Florian Stadtler
Biographic Data
| ID | 165552 |
|---|---|
| NAME | Florian Stadtler |
| GIVEN NAMES | Florian |
| FAMILY NAME | Stadtler |
| SIGNATURE | STADTLER F |
| AFFILIATIONS | University of Exeter |
| ORCID | 0000-0002-2301-550X |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2005 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Writing Back to Empire: “Vergangenheitsbewältigung” and German Colonialism in Abdulrazak Gurnah’s Paradise and Afterlives
This article discusses the representation of the colonising German in Abdulrazak Gurnah’s fiction in relation to dominant historical and contemporary discourses about German colonialism, which remain a polarised issue. Furthermore, it explores how Gurnah connects this history with wider historical circuits both in the Indian Ocean World, Britain, Europe, and Germany. The article argues that Gurnah’s approach in Afterlives unmasks a German refusal…
A History of the Bloomsbury Group
A History of the Bloomsbury Group ranges more widely across the Bloomsbury group's interdisciplinary activities and international networks than any previous volume. From innovations in the literary and visual arts to interventions in politics and economic policy, core members including Virginia Woolf, Leonard Woolf, E. M. Forster, Lytton Strachey, Vanessa Bell, Clive Bell, Duncan Grant, Roger Fry, and John Maynard Keynes are explored in relation …
Salman Rushdie in Context
SRK and global Bollywood
To date, Shah Rukh Khan (SRK) remains at the top of the ‘All Time Male Actor Hit Count’. According to Box Office India, out of his 52 releases, 25 were box office hits – closely on his heels follow
Bombay dreams and Bombay nightmares: Spatiality and Bollywood gangster film's urban underworld aesthetics
The importance of the city in an articulation of Indian modernity has been central to the narratives of Indian popular cinema since the 1950s. Especially since the mid-1970s, in the wake of Indira Gandhi's declaration of a State of Emergency, Hindi cinema has explored the structures of power that determine Bombay's urban city space where the hero of the film encounters exponentially communal, domestic, gang, and state violence. These films put fo…
Networking the globe: Culture, Technologies, Globalization
Thanks are also due to Rehana Ahmed for co-conceptualizing and co-organizing the conference and her input to this special issue. We also gratefully acknowledge the journal editors, Janet Wilson and Chris Ringrose, for their advice, guidance and support in bringing this issue to fruition
Britain and India: Cross-cultural Encounters
Terror, globalization and the individual in Salman Rushdie'sShalimar the Clown
This article reads Rushdie’s 2005 Rushdie, Salman. 2006. Shalimar the Clown. 2005, London: Vintage. [Google Scholar] novel Shalimar the Clown as an example of how the contemporary postcolonial novel debates terrorism, the neo‐imperialist strategies of post‐war US foreign policy and the Indian state’s military presence in Kashmir. Shalimar the Clown extends his arguments about cultural and economic globalization, resurgent separatist and terrorist…
Cultural Connections: Lagaan and its audience responses
Over the past few years, South Asian culture has crossed over into the mainstream as never before with fusion projects across various genres as well as Bollywood films enjoying considerable success at the UK box office. Focusing on the Bollywood hit Lagaan, this article will examine how directors play with the tested Bollywood formula in order to generate a broader appeal not only within India but increasingly across the globe. The film raises se…
Terror, globalization and the individual in Salman Rushdie'sShalimar the Clown
This article reads Rushdie’s 2005 Rushdie, Salman. 2006. Shalimar the Clown. 2005, London: Vintage. [Google Scholar] novel Shalimar the Clown as an example of how the contemporary postcolonial novel debates terrorism, the neo‐imperialist strategies of post‐war US foreign policy and the Indian state’s military presence in Kashmir. Shalimar the Clown extends his arguments about cultural and economic globalization, resurgent separatist and terrorist…
Cultural Connections: Lagaan and its audience responses
Over the past few years, South Asian culture has crossed over into the mainstream as never before with fusion projects across various genres as well as Bollywood films enjoying considerable success at the UK box office. Focusing on the Bollywood hit Lagaan, this article will examine how directors play with the tested Bollywood formula in order to generate a broader appeal not only within India but increasingly across the globe. The film raises se…
Cultural Connections: Lagaan and its audience responses
Over the past few years, South Asian culture has crossed over into the mainstream as never before with fusion projects across various genres as well as Bollywood films enjoying considerable success at the UK box office. Focusing on the Bollywood hit Lagaan, this article will examine how directors play with the tested Bollywood formula in order to generate a broader appeal not only within India but increasingly across the globe. The film raises se…
Terror, globalization and the individual in Salman Rushdie'sShalimar the Clown
This article reads Rushdie’s 2005 Rushdie, Salman. 2006. Shalimar the Clown. 2005, London: Vintage. [Google Scholar] novel Shalimar the Clown as an example of how the contemporary postcolonial novel debates terrorism, the neo‐imperialist strategies of post‐war US foreign policy and the Indian state’s military presence in Kashmir. Shalimar the Clown extends his arguments about cultural and economic globalization, resurgent separatist and terrorist…
Britain and India: Cross-cultural Encounters
Networking the globe: Culture, Technologies, Globalization
Thanks are also due to Rehana Ahmed for co-conceptualizing and co-organizing the conference and her input to this special issue. We also gratefully acknowledge the journal editors, Janet Wilson and Chris Ringrose, for their advice, guidance and support in bringing this issue to fruition
Bombay dreams and Bombay nightmares: Spatiality and Bollywood gangster film's urban underworld aesthetics
The importance of the city in an articulation of Indian modernity has been central to the narratives of Indian popular cinema since the 1950s. Especially since the mid-1970s, in the wake of Indira Gandhi's declaration of a State of Emergency, Hindi cinema has explored the structures of power that determine Bombay's urban city space where the hero of the film encounters exponentially communal, domestic, gang, and state violence. These films put fo…
SRK and global Bollywood
To date, Shah Rukh Khan (SRK) remains at the top of the ‘All Time Male Actor Hit Count’. According to Box Office India, out of his 52 releases, 25 were box office hits – closely on his heels follow
Salman Rushdie in Context
A History of the Bloomsbury Group
A History of the Bloomsbury Group ranges more widely across the Bloomsbury group's interdisciplinary activities and international networks than any previous volume. From innovations in the literary and visual arts to interventions in politics and economic policy, core members including Virginia Woolf, Leonard Woolf, E. M. Forster, Lytton Strachey, Vanessa Bell, Clive Bell, Duncan Grant, Roger Fry, and John Maynard Keynes are explored in relation …
Writing Back to Empire: “Vergangenheitsbewältigung” and German Colonialism in Abdulrazak Gurnah’s Paradise and Afterlives
This article discusses the representation of the colonising German in Abdulrazak Gurnah’s fiction in relation to dominant historical and contemporary discourses about German colonialism, which remain a polarised issue. Furthermore, it explores how Gurnah connects this history with wider historical circuits both in the Indian Ocean World, Britain, Europe, and Germany. The article argues that Gurnah’s approach in Afterlives unmasks a German refusal…
Political science (6 works) · Law (5 works) · Media studies (5 works) · Sociology (5 works) · Globalization (4 works) · Law (4 works) · Art (3 works) · History (3 works) · Politics (3 works) · Relation (database) (3 works)