Julie Burelle
Biographic Data
| ID | 1673994 |
|---|---|
| NAME | Julie Burelle |
| GIVEN NAMES | Julie |
| FAMILY NAME | Burelle |
| SIGNATURE | BURELLE J |
| AFFILIATIONS | University of California San Diego |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Antikoni in a Settler Classroom on Kumeyaay Land
This article documents the process that led two groups of students enrolled in a course at UC San Diego to enter into a deeper and more reciprocal embodied relationship with the play Antikoni (a Nez Perce adaptation of Sophocles’ Antigone), its author Beth Piatote, and with UC San Diego’s fraught history related to the repatriation of Kumeyaay ancestors. Building on Theresa Stewart-Ambo and K. This article documents how the students chose to reci…
All That Moves Us
This article explores El Buen Vestir-Tlakentli 2 (2017 and 2019) and argues that the two iterations of this dance-theatre piece are powerful explorations—through dance and the artists’ sensate relation to objects—of the moving journey that led artists Leticia Vera and Carlos Rivera Martínez from Mexico to Canada and from a sense of estrangement from their Indigeneity to an encounter with their ancestors’ complex and resistant negotiations with th…
Moving Together to Reclaim and Resist
Ambient Audio: Sounds of the city, traffic
Against the Current and into The Light
Reviewed by: Against the Current and into The Light: Performing History and Land In Coast Salish Territories and Vancouver's Stanley Park by Selena Couture Julie Burelle AGAINST THE CURRENT AND INTO THE LIGHT: PERFORMING HISTORY AND LAND IN COAST SALISH TERRITORIES AND VANCOUVER'S STANLEY PARK. By Selena Couture. McGill-Queen's Native and Northern series, no. 95. Montreal: McGill-Queen's University Press, 2019; pp. 270. Against the Current and in…
Capturing Elusiveness
Inuit Visual and Sensate Sovereignty in Alethea Arnaquq-Baril’s Angry Inuk
L’auteure soutient que le documentaire de 2016 d’Alethea Arnaquq-Baril, Angry Inuk (Inuk en colère), crée, grâce au cinéma, des espaces de « souveraineté visuelle » centrés sur l’« agentivité sensorielle » inuite (Raheja, 2010 ; Robinson, 2016). La réalisatrice propose un recadrage, selon un point de vue inuit, de la rhétorique dominante entourant la chasse aux phoques, pratique décriée violemment par des groupes de défense des droits des animaux…
In the Balance
O]ne positive force that encourages an emancipatory politics of globalization is the role of the imagination in social life
Encounters on Contested Lands
Dee(a)r Spine
This dialogue between artist and dramaturg documents the creation of Dee(a)r Spine, Sam Mitchell's adaptation of the Yaqui Deer Dance, performed on Kumeyaay territory at the University of California, San Diego. Weaving reflections on dance, dramaturgy, and methodology, this article posits that dancing offers a pathway to the repatriation of Indigenous memory and kinship, a way to honor the trajectories of those whose connections with their commun…
Isabelle St-Amand, La Crise d'Oka en récits; territoire, cinéma et littérature, Québec, Les Presses de l'Université Laval, 2015
Isabelle St-Amand, La Crise d’Oka en récits; territoire, cinéma et littérature, Québec, Les Presses de l’Université Laval, 2015. Un article de la revue Recherches sociographiques (Manifestations contemporaines de la vie familiale) diffusée par la plateforme Érudit
Theatre in Contested Lands
The repatriation of indigenous remains and cultural patrimony can trigger anxiety among the settler majority. Performing as surrogates for the Americas’ un-grieved genocidal past, these remains, and the mourning performances that accompany their sometimes-embattled repatriation, illuminate the continuous violence against indigenous people that infiltrates even settler societies’ most reparative laws
Dee(a)r Spine
