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Ian Haywood

Biographic Data

ID1648162
NAMEIan Haywood
GIVEN NAMESIan
FAMILY NAMEHaywood
SIGNATUREHAYWOOD I
AFFILIATIONSUniversity of Roehampton
ORCID0000-0002-7307-003X
VERIFIEDYes
TOTAL WORKS19
TOTAL CITATIONS10
AUTHOR COUNT17
EDITOR COUNT2
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2022
H-INDEX2
  • British Periodicals and Spanish Literature: Mapping the Romantic Canon

    Joselyn M Almeida, Tim Fulford et al.•BOOK•British Periodicals and Spanish…•2022•Cited by: 1•References: 1

    With the main goal of contributing to a wider understanding of the presence of Spanish literature and culture in British Romanticism, this book focuses on the instrumental role played by the British periodical press in the Anglo-Spanish literary and cultural exchange in the first half of the nineteenth century. All the chapters bear witness to the contrasting and varied perception of everything Spanish, the different strategies of exploration, ap…

  • Spain in British Romanticism: 1800-1840

    Open Access•Diego Saglia, Ian Haywood•BOOK•Spain in British Romanticism•2018

  • Comedy, Caricature and the Social Order 1820–1850

    Ian Haywood•ARTICLE•Media History•2017

    Brian Maidment’s study of comic visual imagery in the transitional period from Romanticism to Victorianism is an important and valuable challenge to the myth that graphic satire disappeared from Br

  • The Literature of Struggle: An Anthology of Chartist Fiction

    Ian Haywood•BOOK•Literature of Struggle•2016•Cited by: 3

    At its height, during the 1830s and 40s, Chartism inspired a prodigious literary output, based on its own newspapers and journals. While some Chartist political writings have been reprinted, the fiction of the movement has been largely neglected. Chartist stories represent a unique moment in literary history, when the radical political energies of a mass movement were fused with popular narrative forms. The result was a vital, accessible and popu…

  • The Literature of Chartism

    Ian Haywood•CHAPTER•Oxford Handbook of Victorian…•2014

    This chapter surveys and assesses the growing critical interest in the literature of Chartism. One of the most remarkable aspects of Britain’s first mass democratic movement was its significant output of creative literature. From the late 1830s to the early 1850s Chartist newspapers and periodicals published thousands of poems and a substantial amount of shorter and longer fiction. All this literature—whether written by anonymous and forgotten su…

  • Romanticism and Caricature

    Ian Haywood•BOOK•Romanticism and Caricature•2013

  • Bloody Romanticism

    Open Access•Ian Haywood•BOOK•Bloody Romanticism•2006

    This book studies the impact of violence on the writing of the Romantic period. The focus is on the response of writers to a series of violent events including the revolutions in America and France an

  • Bloody Romanticism: Spectacular Violence and the Politics of Representation, 1776-1832

    Ian Haywood•BOOK•Bloody Romanticism•2006

  • ‘Beneath the Bloody Scourge Laid Bare the Man’: Slavery and Violence

    Open Access•Ian Haywood•CHAPTER•Bloody Romanticism•2006

    The deluge of anti-slavery propaganda which hit the British public sphere in the late eighteenth century placed spectacular violence firmly on the cultural landscape. Graphic descriptions of slave atrocities were regarded as a powerful cultural tool for critiquing European ‘civilised’ values. In order to point the finger of blame squarely at the European slave trade, anti-slavery writers developed a highly effective and influential repertoire of …

  • American ‘Savagery’

    Open Access•Ian Haywood•CHAPTER•Bloody Romanticism•2006

    Sadistic slave-owners, vengeful slaves, megalomaniacal sans-culottes, cannibalistic soldiers, fanatical sectarian peasants — the cast list of the performers of spectacular violence is already extensive but by no means complete. This chapter will look at another prominent player in the grim theatre of bloody Romanticism, the American Indian. However, as the title of the chapter indicates, Indian violence was only one component of bloody conflict i…

  • Child Murder and British Culture, 1720–1900

    Ian Haywood•ARTICLE•Journal of Victorian Culture•2006

  • George W.M. Reynolds and ‘The Trafalgar Square Revolution’: Radicalism, the carnivalesque and popular culture in mid-Victorian England

