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Zachary Wallmark

Biographic Data

ID1645285
NAMEZachary Wallmark
GIVEN NAMESZachary
FAMILY NAMEWallmark
SIGNATUREWALLMARK Z
AFFILIATIONSUniversity of Oregon
ORCID0000-0001-9498-778X
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS7
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2023
H-INDEX2
  • Timbre Semantic Associations Vary Both Between and Within Instruments

    Lindsey Reymore, Jason Noble et al.•ARTICLE•Music Perception An Interdisciplina…•2023

    The main objective of this study is to understand how timbre semantic associations—for example, a sound’s timbre perceived as bright, rough, or hollow—vary with register and pitch height across instruments. In this experiment, 540 online participants rated single, sustained notes from eight Western orchestral instruments (flute, oboe, bass clarinet, trumpet, trombone, violin, cello, and vibraphone) across three registers (low, medium, and high) o…

  • Initial evidence for a relation between behaviorally assessed empathic accuracy and affect sharing for people and music

    Benjamin A Tabak, Zachary Wallmark et al.•ARTICLE•Emotion•2022

    Are people who are better able to understand or feel the emotions of others also better at understanding or feeling emotions conveyed through music? Although evolutionary theories have proposed that both empathy and music help to foster social connection, few studies to date have examined the relation between behavioral assessments of empathic processes for people and music. We examined this question using 2 independent samples: a laboratory samp…

  • Environmental sensitivity predicts interpersonal sensitivity above and beyond Big Five personality traits

    Open Access•Benjamin A Tabak, Drishtant Gupta et al.•ARTICLE•Journal of Research in Personality•2022•Cited by: 2•References: 77

  • Nothing but Noise

    Zachary Wallmark•BOOK•Nothing but Noise•2022•Cited by: 2

    This book explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, it advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception. The contribution of timbre to musical experience is clearest in drastic situations where meaning is itself contested—that is, in polarizing contexts of reception, where t…

  • Analyzing Vocables in Rap

    Open Access•Zachary Wallmark•ARTICLE•Music Theory Online•2022•Cited by: 3•References: 40

    This article examines the structural and semiotic functions of vocables in rap music. Analytical studies of the rapping voice have predominantly focused on lyrics, rhyme, accent, rhythm, and the emergent property of flow. Although timbral aspects of the voice play an important role in rappers' flow, identity construction, and reception, investigations of timbre and non-lexical expression (e.g., vocables) remain comparatively rare. As a case study…

  • Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions

    Zachary Wallmark, Linh Nghiem et al.•ARTICLE•Music Perception An Interdisciplina…•2021

    Musical timbre is often described using terms from non-auditory senses, mainly vision and touch; but it is not clear whether crossmodality in timbre semantics reflects multisensory processing or simply linguistic convention. If multisensory processing is involved in timbre perception, the mechanism governing the interaction remains unknown. To investigate whether timbres commonly perceived as “bright-dark” facilitate or interfere with visual perc…

  • The Relentless Pursuit of Tone

    Robert Fink, Melinda Latour et al.•BOOK•Relentless Pursuit of Tone•2018

    The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound wa…

  • Relentless Pursuit of Tone

    Melinda Latour, Robert Fink et al.•BOOK•Relentless Pursuit of Tone•2018

  • Analyzing Vocables in Rap

    Open Access•Zachary Wallmark•ARTICLE•Music Theory Online•2022•Cited by: 3•References: 40

    This article examines the structural and semiotic functions of vocables in rap music. Analytical studies of the rapping voice have predominantly focused on lyrics, rhyme, accent, rhythm, and the emergent property of flow. Although timbral aspects of the voice play an important role in rappers' flow, identity construction, and reception, investigations of timbre and non-lexical expression (e.g., vocables) remain comparatively rare. As a case study…

  • Environmental sensitivity predicts interpersonal sensitivity above and beyond Big Five personality traits

