Kaitlyn Tucker Sorenson
Biographic Data
| ID | 1665066 |
|---|---|
| NAME | Kaitlyn Tucker Sorenson |
| GIVEN NAMES | Kaitlyn Tucker |
| FAMILY NAME | Sorenson |
| SIGNATURE | SORENSON K T |
| AFFILIATIONS | University of Chicago |
| ORCID | 0000-0003-4939-8630 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Razpor
This article examines some of Slavoj Žižek’s very first texts, beginning with the poem-treatises he first published in the journal Problemi in May, 1968. It analyses how the imagery of rupture – born out of the spirit of ’68 – emerged as a key spatial metaphor that would go on to shape the theoretical topography of the philosophical platform of the now world-renowned Ljubljana School of Lacanian Psychoanalysis. Beginning with Žižek’s usage of the…
Experience as Device
Russian Formalism and the Ljubljana School are two of the most influential Slavic contributions to global critical theory. Yet, cast as the prolegomena and coda of the short twentieth century's groundswell of critical theory, these two theoretical movements are rarely considered in tandem. This article seeks to challenge that perception on both historical and theoretical grounds. It begins by documenting the introduction of Russian Formalism to S…
Radical Play
Kaitlyn Tucker Sorenson's "Radical Play" analyzes how one Slovene official's response to student movements in June 1968 ("Changes-yes, circus- no!") established a formula that structured relations between official and alternative culture in Ljubljana. Borrowed from de Gaulle's famous remark in May '68 ("La réforme, oui, la chienlit, non"), the Slovene translation captured the essence of a new mode of cultural production, both playful and politica…
No prominent works on this page.
Razpor
This article examines some of Slavoj Žižek’s very first texts, beginning with the poem-treatises he first published in the journal Problemi in May, 1968. It analyses how the imagery of rupture – born out of the spirit of ’68 – emerged as a key spatial metaphor that would go on to shape the theoretical topography of the philosophical platform of the now world-renowned Ljubljana School of Lacanian Psychoanalysis. Beginning with Žižek’s usage of the…
Experience as Device
Russian Formalism and the Ljubljana School are two of the most influential Slavic contributions to global critical theory. Yet, cast as the prolegomena and coda of the short twentieth century's groundswell of critical theory, these two theoretical movements are rarely considered in tandem. This article seeks to challenge that perception on both historical and theoretical grounds. It begins by documenting the introduction of Russian Formalism to S…
Radical Play
Kaitlyn Tucker Sorenson's "Radical Play" analyzes how one Slovene official's response to student movements in June 1968 ("Changes-yes, circus- no!") established a formula that structured relations between official and alternative culture in Ljubljana. Borrowed from de Gaulle's famous remark in May '68 ("La réforme, oui, la chienlit, non"), the Slovene translation captured the essence of a new mode of cultural production, both playful and politica…
Art (3 works) · Literature (3 works) · Eastern European Communism and Reforms (2 works) · Epistemology (2 works) · History (2 works) · Philosophy (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Classics (1 work) · Classics (1 work)