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Sandra Rozental

Biographic Data

ID165152
NAMESandra Rozental
GIVEN NAMESSandra
FAMILY NAMERozental
SIGNATUREROZENTAL S
AFFILIATIONSUniversidad Autónoma Metropolitana
ORCID0000-0002-4220-447X
VERIFIEDYes
TOTAL WORKS13
TOTAL CITATIONS25
AUTHOR COUNT13
EDITOR COUNT0
FIRST PUBLICATION YEAR2006
LATEST PUBLICATION YEAR2026
H-INDEX3
  • Retrato del mezquital: Antonio Rodríguez y la imagen del Otomí en la modernización del estado mexicano a mediados del siglo XX

    Sandra Rozental•ARTICLE•Hispanic American Historical Review•2026

  • Sobre Mauricio Tenorio Trillo, La historia en ruinas. El culto a los monumentos y a su destrucción

    Open Access•Sandra Rozental•ARTICLE•Historia Mexicana•2025

  • Columpiarse en la historia

    Open Access•Sandra Rozental•ARTICLE•Historia y Grafía•2023

    Esta reseña analiza los aportes del libro Historia del columpio del historiador Javier Moscoso

  • "Sandra Rozental. Review of "The Contested Crown: "Repatriation Politics between Europe and Mexico" by Khadija von Zinnenburg Carroll

    Open Access•Sandra Rozental•ARTICLE•CAA Reviews•2022

  • Los fragmentos de un traslado: Los Desbordes De Las Imágenes

    Open Access•Sandra Rozental•ARTICLE•Encartes•2022•References: 21

    The extraction and relocation of the pre-Hispanic monolith known as 'Tlaloc' from San Miguel Coatlinchan to the National Museum of Anthropology (Museo Nacional de Antropología) in 1964 were captured through the production, circulation, arrangement, and storage of different types of images. These images have been organized using different processes of montage that sought to somehow fix the event and, which are therefore deeply political. Following…

  • The Pre-Hispanic in Landscape

    Sandra Rozental•ARTICLE•Latin American and Latinx Visual…•2020

    Marcelo, a graphic designer in his late thirties when I first met him in 2005, is one of the founders of the Calpulli Macoyolotzin, a group of residents from San Miguel Coatlinchan who are interested in their town’s pre-Hispanic heritage. A few years earlier he had come across a facsimile of Coatlinchan’s oldest cartographic representation displayed in a bookstore window: a sixteenth-century painted manuscript known as the Mapa de Coatlinchan (al…

  • Sobre Miruna Achim, From Idols to Antiquity. Forging the National Museum of Mexico

    Open Access•Sandra Rozental•ARTICLE•Historia Mexicana•2020

  • (In)disciplinar la investigación: Archivo, trabajo de campo y escritura. Frida Gorbach y Mario Rufer (coords.)

    Open Access•Sandra Rozental•ARTICLE•Alteridades•2018

    Reseña del libro (In)disciplinar la investigación: archivo, trabajo de campo y escritura coord. Frida Gorbach y Mario Rufer, Ciudad de México: Siglo XXI, Universidad Autónoma Metropolitana-Xochimilco, 2016. En esta reseña se analizan los textos de los antropólogos e historiadores que respondieron al llamado de los editores, Frida Gorbach y Mario Rufer, para reflexionar en torno a la producción de la evidencia en las ciencias sociales y en su prop…

  • Sobre Christina Bueno, The Pursuit of Ruins: Archaeology, History and the Making of Modern Mexico

    Open Access•Sandra Rozental•ARTICLE•Historia Mexicana•2018

  • In the Wake of Mexican Patrimonio: Material Ecologies in San Miguel Coatlinchan

    Sandra Rozental•ARTICLE•Anthropological Quarterly•2016•Cited by: 9

    San Miguel Coatlinchan, a town 35 miles east of Mexico City, became famous following an episode of state-perpetrated dispossession. In 1964, the Mexican state enforced its legal claim to pre-Hispanic material culture as national property by removing a colossal pre-Hispanic monolith from its lands and transporting it to the capital's National Anthropology Museum. Ever since, the stone sculpture that represents an ancient rain deity has stood at th…

