Ashley Scarlett
Biographic Data
| ID | 1666536 |
|---|---|
| NAME | Ashley Scarlett |
| GIVEN NAMES | Ashley |
| FAMILY NAME | Scarlett |
| SIGNATURE | SCARLETT A |
| AFFILIATIONS | University of the Arts |
| ORCID | 0000-0002-3579-0554 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Learning from atrocity: When machines regard the pain of others
The images that have emerged from Gaza, capturing catastrophic violence inflicted upon the Palestinian people by the state of Israel, are atrocious, haunting, injurious. Gaza-based photojournalist Motaz Azaiza came to the fore in the early months of the onslaught as a critical source of on-the-ground information, capturing and posting a steady stream of horror to his Instagram account. Social media outlets are replete with images like his, paired…
Introduction: The Politics and Practices of Computational Seeing
Disclosure StatementNo potential conflict of interest was reported by the authors.Additional informationNotes on contributorsMartin HandMartin Hand is Professor of Sociology at Queen’s University, Canada. He writes about the unintended social and cultural consequences of digitization in everyday life. He is currently Co-Editor-in-Chief for the 3-volume Bloomsbury Encyclopaedia of Visual Culture (scheduled 2025). His publications include Big Data?…
The problem of toxic internships in the environmental field: Guidelines for more equitable professional experiences
On Withdrawal, Abandonment and the Limits of Algorithmic Apprehension
Suspended across a quadcopter, motion-capture system and data projection, Charon (Figure 1) is an interactive performance space, choreographed and articulated by contemporary media artist Sterling
Introduction: The Politics and Practices of Computational Seeing
Disclosure StatementNo potential conflict of interest was reported by the authors.Additional informationNotes on contributorsMartin HandMartin Hand is Professor of Sociology at Queen’s University, Canada. He writes about the unintended social and cultural consequences of digitization in everyday life. He is currently Co-Editor-in-Chief for the 3-volume Bloomsbury Encyclopaedia of Visual Culture (scheduled 2025). His publications include Big Data?…
On Withdrawal, Abandonment and the Limits of Algorithmic Apprehension
Suspended across a quadcopter, motion-capture system and data projection, Charon (Figure 1) is an interactive performance space, choreographed and articulated by contemporary media artist Sterling
The problem of toxic internships in the environmental field: Guidelines for more equitable professional experiences
Introduction: The Politics and Practices of Computational Seeing
Disclosure StatementNo potential conflict of interest was reported by the authors.Additional informationNotes on contributorsMartin HandMartin Hand is Professor of Sociology at Queen’s University, Canada. He writes about the unintended social and cultural consequences of digitization in everyday life. He is currently Co-Editor-in-Chief for the 3-volume Bloomsbury Encyclopaedia of Visual Culture (scheduled 2025). His publications include Big Data?…
Learning from atrocity: When machines regard the pain of others
The images that have emerged from Gaza, capturing catastrophic violence inflicted upon the Palestinian people by the state of Israel, are atrocious, haunting, injurious. Gaza-based photojournalist Motaz Azaiza came to the fore in the early months of the onslaught as a critical source of on-the-ground information, capturing and posting a steady stream of horror to his Instagram account. Social media outlets are replete with images like his, paired…
Computer Science (3 works) · Political science (3 works) · Engineering (2 works) · Law (2 works) · Law (2 works) · Psychology (2 works) · Abandonment (legal (1 works) · Aerospace Engineering (1 works) · Aesthetics (1 works) · Algorithm (1 works)