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Frank Hentschel

Biographic Data

ID1671283
NAMEFrank Hentschel
GIVEN NAMESFrank
FAMILY NAMEHentschel
SIGNATUREHENTSCHEL F
AFFILIATIONSUniversity of Cologne
ORCID0000-0002-9441-3396
VERIFIEDYes
TOTAL WORKS9
TOTAL CITATIONS0
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Listening back in time

    Open Access•Frank Hentschel, Gunter Kreutz et al.•ARTICLE•Musicae Scientiae•2026

    Works of Western art music have been addressed in writing for centuries by different listeners, including critics and music theorists. The question arises, whether today’s listeners still ascribe expressive connotations made in the past to music excerpts with similar features, which might indicate a stability of these connotations over time. To test this idea, we used historic descriptions of the “Glorifying Hymnic” as identified in a previous st…

  • Vom Orientalismus zur heimischen Folklore

    Open Access•Frank Hentschel•ARTICLE•Kieler Beiträge zur Filmmusikforsch…•2023

  • Die Musik in »Mars Attacks!«

    Open Access•Frank Hentschel•ARTICLE•Kieler Beiträge zur Filmmusikforsch…•2023

    There's one guarantee in life : When you're reading 5 reviews on Mars Attacks!, FOUR of them are negative ones!Why, I ask?? It's really hard for me to believe that all these movie-lovers fail to see the film like Tim Burton intended it.Mars Attacks! is a great film and -above alla very effective parody.Burton takes the opportunity to spoof and laugh with almost every form of nowadays filth... Politics, religion, the army, television, greed in Las…

  • Cross-modale Beschreibungen von Musik im Lateinischen Mittelalter

    Frank Hentschel•ARTICLE•Archiv für Musikwissenschaft•2023

    Regarding the ability to describe tone qualities in music, Latin had a severe dearth of available terms. Authors in the Latin Middle Ages had to therefore make do with numerous cross-modal descriptors of musical qualities. The article uses the database Thesaurus musicarum Latinarum for an overview of these descriptors, whereby it arranges the terms, pursuant to their cross-modal usage, in accordance with the modalities of sensory perception from …

  • Exploring 19th-century Perception of “Uncanny” Music Using a Semantic Network Approach

    Frank Hentschel, Anja-Xiaoxing Cui•ARTICLE•Music Perception An Interdisciplina…•2022

    The perception and experience of emotions in response to music listening are subject of a growing body of empirical research across the humanities and social sciences. While we are now able to investigate music perception in different parts of the world, insights into historical music perception remain elusive, mainly because the direct interrogation of music listeners of the past is no longer possible. Here, we present an approach to the retroac…

  • Hypercortisolemic Depression Is Associated With Increased Intra-Abdominal Fat

    Bettina Weber-Hamann, Frank Hentschel et al.•ARTICLE•Psychosomatic Medicine•2002

    OBJECTIVE: Similar to patients with a metabolic syndrome, patients with major depression are at increased risk of developing cardiovascular disorders. Interestingly, both disorders share a specific endocrine syndrome that promotes the accumulation of visceral fat, which again is considered a marker of increased cardiovascular morbidity and mortality. METHODS: Intra-abdominal fat was measured in 22 postmenopausal depressed women and 23 age-matched…

  • Sinnlichkeit und Vernunft in der mittelalterlichen Musiktheorie. Strategien der Konsonanzwertung und der Gegenstand der Musica sonora um 1300

    Christian Meyer, Frank Hentschel•ARTICLE•Revue de musicologie•2002

  • Musik -- und die Geschichte der Philosophie und Naturwissenschaften im Mittelalter. Fragen zur Wechselwirkung von 'Musica' und 'Philosophia' im Mittelalter

    Christian Meyer, Frank Hentschel•ARTICLE•Revue de musicologie•1999

  • Die Unmöglichkeit der Teilung des Ganztones in Zwei Gleiche Teile und der Gegenstand der Musica Sonora um 1300

    Frank Hentschel•CHAPTER•Musik - und die Geschichte der…•1998

No prominent works on this page.