This dialogue between artist and dramaturg documents the creation of Dee(a)r Spine, Sam Mitchell's adaptation of the Yaqui Deer Dance, performed on Kumeyaay territory at the University of California, San Diego. Weaving reflections on dance, dramaturgy, and methodology, this article posits that dancing offers a pathway to the repatriation of Indigenous memory and kinship, a way to honor the trajectories of those whose connections with their commun…
Theatre in Contested Lands
The repatriation of indigenous remains and cultural patrimony can trigger anxiety among the settler majority. Performing as surrogates for the Americas’ un-grieved genocidal past, these remains, and the mourning performances that accompany their sometimes-embattled repatriation, illuminate the continuous violence against indigenous people that infiltrates even settler societies’ most reparative laws
Dee(a)r Spine
This dialogue between artist and dramaturg documents the creation of Dee(a)r Spine, Sam Mitchell's adaptation of the Yaqui Deer Dance, performed on Kumeyaay territory at the University of California, San Diego. Weaving reflections on dance, dramaturgy, and methodology, this article posits that dancing offers a pathway to the repatriation of Indigenous memory and kinship, a way to honor the trajectories of those whose connections with their commun…
Isabelle St-Amand, La Crise d'Oka en récits; territoire, cinéma et littérature, Québec, Les Presses de l'Université Laval, 2015
Isabelle St-Amand, La Crise d’Oka en récits; territoire, cinéma et littérature, Québec, Les Presses de l’Université Laval, 2015. Un article de la revue Recherches sociographiques (Manifestations contemporaines de la vie familiale) diffusée par la plateforme Érudit
In the Balance
O]ne positive force that encourages an emancipatory politics of globalization is the role of the imagination in social life
Encounters on Contested Lands
Inuit Visual and Sensate Sovereignty in Alethea Arnaquq-Baril’s Angry Inuk
L’auteure soutient que le documentaire de 2016 d’Alethea Arnaquq-Baril, Angry Inuk (Inuk en colère), crée, grâce au cinéma, des espaces de « souveraineté visuelle » centrés sur l’« agentivité sensorielle » inuite (Raheja, 2010 ; Robinson, 2016). La réalisatrice propose un recadrage, selon un point de vue inuit, de la rhétorique dominante entourant la chasse aux phoques, pratique décriée violemment par des groupes de défense des droits des animaux…
Capturing Elusiveness
Moving Together to Reclaim and Resist
Ambient Audio: Sounds of the city, traffic
Against the Current and into The Light
Reviewed by: Against the Current and into The Light: Performing History and Land In Coast Salish Territories and Vancouver's Stanley Park by Selena Couture Julie Burelle AGAINST THE CURRENT AND INTO THE LIGHT: PERFORMING HISTORY AND LAND IN COAST SALISH TERRITORIES AND VANCOUVER'S STANLEY PARK. By Selena Couture. McGill-Queen's Native and Northern series, no. 95. Montreal: McGill-Queen's University Press, 2019; pp. 270. Against the Current and in…
Antikoni in a Settler Classroom on Kumeyaay Land
This article documents the process that led two groups of students enrolled in a course at UC San Diego to enter into a deeper and more reciprocal embodied relationship with the play Antikoni (a Nez Perce adaptation of Sophocles’ Antigone), its author Beth Piatote, and with UC San Diego’s fraught history related to the repatriation of Kumeyaay ancestors. Building on Theresa Stewart-Ambo and K. This article documents how the students chose to reci…
All That Moves Us
This article explores El Buen Vestir-Tlakentli 2 (2017 and 2019) and argues that the two iterations of this dance-theatre piece are powerful explorations—through dance and the artists’ sensate relation to objects—of the moving journey that led artists Leticia Vera and Carlos Rivera Martínez from Mexico to Canada and from a sense of estrangement from their Indigeneity to an encounter with their ancestors’ complex and resistant negotiations with th…
Art (7 works) · History (5 works) · Indigenous (4 works) · Political science (4 works) · Aesthetics (3 works) · Archaeology (3 works) · Ecology (3 works) · Geography (3 works) · Law (3 works) · Sociology (3 works)