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Amy Lynn Wlodarski

Biographic Data

ID1653752
NAMEAmy Lynn Wlodarski
GIVEN NAMESAmy Lynn
FAMILY NAMEWlodarski
SIGNATUREWLODARSKI A L
AFFILIATIONSDickinson College
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2022
H-INDEX0
  • Musical Testimonies of Terezín and the Possibilities of Contrapuntal Listening

    Open Access•Amy Lynn Wlodarski•ARTICLE•Music and Politics•2022

    Taking my cue from the postcolonial cultural analyses of Edward Said, as well as a recent postcolonial turn in Holocaust studies, I define a practice of contrapuntal listening for the copious musical witness that constitutes the extensive Holocaust testimonial archive. Contrapuntal listening recognizes the inherent power dynamics and potential narrative desires present within the capture of testimony, a process that is never ideologically blank a…

  • The Repercussions of George Rochberg's Rubble Rhetoric

    Open Access•Amy Lynn Wlodarski•ARTICLE•twentieth-century music•2022

    During the Second World War, the American composer George Rochberg served as an infantryman with the US Army in Europe. There, he witnessed first hand the aftermath caused by massive firebombing of the French countryside by both Allied and Axis bombers, an image that would remain with him for the remainder of his life. In his post-war writings, the rubbled city of Saint-Lô soon became a metaphor for the precarious state of Western culture, which …

  • Musical Witness and Holocaust Representation

    Amy Lynn Wlodarski•BOOK•Musical Witness and Holocaust…•2015

  • Cavernous impossibilities

    Open Access•Amy Lynn Wlodarski•CHAPTER•Cambridge Companion to Jewish Music•2015

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Of Moses and Musicology

    Open Access•Amy Lynn Wlodarski•ARTICLE•Journal of the Royal Musical…•2012

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Black Liberation Mosaic

    Jeremy Ball, Amy Lynn Wlodarski•ARTICLE•The Oral History Review•2011

    In 2008, students from Dickinson College conducted dozens of interviews in South Africa and Mississippi as part of a semester-long comparative oral history project studying the movements that challenged white supremacist governments in South Africa and Mississippi. Interviewees included educators, political activists, historians, archivists, musicians, politicians, and business leaders. Students completed supplementary coursework in the fields of…

No prominent works on this page.

  • The Black Liberation Mosaic

    Jeremy Ball, Amy Lynn Wlodarski•ARTICLE•The Oral History Review•2011

    In 2008, students from Dickinson College conducted dozens of interviews in South Africa and Mississippi as part of a semester-long comparative oral history project studying the movements that challenged white supremacist governments in South Africa and Mississippi. Interviewees included educators, political activists, historians, archivists, musicians, politicians, and business leaders. Students completed supplementary coursework in the fields of…

  • Of Moses and Musicology

    Open Access•Amy Lynn Wlodarski•ARTICLE•Journal of the Royal Musical…•2012

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Musical Witness and Holocaust Representation

    Amy Lynn Wlodarski•BOOK•Musical Witness and Holocaust…•2015

  • Cavernous impossibilities

    Open Access•Amy Lynn Wlodarski•CHAPTER•Cambridge Companion to Jewish Music•2015

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Musical Testimonies of Terezín and the Possibilities of Contrapuntal Listening

    Open Access•Amy Lynn Wlodarski•ARTICLE•Music and Politics•2022

    Taking my cue from the postcolonial cultural analyses of Edward Said, as well as a recent postcolonial turn in Holocaust studies, I define a practice of contrapuntal listening for the copious musical witness that constitutes the extensive Holocaust testimonial archive. Contrapuntal listening recognizes the inherent power dynamics and potential narrative desires present within the capture of testimony, a process that is never ideologically blank a…

  • The Repercussions of George Rochberg's Rubble Rhetoric

    Open Access•Amy Lynn Wlodarski•ARTICLE•twentieth-century music•2022

    During the Second World War, the American composer George Rochberg served as an infantryman with the US Army in Europe. There, he witnessed first hand the aftermath caused by massive firebombing of the French countryside by both Allied and Axis bombers, an image that would remain with him for the remainder of his life. In his post-war writings, the rubbled city of Saint-Lô soon became a metaphor for the precarious state of Western culture, which …

Aesthetics (4 works) · Art (4 works) · History (4 works) · Literature (4 works) · Musical (4 works) · Law (3 works) · Musicology and Musical Analysis (3 works) · Philosophy (3 works) · Visual arts (3 works) · Archaeology (2 works)

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