  • Matters of Patrimony: Anthropological Theory and the Materiality of Replication in Contemporary Latin America

    Open Access•Sandra Rozental, John Collins et al.•ARTICLE•The Journal of Latin American and…•2016•Cited by: 10•References: 72

  • Stone Replicas: The Iteration and Itinerancy of Mexican Patrimonio

    Open Access•Sandra Rozental•ARTICLE•The Journal of Latin American and…•2014•Cited by: 6•References: 11

    En el 2007, los habitantes de Coatlinchan consagraron una estatua hecha de concreto al darle los poderes meteorológicos de una deidad del agua antigua. La figura es una réplica exacta de un monolito prehispánico de 167 toneladas que fue notoriamente trasladado de Coatlinchan al Museo Nacional de Antropología en la Ciudad de México en 1964. Sin embargo, esta no es la primera vez que una réplica de la piedra tallada ha sido transformada en un ente …

  • Censo de servicios de genética médica en Argentina

    Open Access•Rosa Liascovich, Sandra Rozental et al.•ARTICLE•Revista Panamericana de Salud…•2006

    There is a great geographic disparity in the availability of resources as well as wide variability in the diagnostic procedures that are provided in the different service centers. The unequal distribution of the facilities is an organizational problem that will require the application of policies to guarantee minimum services for people in all regions of the country, as well as access to more complex diagnostic procedures

  • Matters of Patrimony: Anthropological Theory and the Materiality of Replication in Contemporary Latin America

    Open Access•Sandra Rozental, John Collins et al.•ARTICLE•The Journal of Latin American and…•2016•Cited by: 10•References: 72

  • In the Wake of Mexican Patrimonio: Material Ecologies in San Miguel Coatlinchan

    Sandra Rozental•ARTICLE•Anthropological Quarterly•2016•Cited by: 9

    San Miguel Coatlinchan, a town 35 miles east of Mexico City, became famous following an episode of state-perpetrated dispossession. In 1964, the Mexican state enforced its legal claim to pre-Hispanic material culture as national property by removing a colossal pre-Hispanic monolith from its lands and transporting it to the capital's National Anthropology Museum. Ever since, the stone sculpture that represents an ancient rain deity has stood at th…

  • Stone Replicas: The Iteration and Itinerancy of Mexican Patrimonio

    Open Access•Sandra Rozental•ARTICLE•The Journal of Latin American and…•2014•Cited by: 6•References: 11

    En el 2007, los habitantes de Coatlinchan consagraron una estatua hecha de concreto al darle los poderes meteorológicos de una deidad del agua antigua. La figura es una réplica exacta de un monolito prehispánico de 167 toneladas que fue notoriamente trasladado de Coatlinchan al Museo Nacional de Antropología en la Ciudad de México en 1964. Sin embargo, esta no es la primera vez que una réplica de la piedra tallada ha sido transformada en un ente …

  • Censo de servicios de genética médica en Argentina

    Open Access•Rosa Liascovich, Sandra Rozental et al.•ARTICLE•Revista Panamericana de Salud…•2006

    There is a great geographic disparity in the availability of resources as well as wide variability in the diagnostic procedures that are provided in the different service centers. The unequal distribution of the facilities is an organizational problem that will require the application of policies to guarantee minimum services for people in all regions of the country, as well as access to more complex diagnostic procedures

  • Stone Replicas: The Iteration and Itinerancy of Mexican Patrimonio

    Open Access•Sandra Rozental•ARTICLE•The Journal of Latin American and…•2014•Cited by: 6•References: 11

    En el 2007, los habitantes de Coatlinchan consagraron una estatua hecha de concreto al darle los poderes meteorológicos de una deidad del agua antigua. La figura es una réplica exacta de un monolito prehispánico de 167 toneladas que fue notoriamente trasladado de Coatlinchan al Museo Nacional de Antropología en la Ciudad de México en 1964. Sin embargo, esta no es la primera vez que una réplica de la piedra tallada ha sido transformada en un ente …