    Ian Haywood•ARTICLE•Journal of Victorian Culture•2002•References: 8

  • George W.M. Reynolds and the radicalization of Victorian serial fiction

    Ian Haywood•ARTICLE•Media History•1998•Cited by: 1•References: 6

    (1998). George W.M. Reynolds and the radicalization of Victorian serial fiction. Media History: Vol. 4, No. 2, pp. 121-139

  • London

    Open Access•Ian Haywood•ARTICLE•Cities•1998•Cited by: 2

  • The middle eastern environment: Selected papers of the 1995 conference of the British society for middle eastern studies

    Open Access•Ian Haywood•ARTICLE•Land Use Policy•1997

  • Environmental assessment as a real estate management protocol

    Open Access•Grant Ledgerwood, Ian Haywood et al.•ARTICLE•Cities•1994

  • Kuwait

    Open Access•Ian Haywood•ARTICLE•Cities•1989

  • The Making of History: A Study of the Literary Forgeries of James Macpherson and Thomas Chatterton in Relation to Eighteenth-Century Ideas of History and Fiction

    Marshall Brown, Ian Haywood•ARTICLE•Eighteenth-Century Studies•1988

  • Khartoum

    Open Access•Ian Haywood•ARTICLE•Cities•1985•Cited by: 3•References: 1

  • The Literature of Struggle: An Anthology of Chartist Fiction

    Ian Haywood•BOOK•Literature of Struggle•2016•Cited by: 3

    At its height, during the 1830s and 40s, Chartism inspired a prodigious literary output, based on its own newspapers and journals. While some Chartist political writings have been reprinted, the fiction of the movement has been largely neglected. Chartist stories represent a unique moment in literary history, when the radical political energies of a mass movement were fused with popular narrative forms. The result was a vital, accessible and popu…

  • Khartoum

    Open Access•Ian Haywood•ARTICLE•Cities•1985•Cited by: 3•References: 1

  • London

    Open Access•Ian Haywood•ARTICLE•Cities•1998•Cited by: 2

  • British Periodicals and Spanish Literature: Mapping the Romantic Canon

    Joselyn M Almeida, Tim Fulford et al.•BOOK•British Periodicals and Spanish…•2022•Cited by: 1•References: 1

    With the main goal of contributing to a wider understanding of the presence of Spanish literature and culture in British Romanticism, this book focuses on the instrumental role played by the British periodical press in the Anglo-Spanish literary and cultural exchange in the first half of the nineteenth century. All the chapters bear witness to the contrasting and varied perception of everything Spanish, the different strategies of exploration, ap…

  • George W.M. Reynolds and the radicalization of Victorian serial fiction

    Ian Haywood•ARTICLE•Media History•1998•Cited by: 1•References: 6

    (1998). George W.M. Reynolds and the radicalization of Victorian serial fiction. Media History: Vol. 4, No. 2, pp. 121-139

  • Khartoum

    Open Access•Ian Haywood•ARTICLE•Cities•1985•Cited by: 3•References: 1

  • The Making of History: A Study of the Literary Forgeries of James Macpherson and Thomas Chatterton in Relation to Eighteenth-Century Ideas of History and Fiction

    Marshall Brown, Ian Haywood•ARTICLE•Eighteenth-Century Studies•1988

  • Kuwait

    Open Access•Ian Haywood•ARTICLE•Cities•1989

  • Environmental assessment as a real estate management protocol

    Open Access•Grant Ledgerwood, Ian Haywood et al.•ARTICLE•Cities•1994

  • The middle eastern environment: Selected papers of the 1995 conference of the British society for middle eastern studies

    Open Access•Ian Haywood•ARTICLE•Land Use Policy•1997

  • George W.M. Reynolds and the radicalization of Victorian serial fiction

    Ian Haywood•ARTICLE•Media History•1998•Cited by: 1•References: 6

    (1998). George W.M. Reynolds and the radicalization of Victorian serial fiction. Media History: Vol. 4, No. 2, pp. 121-139

