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Erica Fontana

Biographic Data

ID165329
NAMEErica Fontana
GIVEN NAMESErica
FAMILY NAMEFontana
SIGNATUREFONTANA E
AFFILIATIONSUniversity of California San Diego
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS6
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR2009
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Meanings of the "Museum Boom" in Contemporary Poland and Elsewhere

    Open Access•Erica Fontana•ARTICLE•Museum Anthropology•2020•References: 21

    The "museum boom" is a global phenomenon with various local manifestations and wide-ranging antecedents. The recent museum boom in Poland, in which a number of national museum complexes have either opened or undergone significant remodeling, is related to changing evidential discourses about collective identity. These discourses are part of the national narratives surrounding the Polish state. This essay asks what can be learned from the Polish m…

  • Museal Games and Emotional Truths: Creating Polish National Identity at the Warsaw Rising Museum

    Open Access•Monika Żychlińska, Erica Fontana•ARTICLE•East European Politics and…•2015•Cited by: 4

    The Warsaw Rising Museum (WRM), opened in Warsaw in 2004 to commemorate the 1944 rebellion by Polish citizen-soldiers against Nazi occupiers, is considered the first modern historical museum in Poland. During the ten years since its opening, it has had a significant influence not only on public imaginations of the Rising but also subsequent museum trends in Poland. Using Anna Wieczorkiewicz’s concept of the “museal game” in which meaning is produ…

  • Le Musée d'Art au Hasard: Responses of Black Paris to French museum culture

    B Jules-Rosette, Erica Fontana•ARTICLE•African and Black Diaspora An…•2009•Cited by: 2•References: 7

    During the colonial period, Black Paris began to respond to French museum culture. From the 1930s to the 1970s, Joséphine Baker maintained a close association with French museum culture. Other voices from Black Paris surfaced surrounding the Présence Africaine journal in 1947 and the turbulent debates of the 1950s. In the 1980s, the rediscovery of contemporary and popular arts led to a virtual explosion in French gallery and museum spaces. From t…

  • Museal Games and Emotional Truths: Creating Polish National Identity at the Warsaw Rising Museum

    Open Access•Monika Żychlińska, Erica Fontana•ARTICLE•East European Politics and…•2015•Cited by: 4

    The Warsaw Rising Museum (WRM), opened in Warsaw in 2004 to commemorate the 1944 rebellion by Polish citizen-soldiers against Nazi occupiers, is considered the first modern historical museum in Poland. During the ten years since its opening, it has had a significant influence not only on public imaginations of the Rising but also subsequent museum trends in Poland. Using Anna Wieczorkiewicz’s concept of the “museal game” in which meaning is produ…

  • Le Musée d'Art au Hasard: Responses of Black Paris to French museum culture

    B Jules-Rosette, Erica Fontana•ARTICLE•African and Black Diaspora An…•2009•Cited by: 2•References: 7

    During the colonial period, Black Paris began to respond to French museum culture. From the 1930s to the 1970s, Joséphine Baker maintained a close association with French museum culture. Other voices from Black Paris surfaced surrounding the Présence Africaine journal in 1947 and the turbulent debates of the 1950s. In the 1980s, the rediscovery of contemporary and popular arts led to a virtual explosion in French gallery and museum spaces. From t…

  • Le Musée d'Art au Hasard: Responses of Black Paris to French museum culture

    B Jules-Rosette, Erica Fontana•ARTICLE•African and Black Diaspora An…•2009•Cited by: 2•References: 7

    During the colonial period, Black Paris began to respond to French museum culture. From the 1930s to the 1970s, Joséphine Baker maintained a close association with French museum culture. Other voices from Black Paris surfaced surrounding the Présence Africaine journal in 1947 and the turbulent debates of the 1950s. In the 1980s, the rediscovery of contemporary and popular arts led to a virtual explosion in French gallery and museum spaces. From t…

  • Museal Games and Emotional Truths: Creating Polish National Identity at the Warsaw Rising Museum

    Open Access•Monika Żychlińska, Erica Fontana•ARTICLE•East European Politics and…•2015•Cited by: 4

    The Warsaw Rising Museum (WRM), opened in Warsaw in 2004 to commemorate the 1944 rebellion by Polish citizen-soldiers against Nazi occupiers, is considered the first modern historical museum in Poland. During the ten years since its opening, it has had a significant influence not only on public imaginations of the Rising but also subsequent museum trends in Poland. Using Anna Wieczorkiewicz’s concept of the “museal game” in which meaning is produ…

  • Meanings of the "Museum Boom" in Contemporary Poland and Elsewhere

    Open Access•Erica Fontana•ARTICLE•Museum Anthropology•2020•References: 21

    The "museum boom" is a global phenomenon with various local manifestations and wide-ranging antecedents. The recent museum boom in Poland, in which a number of national museum complexes have either opened or undergone significant remodeling, is related to changing evidential discourses about collective identity. These discourses are part of the national narratives surrounding the Polish state. This essay asks what can be learned from the Polish m…

Memory, Trauma, and Commemoration (2 works) · Polish-Jewish Holocaust Memory Studies (2 works) · Aesthetics (1 works) · African art (1 works) · Anthropology (1 works) · Art (1 works) · Cultural Identity and Heritage (1 works) · Epistemology (1 works) · Historical Studies and Socio-cultural Analysis (1 works) · Identification (biology (1 works)

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