Isabella Poppe
Biographic Data
| ID | 1667951 |
|---|---|
| NAME | Isabella Poppe |
| GIVEN NAMES | Isabella |
| FAMILY NAME | Poppe |
| SIGNATURE | POPPE I |
| AFFILIATIONS | Fundação Getulio Vargas |
| ORCID | 0000-0003-4970-9726 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Entre a denúncia, a memória e a utopia: O cinema que desafia a ditadura militar no Brasil
Still under the Brazilian military dictatorship, two filmmakers who had been political prisoners leave the country and decide to use cinema as an instrument of confrontation and of construction of ideas of a future for the country. Living in exile in Chile, Luiz Sanz directs Não é hora de chorar, in 1971. In Nicaragua, Lucia Murat filmed O pequeno exército louco, between 1978 and 1980. Faced with the feeling of defeat of the left, Sanz and Murat …
Imagens selvagens
Entrevista de Patrícia Oliveira
No prominent works on this page.
Entrevista de Patrícia Oliveira
Imagens selvagens
Entre a denúncia, a memória e a utopia: O cinema que desafia a ditadura militar no Brasil
Still under the Brazilian military dictatorship, two filmmakers who had been political prisoners leave the country and decide to use cinema as an instrument of confrontation and of construction of ideas of a future for the country. Living in exile in Chile, Luiz Sanz directs Não é hora de chorar, in 1971. In Nicaragua, Lucia Murat filmed O pequeno exército louco, between 1978 and 1980. Faced with the feeling of defeat of the left, Sanz and Murat …
Art (1 works) · Art history (1 works) · Brazilian cultural history and politics (1 works) · Cultural Identity and Heritage (1 works) · Cultural, Media, and Literary Studies (1 works) · Diverse Cultural and Historical Studies (1 works) · Humanities (1 works) · Memory, Trauma, and Testimony (1 works) · Movie theater (1 works) · North African History and Literature (1 works)