  • London

    Open Access•Ian Haywood•ARTICLE•Cities•1998•Cited by: 2

  • George W.M. Reynolds and ‘The Trafalgar Square Revolution’: Radicalism, the carnivalesque and popular culture in mid-Victorian England

    Ian Haywood•ARTICLE•Journal of Victorian Culture•2002•References: 8

  • Bloody Romanticism

    Open Access•Ian Haywood•BOOK•Bloody Romanticism•2006

    This book studies the impact of violence on the writing of the Romantic period. The focus is on the response of writers to a series of violent events including the revolutions in America and France an

  • Bloody Romanticism: Spectacular Violence and the Politics of Representation, 1776-1832

    Ian Haywood•BOOK•Bloody Romanticism•2006

  • ‘Beneath the Bloody Scourge Laid Bare the Man’: Slavery and Violence

    Open Access•Ian Haywood•CHAPTER•Bloody Romanticism•2006

    The deluge of anti-slavery propaganda which hit the British public sphere in the late eighteenth century placed spectacular violence firmly on the cultural landscape. Graphic descriptions of slave atrocities were regarded as a powerful cultural tool for critiquing European ‘civilised’ values. In order to point the finger of blame squarely at the European slave trade, anti-slavery writers developed a highly effective and influential repertoire of …

  • American ‘Savagery’

    Open Access•Ian Haywood•CHAPTER•Bloody Romanticism•2006

    Sadistic slave-owners, vengeful slaves, megalomaniacal sans-culottes, cannibalistic soldiers, fanatical sectarian peasants — the cast list of the performers of spectacular violence is already extensive but by no means complete. This chapter will look at another prominent player in the grim theatre of bloody Romanticism, the American Indian. However, as the title of the chapter indicates, Indian violence was only one component of bloody conflict i…

  • Child Murder and British Culture, 1720–1900

    Ian Haywood•ARTICLE•Journal of Victorian Culture•2006

  • Romanticism and Caricature

    Ian Haywood•BOOK•Romanticism and Caricature•2013

  • The Literature of Chartism

    Ian Haywood•CHAPTER•Oxford Handbook of Victorian…•2014

    This chapter surveys and assesses the growing critical interest in the literature of Chartism. One of the most remarkable aspects of Britain’s first mass democratic movement was its significant output of creative literature. From the late 1830s to the early 1850s Chartist newspapers and periodicals published thousands of poems and a substantial amount of shorter and longer fiction. All this literature—whether written by anonymous and forgotten su…

  • The Literature of Struggle: An Anthology of Chartist Fiction

    Ian Haywood•BOOK•Literature of Struggle•2016•Cited by: 3

    At its height, during the 1830s and 40s, Chartism inspired a prodigious literary output, based on its own newspapers and journals. While some Chartist political writings have been reprinted, the fiction of the movement has been largely neglected. Chartist stories represent a unique moment in literary history, when the radical political energies of a mass movement were fused with popular narrative forms. The result was a vital, accessible and popu…

  • Comedy, Caricature and the Social Order 1820–1850

    Ian Haywood•ARTICLE•Media History•2017

    Brian Maidment’s study of comic visual imagery in the transitional period from Romanticism to Victorianism is an important and valuable challenge to the myth that graphic satire disappeared from Br

  • Spain in British Romanticism: 1800-1840

    Open Access•Diego Saglia, Ian Haywood•BOOK•Spain in British Romanticism•2018

  • British Periodicals and Spanish Literature: Mapping the Romantic Canon

    Joselyn M Almeida, Tim Fulford et al.•BOOK•British Periodicals and Spanish…•2022•Cited by: 1•References: 1

    With the main goal of contributing to a wider understanding of the presence of Spanish literature and culture in British Romanticism, this book focuses on the instrumental role played by the British periodical press in the Anglo-Spanish literary and cultural exchange in the first half of the nineteenth century. All the chapters bear witness to the contrasting and varied perception of everything Spanish, the different strategies of exploration, ap…

History (12 works) · Political science (10 works) · Art (8 works) · Art history (8 works) · Law (8 works) · Literature (8 works) · History (7 works) · Sociology (6 works) · Archaeology (5 works) · Geography (5 works)

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