Ellen Bakulina
Biographic Data
| ID | 1645292 |
|---|---|
| NAME | Ellen Bakulina |
| GIVEN NAMES | Ellen |
| FAMILY NAME | Bakulina |
| SIGNATURE | BAKULINA E |
| AFFILIATIONS | City University of New York |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Canons as Hypermetrical Transitions in Mozart
This article explores gradual hypermetrical shifts, or hypermetrical transitions, in imitative contexts. The concept of hypermetrical transition, introduced by David Temperley, presupposes metrical conflict in the course of the transition. My principal goal is to place imitative metrical conflicts in the context of Schenkerian theory and to propose that each imitative part may suggest its own middleground structure, based on this part’s individua…
The Concept of Mutability in Russian Theory
In the last several decades, some important studies, such as those by Christopher Lewis, Harald Krebs, William Kinderman, and William Rothstein, have explored alternatives to monotonality in tonal music. In this paper, I discuss the concept ofperemennost'(mutability), which addresses the same problem from a Russian perspective. Mutability is generally defined as a fluctuation between two diatonically related tonal centers, usually a third apart. …
No prominent works on this page.
The Concept of Mutability in Russian Theory
In the last several decades, some important studies, such as those by Christopher Lewis, Harald Krebs, William Kinderman, and William Rothstein, have explored alternatives to monotonality in tonal music. In this paper, I discuss the concept ofperemennost'(mutability), which addresses the same problem from a Russian perspective. Mutability is generally defined as a fluctuation between two diatonically related tonal centers, usually a third apart. …
Canons as Hypermetrical Transitions in Mozart
This article explores gradual hypermetrical shifts, or hypermetrical transitions, in imitative contexts. The concept of hypermetrical transition, introduced by David Temperley, presupposes metrical conflict in the course of the transition. My principal goal is to place imitative metrical conflicts in the context of Schenkerian theory and to propose that each imitative part may suggest its own middleground structure, based on this part’s individua…
Art (2 works) · Cognitive science (2 works) · History (2 works) · Musicology and Musical Analysis (2 works) · Neuroscience and Music Perception (2 works) · Psychology (2 works) · Diverse Musicological Studies (1 works) · Epistemology (1 works) · Imitation (1 works) · Literature (1 works)