J J Rome
Biographic Data
| ID | 1665601 |
|---|---|
| NAME | J J Rome |
| GIVEN NAMES | J J |
| FAMILY NAME | Rome |
| SIGNATURE | ROME J J |
| VERIFIED | No |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 1991 |
| H-INDEX | 1 |
A Dialogue on Dialogue, Part I
Postmodern Culture - Volume 2, Number 1, September 1991
Private Enigmas and Critical Functions, with Particular Reference to the Writing of Charles Bernstein
What is one to say of such nonsense? I observe that each stanza is dominated by (introduced by) a distinct literary allusion: Byron is echoed in the first line, D. G. Rossetti in line five, and some nursery doggerel in line nine.2 But the absence of an integrating element among these three simple allusions is an index of the text's chaos (as is the poem's title, for that matter). The work is a travesty of meaning because it flaunts its own delibe…
"The Alphabet, Spelt from Silliman's Leaves (A Conversation on the "American Longpoem)
Research Article| October 01 1990 The Alphabet, Spelt from Silliman’s Leaves (A Conversation on the “American Longpoem”) Anne Mack; Anne Mack Search for other works by this author on: This Site Google J. J. Rome J. J. Rome Search for other works by this author on: This Site Google South Atlantic Quarterly (1990) 89 (4): 737–759. https://doi.org/10.1215/00382876-89-4-737 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions …
Marxism, Romanticism, and Postmodernism: An American Case History
Research Article| July 01 1989 Marxism, Romanticism, and Postmodernism: An American Case History Anne Mack; Anne Mack Search for other works by this author on: This Site Google J. J. Rome J. J. Rome Search for other works by this author on: This Site Google South Atlantic Quarterly (1989) 88 (3): 605–632. https://doi.org/10.1215/00382876-88-3-605 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ann…
Private Enigmas and Critical Functions, with Particular Reference to the Writing of Charles Bernstein
What is one to say of such nonsense? I observe that each stanza is dominated by (introduced by) a distinct literary allusion: Byron is echoed in the first line, D. G. Rossetti in line five, and some nursery doggerel in line nine.2 But the absence of an integrating element among these three simple allusions is an index of the text's chaos (as is the poem's title, for that matter). The work is a travesty of meaning because it flaunts its own delibe…
Marxism, Romanticism, and Postmodernism: An American Case History
Research Article| July 01 1989 Marxism, Romanticism, and Postmodernism: An American Case History Anne Mack; Anne Mack Search for other works by this author on: This Site Google J. J. Rome J. J. Rome Search for other works by this author on: This Site Google South Atlantic Quarterly (1989) 88 (3): 605–632. https://doi.org/10.1215/00382876-88-3-605 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ann…
"The Alphabet, Spelt from Silliman's Leaves (A Conversation on the "American Longpoem)
Research Article| October 01 1990 The Alphabet, Spelt from Silliman’s Leaves (A Conversation on the “American Longpoem”) Anne Mack; Anne Mack Search for other works by this author on: This Site Google J. J. Rome J. J. Rome Search for other works by this author on: This Site Google South Atlantic Quarterly (1990) 89 (4): 737–759. https://doi.org/10.1215/00382876-89-4-737 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions …
A Dialogue on Dialogue, Part I
Postmodern Culture - Volume 2, Number 1, September 1991
Private Enigmas and Critical Functions, with Particular Reference to the Writing of Charles Bernstein
What is one to say of such nonsense? I observe that each stanza is dominated by (introduced by) a distinct literary allusion: Byron is echoed in the first line, D. G. Rossetti in line five, and some nursery doggerel in line nine.2 But the absence of an integrating element among these three simple allusions is an index of the text's chaos (as is the poem's title, for that matter). The work is a travesty of meaning because it flaunts its own delibe…
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