  • Die Unmöglichkeit der Teilung des Ganztones in Zwei Gleiche Teile und der Gegenstand der Musica Sonora um 1300

    Frank Hentschel•CHAPTER•Musik - und die Geschichte der…•1998

  • Musik -- und die Geschichte der Philosophie und Naturwissenschaften im Mittelalter. Fragen zur Wechselwirkung von 'Musica' und 'Philosophia' im Mittelalter

    Christian Meyer, Frank Hentschel•ARTICLE•Revue de musicologie•1999

  • Hypercortisolemic Depression Is Associated With Increased Intra-Abdominal Fat

    Bettina Weber-Hamann, Frank Hentschel et al.•ARTICLE•Psychosomatic Medicine•2002

    OBJECTIVE: Similar to patients with a metabolic syndrome, patients with major depression are at increased risk of developing cardiovascular disorders. Interestingly, both disorders share a specific endocrine syndrome that promotes the accumulation of visceral fat, which again is considered a marker of increased cardiovascular morbidity and mortality. METHODS: Intra-abdominal fat was measured in 22 postmenopausal depressed women and 23 age-matched…

  • Sinnlichkeit und Vernunft in der mittelalterlichen Musiktheorie. Strategien der Konsonanzwertung und der Gegenstand der Musica sonora um 1300

    Christian Meyer, Frank Hentschel•ARTICLE•Revue de musicologie•2002

  • Exploring 19th-century Perception of “Uncanny” Music Using a Semantic Network Approach

    Frank Hentschel, Anja-Xiaoxing Cui•ARTICLE•Music Perception An Interdisciplina…•2022

    The perception and experience of emotions in response to music listening are subject of a growing body of empirical research across the humanities and social sciences. While we are now able to investigate music perception in different parts of the world, insights into historical music perception remain elusive, mainly because the direct interrogation of music listeners of the past is no longer possible. Here, we present an approach to the retroac…

  • Vom Orientalismus zur heimischen Folklore

    Open Access•Frank Hentschel•ARTICLE•Kieler Beiträge zur Filmmusikforsch…•2023

  • Die Musik in »Mars Attacks!«

    Open Access•Frank Hentschel•ARTICLE•Kieler Beiträge zur Filmmusikforsch…•2023

    There's one guarantee in life : When you're reading 5 reviews on Mars Attacks!, FOUR of them are negative ones!Why, I ask?? It's really hard for me to believe that all these movie-lovers fail to see the film like Tim Burton intended it.Mars Attacks! is a great film and -above alla very effective parody.Burton takes the opportunity to spoof and laugh with almost every form of nowadays filth... Politics, religion, the army, television, greed in Las…

  • Cross-modale Beschreibungen von Musik im Lateinischen Mittelalter

    Frank Hentschel•ARTICLE•Archiv für Musikwissenschaft•2023

    Regarding the ability to describe tone qualities in music, Latin had a severe dearth of available terms. Authors in the Latin Middle Ages had to therefore make do with numerous cross-modal descriptors of musical qualities. The article uses the database Thesaurus musicarum Latinarum for an overview of these descriptors, whereby it arranges the terms, pursuant to their cross-modal usage, in accordance with the modalities of sensory perception from …

  • Listening back in time

    Open Access•Frank Hentschel, Gunter Kreutz et al.•ARTICLE•Musicae Scientiae•2026

    Works of Western art music have been addressed in writing for centuries by different listeners, including critics and music theorists. The question arises, whether today’s listeners still ascribe expressive connotations made in the past to music excerpts with similar features, which might indicate a stability of these connotations over time. To test this idea, we used historic descriptions of the “Glorifying Hymnic” as identified in a previous st…

Art (6 works) · Historical, Literary, and Cultural Studies (4 works) · Active listening (2 works) · History (2 works) · Medieval Literature and History (2 works) · Music psychology (2 works) · Neuroscience and Music Perception (2 works) · Adipokines, Inflammation, and Metabolic Diseases (1 works) · Aesthetics (1 works) · Archaeology (1 works)

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