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Heike Stege

Biographic Data

ID164641
NAMEHeike Stege
GIVEN NAMESHeike
FAMILY NAMEStege
SIGNATURESTEGE H
AFFILIATIONSBavarian State Painting Collections
ORCID0009-0008-5524-0155
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS16
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2020
H-INDEX3
  • Disclosing glittering and sparkling effects in 20th-century reverse glass paintings

    Open Access•Simon Steger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2020•References: 1

  • A complementary spectroscopic approach for the non-invasive in-situ identification of synthetic organic pigments in modern reverse paintings on glass (1913-1946)

    Open Access•Simon Steger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 1•References: 26

  • Naphthol Green – a forgotten artists’ pigment of the early 20th century. History, chemistry and analytical identification

    Open Access•Wibke Neugebauer, Clarimma Sessa et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 4

  • A note on glass and silica in oil paintings from the 15th to the 17th century

    Open Access•Karin Lutzenberger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2010•Cited by: 5•References: 2

  • The Gundestrup Cauldron

    Open Access•Svend Nielsen, Jan Holme Andersen et al.•ARTICLE•Acta Archaeologica•2005•Cited by: 6

  • Evaluation of the Analytical Potential of Laser‐induced Breakdown Spectrometry (Libs) for the Analysis of Historical Glasses

    Open Access•Klaus Müller, Heike Stege•ARTICLE•Archaeometry•2003•References: 19

    The novel and—for archaeometrical applications—still rarely used Laser‐Induced Breakdown Spectrometry (LIBS) was tested on various standard glasses for its spectrometric performance. LIBS is an almost non‐destructive method based on the time‐resolved detection of optical emission following direct laser ablation. A frequency‐quadrupoled Nd:YAG laser at 266 nm was found to cause a hardly visible crater of c. 200 μm in diameter. The application of a…

  • The Gundestrup Cauldron

    Open Access•Svend Nielsen, Jan Holme Andersen et al.•ARTICLE•Acta Archaeologica•2005•Cited by: 6

  • A note on glass and silica in oil paintings from the 15th to the 17th century

    Open Access•Karin Lutzenberger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2010•Cited by: 5•References: 2

  • Naphthol Green – a forgotten artists’ pigment of the early 20th century. History, chemistry and analytical identification

    Open Access•Wibke Neugebauer, Clarimma Sessa et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 4

  • A complementary spectroscopic approach for the non-invasive in-situ identification of synthetic organic pigments in modern reverse paintings on glass (1913-1946)

    Open Access•Simon Steger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 1•References: 26

  • Evaluation of the Analytical Potential of Laser‐induced Breakdown Spectrometry (Libs) for the Analysis of Historical Glasses

    Open Access•Klaus Müller, Heike Stege•ARTICLE•Archaeometry•2003•References: 19

    The novel and—for archaeometrical applications—still rarely used Laser‐Induced Breakdown Spectrometry (LIBS) was tested on various standard glasses for its spectrometric performance. LIBS is an almost non‐destructive method based on the time‐resolved detection of optical emission following direct laser ablation. A frequency‐quadrupoled Nd:YAG laser at 266 nm was found to cause a hardly visible crater of c. 200 μm in diameter. The application of a…

  • The Gundestrup Cauldron

    Open Access•Svend Nielsen, Jan Holme Andersen et al.•ARTICLE•Acta Archaeologica•2005•Cited by: 6

  • A note on glass and silica in oil paintings from the 15th to the 17th century

    Open Access•Karin Lutzenberger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2010•Cited by: 5•References: 2

  • Naphthol Green – a forgotten artists’ pigment of the early 20th century. History, chemistry and analytical identification

    Open Access•Wibke Neugebauer, Clarimma Sessa et al.•ARTICLE•Journal of Cultural Heritage•2018•Cited by: 4

  • A complementary spectroscopic approach for the non-invasive in-situ identification of synthetic organic pigments in modern reverse paintings on glass (1913-1946)

    Open Access•Simon Steger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2019•Cited by: 1•References: 26

  • Disclosing glittering and sparkling effects in 20th-century reverse glass paintings

    Open Access•Simon Steger, Heike Stege et al.•ARTICLE•Journal of Cultural Heritage•2020•References: 1

Cultural Heritage Materials Analysis (5 works) · Materials Science (5 works) · Chemistry (4 works) · Art (3 works) · Building materials and conservation (3 works) · Composite material (3 works) · Conservation Techniques and Studies (3 works) · Organic Chemistry (3 works) · Painting (3 works) · Visual arts (3 works)

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