    This article presents a system for describing perceptions of vocal timbre via reference to four different areas of sensation involved in the sympathetic mirroring of vocal production. This approach draws from phenomenological and ecological approaches to listening and analysis, and is supported by musicological and scientific literature on the acoustic properties and perception of timbre, and the physiology of vocal production. I demonstrate this…

  • A System for Describing Vocal Timbre in Popular Song

    Open Access•Kate Heidemann, Kate Ellen Heidemann•ARTICLE•Music Theory Online•2016•Cited by: 8•References: 30

    This article presents a system for describing perceptions of vocal timbre via reference to four different areas of sensation involved in the sympathetic mirroring of vocal production. This approach draws from phenomenological and ecological approaches to listening and analysis, and is supported by musicological and scientific literature on the acoustic properties and perception of timbre, and the physiology of vocal production. I demonstrate this…

  • A System for Describing Vocal Timbre in Popular Song

    Open Access•Kate Heidemann, Kate Ellen Heidemann•ARTICLE•Music Theory Online•2016•Cited by: 8•References: 30

    This article presents a system for describing perceptions of vocal timbre via reference to four different areas of sensation involved in the sympathetic mirroring of vocal production. This approach draws from phenomenological and ecological approaches to listening and analysis, and is supported by musicological and scientific literature on the acoustic properties and perception of timbre, and the physiology of vocal production. I demonstrate this…

Acoustics (1 works) · Active listening (1 works) · Art (1 works) · Cognitive psychology (1 works) · Cognitive science (1 works) · Communication (1 works) · Computer Science (1 works) · History (1 works) · Mirroring (1 works) · Music History and Culture (1 works)

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