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Ulrik Ekman

Biographic Data

ID1666448
NAMEUlrik Ekman
GIVEN NAMESUlrik
FAMILY NAMEEkman
SIGNATUREEKMAN U
AFFILIATIONSUniversity of Copenhagen
ORCID0000-0002-9162-6417
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT1
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2018
H-INDEX0
  • Images and uncertain worlds

    Daniela Agostinho, Ulrik Ekman et al.•ARTICLE•Philosophy of Photography•2018

    Preview this article: Images and uncertain worlds, Page 1 of 1 /docserver/preview/fulltext/pop/9/2/pop.9.2.99_2-1.gif

  • Ubiquitous Computing, Complexity, and Culture

    Lily Díaz-Kommonen, Ulrik Ekman et al.•BOOK•Ubiquitous computing, complexity…•2015

    The ubiquitous nature of mobile and pervasive computing has begun to reshape and complicate our notions of space, time, and identity. In this collection, over thirty internationally recognized contributors reflect on ubiquitous computing’s implications for the ways in which we interact with our environments, experience time, and develop identities individually and socially. Interviews with working media artists lend further perspectives on these …

  • Transformations of Transforming Mirrors

    Open Access•Ulrik Ekman, David Rokeby•ARTICLE•Postmodern Culture•2014

    Transformations of Transforming Mirrors:An Interview with David Rokeby Ulrik Ekman (bio) and David Rokeby Click for larger view View full resolution David Rokeby Click for larger view View full resolution Ulrik Ekman 1. Introduction David Rokeby began exploring questions of interactivity while studying at the Ontario College of Art (OCA) in 1981. His earliest interactive pieces were constructed with text or photography and specifically designed t…

  • Urban echoes of ubiquity

    Ulrik Ekman, Morten Breinbjerg•ARTICLE•Continuum•2013•References: 9

    Perhaps you are passing through the contemporary urban environment of a south-east Asian megaregion, a regional technopole in southern China or a new industrial complex in Germany. It could be that

  • Irreducible Vagueness

    Open Access•Ulrik Ekman•ARTICLE•Postmodern Culture•2009

    This article argues that Blur Building, Diller & Scofidio's architectural project for the Swiss Expo 2002, demonstrated performatively and interactively how contemporary worldmaking involves cultural and technological invention and construction both, implying our cultural co-evolution with ubiquitous computing and media such that "worlding" must today be approached and approximated as a question of realities that mix virtuality and actuality. Thi…

  • Of Transductive Speed – Stiegler

    Ulrik Ekman•ARTICLE•Parallax•2007

    Entering into a dialogue with Bernard Stiegler's work on technics and time, the reader will, sooner or later, experience a certain difficulty as regards the delimitation of speed, as if Stiegler on

  • The Speed of Beauty

    Open Access•Ulrik Ekman, Hans Ulrich Gumbrecht•ARTICLE•Postmodern Culture•2006

    The Speed of Beauty: Hans Ulrich Gumbrecht, Interviewed by Ulrik Ekman Ulrik Ekman Abstract Professor Gumbrecht was interviewed after his visit in November 2005 to the Department for Cultural Studies and the Arts, Copenhagen University, Denmark, arranged by the Research Forum for Intermedial Digital Aesthetics directed by Ulrik Ekman. On that occasion, Gumbrecht gave a seminar titled “Benjamin in the Digital Age,” which focused on his editorial w…

  • Social Simulation in William Gibson's Neuromancer

    Open Access•Ulrik Ekman•ARTICLE•American Studies in Scandinavia•2002

No prominent works on this page.

  • Social Simulation in William Gibson's Neuromancer

    Open Access•Ulrik Ekman•ARTICLE•American Studies in Scandinavia•2002

  • The Speed of Beauty

    Open Access•Ulrik Ekman, Hans Ulrich Gumbrecht•ARTICLE•Postmodern Culture•2006

    The Speed of Beauty: Hans Ulrich Gumbrecht, Interviewed by Ulrik Ekman Ulrik Ekman Abstract Professor Gumbrecht was interviewed after his visit in November 2005 to the Department for Cultural Studies and the Arts, Copenhagen University, Denmark, arranged by the Research Forum for Intermedial Digital Aesthetics directed by Ulrik Ekman. On that occasion, Gumbrecht gave a seminar titled “Benjamin in the Digital Age,” which focused on his editorial w…

  • Of Transductive Speed – Stiegler

    Ulrik Ekman•ARTICLE•Parallax•2007

    Entering into a dialogue with Bernard Stiegler's work on technics and time, the reader will, sooner or later, experience a certain difficulty as regards the delimitation of speed, as if Stiegler on

  • Irreducible Vagueness

    Open Access•Ulrik Ekman•ARTICLE•Postmodern Culture•2009

    This article argues that Blur Building, Diller & Scofidio's architectural project for the Swiss Expo 2002, demonstrated performatively and interactively how contemporary worldmaking involves cultural and technological invention and construction both, implying our cultural co-evolution with ubiquitous computing and media such that "worlding" must today be approached and approximated as a question of realities that mix virtuality and actuality. Thi…

  • Urban echoes of ubiquity

    Ulrik Ekman, Morten Breinbjerg•ARTICLE•Continuum•2013•References: 9

    Perhaps you are passing through the contemporary urban environment of a south-east Asian megaregion, a regional technopole in southern China or a new industrial complex in Germany. It could be that

  • Transformations of Transforming Mirrors

    Open Access•Ulrik Ekman, David Rokeby•ARTICLE•Postmodern Culture•2014

    Transformations of Transforming Mirrors:An Interview with David Rokeby Ulrik Ekman (bio) and David Rokeby Click for larger view View full resolution David Rokeby Click for larger view View full resolution Ulrik Ekman 1. Introduction David Rokeby began exploring questions of interactivity while studying at the Ontario College of Art (OCA) in 1981. His earliest interactive pieces were constructed with text or photography and specifically designed t…

  • Ubiquitous Computing, Complexity, and Culture

    Lily Díaz-Kommonen, Ulrik Ekman et al.•BOOK•Ubiquitous computing, complexity…•2015

    The ubiquitous nature of mobile and pervasive computing has begun to reshape and complicate our notions of space, time, and identity. In this collection, over thirty internationally recognized contributors reflect on ubiquitous computing’s implications for the ways in which we interact with our environments, experience time, and develop identities individually and socially. Interviews with working media artists lend further perspectives on these …

  • Images and uncertain worlds

    Daniela Agostinho, Ulrik Ekman et al.•ARTICLE•Philosophy of Photography•2018

    Preview this article: Images and uncertain worlds, Page 1 of 1 /docserver/preview/fulltext/pop/9/2/pop.9.2.99_2-1.gif

Art (6 works) · Computer Science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Art history (3 works) · Artificial Intelligence (3 works) · Digital Games and Media (3 works) · Digital Media and Philosophy (3 works) · Philosophy (3 works) · Philosophy (3 works)

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