  • In the Wake of Mexican Patrimonio: Material Ecologies in San Miguel Coatlinchan

    Sandra Rozental•ARTICLE•Anthropological Quarterly•2016•Cited by: 9

    San Miguel Coatlinchan, a town 35 miles east of Mexico City, became famous following an episode of state-perpetrated dispossession. In 1964, the Mexican state enforced its legal claim to pre-Hispanic material culture as national property by removing a colossal pre-Hispanic monolith from its lands and transporting it to the capital's National Anthropology Museum. Ever since, the stone sculpture that represents an ancient rain deity has stood at th…

  • Matters of Patrimony: Anthropological Theory and the Materiality of Replication in Contemporary Latin America

    Open Access•Sandra Rozental, John Collins et al.•ARTICLE•The Journal of Latin American and…•2016•Cited by: 10•References: 72

  • (In)disciplinar la investigación: Archivo, trabajo de campo y escritura. Frida Gorbach y Mario Rufer (coords.)

    Open Access•Sandra Rozental•ARTICLE•Alteridades•2018

    Reseña del libro (In)disciplinar la investigación: archivo, trabajo de campo y escritura coord. Frida Gorbach y Mario Rufer, Ciudad de México: Siglo XXI, Universidad Autónoma Metropolitana-Xochimilco, 2016. En esta reseña se analizan los textos de los antropólogos e historiadores que respondieron al llamado de los editores, Frida Gorbach y Mario Rufer, para reflexionar en torno a la producción de la evidencia en las ciencias sociales y en su prop…

  • Sobre Christina Bueno, The Pursuit of Ruins: Archaeology, History and the Making of Modern Mexico

    Open Access•Sandra Rozental•ARTICLE•Historia Mexicana•2018

  • The Pre-Hispanic in Landscape

    Sandra Rozental•ARTICLE•Latin American and Latinx Visual…•2020

    Marcelo, a graphic designer in his late thirties when I first met him in 2005, is one of the founders of the Calpulli Macoyolotzin, a group of residents from San Miguel Coatlinchan who are interested in their town’s pre-Hispanic heritage. A few years earlier he had come across a facsimile of Coatlinchan’s oldest cartographic representation displayed in a bookstore window: a sixteenth-century painted manuscript known as the Mapa de Coatlinchan (al…

  • Sobre Miruna Achim, From Idols to Antiquity. Forging the National Museum of Mexico

    Open Access•Sandra Rozental•ARTICLE•Historia Mexicana•2020

  • "Sandra Rozental. Review of "The Contested Crown: "Repatriation Politics between Europe and Mexico" by Khadija von Zinnenburg Carroll

    Open Access•Sandra Rozental•ARTICLE•CAA Reviews•2022

  • Los fragmentos de un traslado: Los Desbordes De Las Imágenes

    Open Access•Sandra Rozental•ARTICLE•Encartes•2022•References: 21

    The extraction and relocation of the pre-Hispanic monolith known as 'Tlaloc' from San Miguel Coatlinchan to the National Museum of Anthropology (Museo Nacional de Antropología) in 1964 were captured through the production, circulation, arrangement, and storage of different types of images. These images have been organized using different processes of montage that sought to somehow fix the event and, which are therefore deeply political. Following…

  • Columpiarse en la historia

    Open Access•Sandra Rozental•ARTICLE•Historia y Grafía•2023

    Esta reseña analiza los aportes del libro Historia del columpio del historiador Javier Moscoso

  • Sobre Mauricio Tenorio Trillo, La historia en ruinas. El culto a los monumentos y a su destrucción

    Open Access•Sandra Rozental•ARTICLE•Historia Mexicana•2025

  • Retrato del mezquital: Antonio Rodríguez y la imagen del Otomí en la modernización del estado mexicano a mediados del siglo XX

    Sandra Rozental•ARTICLE•Hispanic American Historical Review•2026

Art (6 works) · Humanities (6 works) · Anthropology (4 works) · History (4 works) · Sociology (4 works) · Archaeology (3 works) · History (3 works) · Photographic and Visual Arts (3 works) · Art history (2 works) · Cultural Heritage Management and Preservation (2 works)

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