    Open Access•Benjamin A Tabak, Drishtant Gupta et al.•ARTICLE•Journal of Research in Personality•2022•Cited by: 2•References: 77

  • Nothing but Noise

    Zachary Wallmark•BOOK•Nothing but Noise•2022•Cited by: 2

    This book explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, it advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception. The contribution of timbre to musical experience is clearest in drastic situations where meaning is itself contested—that is, in polarizing contexts of reception, where t…

  • The Relentless Pursuit of Tone

    Robert Fink, Melinda Latour et al.•BOOK•Relentless Pursuit of Tone•2018

    The Relentless Pursuit of Tone: Timbre in Popular Music assembles a wide spectrum of contemporary perspectives on how sound functions in an equally wide array of popular music. With subjects ranging from the twang of country banjos and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume attempts to bridge the gap between timbre, the purely acoustic characteristics of sound wa…

  • Relentless Pursuit of Tone

    Melinda Latour, Robert Fink et al.•BOOK•Relentless Pursuit of Tone•2018

  • Does Timbre Modulate Visual Perception? Exploring Crossmodal Interactions

    Zachary Wallmark, Linh Nghiem et al.•ARTICLE•Music Perception An Interdisciplina…•2021

    Musical timbre is often described using terms from non-auditory senses, mainly vision and touch; but it is not clear whether crossmodality in timbre semantics reflects multisensory processing or simply linguistic convention. If multisensory processing is involved in timbre perception, the mechanism governing the interaction remains unknown. To investigate whether timbres commonly perceived as “bright-dark” facilitate or interfere with visual perc…

  • Initial evidence for a relation between behaviorally assessed empathic accuracy and affect sharing for people and music

    Benjamin A Tabak, Zachary Wallmark et al.•ARTICLE•Emotion•2022

    Are people who are better able to understand or feel the emotions of others also better at understanding or feeling emotions conveyed through music? Although evolutionary theories have proposed that both empathy and music help to foster social connection, few studies to date have examined the relation between behavioral assessments of empathic processes for people and music. We examined this question using 2 independent samples: a laboratory samp…

  • Environmental sensitivity predicts interpersonal sensitivity above and beyond Big Five personality traits

    Open Access•Benjamin A Tabak, Drishtant Gupta et al.•ARTICLE•Journal of Research in Personality•2022•Cited by: 2•References: 77

  • Nothing but Noise

    Zachary Wallmark•BOOK•Nothing but Noise•2022•Cited by: 2

    This book explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, it advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception. The contribution of timbre to musical experience is clearest in drastic situations where meaning is itself contested—that is, in polarizing contexts of reception, where t…

  • Analyzing Vocables in Rap

    Open Access•Zachary Wallmark•ARTICLE•Music Theory Online•2022•Cited by: 3•References: 40

    This article examines the structural and semiotic functions of vocables in rap music. Analytical studies of the rapping voice have predominantly focused on lyrics, rhyme, accent, rhythm, and the emergent property of flow. Although timbral aspects of the voice play an important role in rappers' flow, identity construction, and reception, investigations of timbre and non-lexical expression (e.g., vocables) remain comparatively rare. As a case study…

  • Timbre Semantic Associations Vary Both Between and Within Instruments

    Lindsey Reymore, Jason Noble et al.•ARTICLE•Music Perception An Interdisciplina…•2023

    The main objective of this study is to understand how timbre semantic associations—for example, a sound’s timbre perceived as bright, rough, or hollow—vary with register and pitch height across instruments. In this experiment, 540 online participants rated single, sustained notes from eight Western orchestral instruments (flute, oboe, bass clarinet, trumpet, trombone, violin, cello, and vibraphone) across three registers (low, medium, and high) o…

Psychology (6 works) · Musical (5 works) · Art (4 works) · Timbre (4 works) · Linguistics (3 works) · Acoustics (2 works) · Aesthetics (2 works) · Audiology (2 works) · Cognitive psychology (2 works) · Communication (2 works)

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