Daniel Villegas Vélez
Biographic Data
| ID | 1645347 |
|---|---|
| NAME | Daniel Villegas Vélez |
| GIVEN NAMES | Daniel Villegas |
| FAMILY NAME | Vélez |
| SIGNATURE | VÉLEZ D V |
| AFFILIATIONS | KU Leuven |
| ORCID | 0000-0001-7295-8312 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Introduction. Music in Difficult Times
Nothing but Noise
zachary wallmark's nothing but Noise: Timbre and Musical Meaning at the Edge appears at a moment when the emerging movement of "timbre studies" might be ready to drop the quotation marks and become an established musicological subdiscipline. As Wallmark recounts in his introduction (7), the past decade has seen a constant growth of timbre-oriented publications in Anglo-American musicology and music theory, from scholars such as Cornelia Fales, Ni…
Interruption—Intervention
This paper focuses on the role of mimesis and more specifically, the role of musical performance in creating communities by examining the oscillations between muthos and logos that inform contemporary thinking around community and institutions.The starting point is Jean-Luc Nancy’s (1991) intervention—or interruption— into the totalitarian or “immanentist” tendency of myth, a tendency that is especially at play in European modernity’s image of it…
Nothing but Noise
zachary wallmark's nothing but Noise: Timbre and Musical Meaning at the Edge appears at a moment when the emerging movement of "timbre studies" might be ready to drop the quotation marks and become an established musicological subdiscipline. As Wallmark recounts in his introduction (7), the past decade has seen a constant growth of timbre-oriented publications in Anglo-American musicology and music theory, from scholars such as Cornelia Fales, Ni…
Interruption—Intervention
This paper focuses on the role of mimesis and more specifically, the role of musical performance in creating communities by examining the oscillations between muthos and logos that inform contemporary thinking around community and institutions.The starting point is Jean-Luc Nancy’s (1991) intervention—or interruption— into the totalitarian or “immanentist” tendency of myth, a tendency that is especially at play in European modernity’s image of it…
Nothing but Noise
zachary wallmark's nothing but Noise: Timbre and Musical Meaning at the Edge appears at a moment when the emerging movement of "timbre studies" might be ready to drop the quotation marks and become an established musicological subdiscipline. As Wallmark recounts in his introduction (7), the past decade has seen a constant growth of timbre-oriented publications in Anglo-American musicology and music theory, from scholars such as Cornelia Fales, Ni…
Introduction. Music in Difficult Times
Art (2 works) · Acoustics (1 work) · Aesthetics (1 work) · Digital Media and Philosophy (1 work) · Epistemology (1 work) · History (1 work) · Literature (1 work) · Logos Bible Software (1 work) · Modernity (1 work) · Music History and Culture (1 work)