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Andreas Haug

Biographic Data

ID1671055
NAMEAndreas Haug
GIVEN NAMESAndreas
FAMILY NAMEHaug
SIGNATUREHAUG A
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT7
EDITOR COUNT2
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2021
H-INDEX0
  • Singing from the Book

    Open Access•Andreas Haug•ARTICLE•The Musical Quarterly•2021

    The strong bond between singing and reading in Western culture since the Middle Ages is something so exceptional, from a global anthropological as well as historical perspective, that it requires explanation. This essay investigates the genesis of this bond in late Antiquity by re-examining the relationship between the singers and the book from which they sing.1 Concentrating on the Christian tradition of the Latin West, I review the evidence pro…

  • Zum Gedenken an Wolfgang Horn (1956-2019)

    Open Access•Andreas Haug•ARTICLE•Die Musikforschung•2020

  • The Cambridge History of Medieval Music

    Open Access•Peter Jeffery, Andreas Pfisterer et al.•BOOK•Cambridge History of Medieval Music•2018

    Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside …

  • The Medieval Cathedral of Trondheim

    Margrete Syrstad Andås, Øystein Ekroll et al.•BOOK•The Medieval Cathedral of Trondheim•2007

  • The Medieval Cathedral of Trondheim

    Margrete Syrstad Andås, Øystein Ekroll et al.•BOOK•The Medieval Cathedral of Trondheim•2007

  • Der Beginn europäischen Komponierens in der Karolingerzeit

    Open Access•Andreas Haug•ARTICLE•Die Musikforschung•2005

    Bereits in der Zeit um 800 lassen sich musikalische Verfahren nachweisen, die dem neuzeitlichen Komponieren - im emphatischen Sinne - zumindest ähnlich sind. Dennoch führen solche Versuche, bereits dem Mittelalter Kategorien wie Werk oder Komponist überzustülpen, eher in die Irre: Zwar gab es auch damals schon die Zuerkennung der Autorschaft textloser Melodien und dergleichen, doch wurde sie weder mit besonderer Aufmerksamkeit bedacht noch kam ih…

  • Versified Office

    Ritva Maria Jacobsson, Andreas Haug•CHAPTER•The new Grove dictionary of music…•2001

  • Constituting the past - forming the present

    Andreas Haug•ARTICLE•Journal of the History of…•2001

    How did citizens of Augustan Rome perceive their material surroundings? To what extent did architecture, Republican and Greek statues, coins, gems, and even Greek vases constitute the ‘past’ for them, and to what extent were these part of the ‘present’ experienced in their current environment? Such questions have a special relevance in a context marked both politically by a conceptual culture of remembrance (renovatio) and culturally by a signifi…

  • Gesungene und schriftlich dargestellte Sequenzen

    Marie-Noël Colette, Andreas Haug•ARTICLE•Revue de musicologie•1990

No prominent works on this page.

  • Gesungene und schriftlich dargestellte Sequenzen

    Marie-Noël Colette, Andreas Haug•ARTICLE•Revue de musicologie•1990

  • Versified Office

    Ritva Maria Jacobsson, Andreas Haug•CHAPTER•The new Grove dictionary of music…•2001

  • Constituting the past - forming the present

    Andreas Haug•ARTICLE•Journal of the History of…•2001

    How did citizens of Augustan Rome perceive their material surroundings? To what extent did architecture, Republican and Greek statues, coins, gems, and even Greek vases constitute the ‘past’ for them, and to what extent were these part of the ‘present’ experienced in their current environment? Such questions have a special relevance in a context marked both politically by a conceptual culture of remembrance (renovatio) and culturally by a signifi…

  • Der Beginn europäischen Komponierens in der Karolingerzeit

    Open Access•Andreas Haug•ARTICLE•Die Musikforschung•2005

    Bereits in der Zeit um 800 lassen sich musikalische Verfahren nachweisen, die dem neuzeitlichen Komponieren - im emphatischen Sinne - zumindest ähnlich sind. Dennoch führen solche Versuche, bereits dem Mittelalter Kategorien wie Werk oder Komponist überzustülpen, eher in die Irre: Zwar gab es auch damals schon die Zuerkennung der Autorschaft textloser Melodien und dergleichen, doch wurde sie weder mit besonderer Aufmerksamkeit bedacht noch kam ih…

  • The Medieval Cathedral of Trondheim

    Margrete Syrstad Andås, Øystein Ekroll et al.•BOOK•The Medieval Cathedral of Trondheim•2007

  • The Medieval Cathedral of Trondheim

    Margrete Syrstad Andås, Øystein Ekroll et al.•BOOK•The Medieval Cathedral of Trondheim•2007

  • The Cambridge History of Medieval Music

    Open Access•Peter Jeffery, Andreas Pfisterer et al.•BOOK•Cambridge History of Medieval Music•2018

    Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside …

  • Zum Gedenken an Wolfgang Horn (1956-2019)

    Open Access•Andreas Haug•ARTICLE•Die Musikforschung•2020

  • Singing from the Book

    Open Access•Andreas Haug•ARTICLE•The Musical Quarterly•2021

    The strong bond between singing and reading in Western culture since the Middle Ages is something so exceptional, from a global anthropological as well as historical perspective, that it requires explanation. This essay investigates the genesis of this bond in late Antiquity by re-examining the relationship between the singers and the book from which they sing.1 Concentrating on the Christian tradition of the Latin West, I review the evidence pro…

Art (7 works) · History (4 works) · Aesthetics (3 works) · Computer Science (3 works) · Historical and Archaeological Studies (3 works) · Philosophy (3 works) · Acoustics (2 works) · Archaeology (2 works) · Classical Antiquity Studies (2 works) · Epistemology (2 works)

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