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Helga Schwalm

Biographic Data

ID1677036
NAMEHelga Schwalm
GIVEN NAMESHelga
FAMILY NAMESchwalm
SIGNATURESCHWALM H
AFFILIATIONSHumboldt-Universität zu Berlin
ORCID0000-0002-7537-6200
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2023
H-INDEX0
  • (Re‐)Packaging Knowledge and The Business of Format

    Open Access•Helga Schwalm•ARTICLE•Journal for Eighteenth-Century…•2023

    Benjamin Martin was an itinerant lecturer, instrument maker, and the author of a substantial number of textbooks mainly in the sciences. His biggest project, however, was The General Magazine of Arts and Sciences (1755–64), dedicated to the dissemination of knowledge to a broad audience. Rather than study Martin's works with regard to the history of science, this article examines his publications in terms of their highly self‐conscious engagement…

  • Mary Ashraf and the “Research Group on Working Class Literature”

    Helga Schwalm•ARTICLE•Zeitschrift für Anglistik und…•2023

    Aiming to contribute to the historiography of English Studies, this essay explores the research agenda and collective work of a particular network of academics that made a committed and systematic effort to implement working-class literature and culture as a new research field in (GDR) English Studies. Set up as a “Research Group on Working Class Literature” in 1965, its key actors were a group of academics based at the Humboldt University or Päd…

  • Imagining Compromised Creativity

    Open Access•Helga Schwalm•ARTICLE•Slavonica•2020

    The life of the composer Dmitri Shostakovich features in several contemporary anglophone bio-fictions, both novels and film, raising the question of the larger implications of Shostakovich’s life in art today. In my paper, I aim to address how such Shostakovich bio-fictions reinvent the composer’s creative labour in the context of World War II, Stalinist and post-Stalinist politics. Shostakovich’s life as artist and man appears torn between fear …

  • Sympathy across Eighteenth-Century Worlds

    Open Access•Helga Schwalm•ARTICLE•Postcolonial Studies•2020

    Taking as its starting point eighteenth-century sympathy’s inclination towards local and familiar social relations, this chapter explores how the discourse on sympathy engages with and is transformed by imagining scenes well beyond the domain of proximity. The discursive negotiation of sympathy by Scottish Enlightenment philosophy, by Adam Smith in particular, displays a complex dynamic of relying on proximity and intersubjective presence on the …

  • Life Writing in the Long Run

    Helga Schwalm•ARTICLE•Life Writing•2019

    Finally, here is a work of life writing that captures a long story of life writing. That is, a book reflecting two scholarly lives conjoined for many decades in their work on autobiography. However

No prominent works on this page.

  • Life Writing in the Long Run

    Helga Schwalm•ARTICLE•Life Writing•2019

    Finally, here is a work of life writing that captures a long story of life writing. That is, a book reflecting two scholarly lives conjoined for many decades in their work on autobiography. However

  • Imagining Compromised Creativity

    Open Access•Helga Schwalm•ARTICLE•Slavonica•2020

    The life of the composer Dmitri Shostakovich features in several contemporary anglophone bio-fictions, both novels and film, raising the question of the larger implications of Shostakovich’s life in art today. In my paper, I aim to address how such Shostakovich bio-fictions reinvent the composer’s creative labour in the context of World War II, Stalinist and post-Stalinist politics. Shostakovich’s life as artist and man appears torn between fear …

  • Sympathy across Eighteenth-Century Worlds

    Open Access•Helga Schwalm•ARTICLE•Postcolonial Studies•2020

    Taking as its starting point eighteenth-century sympathy’s inclination towards local and familiar social relations, this chapter explores how the discourse on sympathy engages with and is transformed by imagining scenes well beyond the domain of proximity. The discursive negotiation of sympathy by Scottish Enlightenment philosophy, by Adam Smith in particular, displays a complex dynamic of relying on proximity and intersubjective presence on the …

  • (Re‐)Packaging Knowledge and The Business of Format

    Open Access•Helga Schwalm•ARTICLE•Journal for Eighteenth-Century…•2023

    Benjamin Martin was an itinerant lecturer, instrument maker, and the author of a substantial number of textbooks mainly in the sciences. His biggest project, however, was The General Magazine of Arts and Sciences (1755–64), dedicated to the dissemination of knowledge to a broad audience. Rather than study Martin's works with regard to the history of science, this article examines his publications in terms of their highly self‐conscious engagement…

  • Mary Ashraf and the “Research Group on Working Class Literature”

    Helga Schwalm•ARTICLE•Zeitschrift für Anglistik und…•2023

    Aiming to contribute to the historiography of English Studies, this essay explores the research agenda and collective work of a particular network of academics that made a committed and systematic effort to implement working-class literature and culture as a new research field in (GDR) English Studies. Set up as a “Research Group on Working Class Literature” in 1965, its key actors were a group of academics based at the Humboldt University or Päd…

Art (4 works) · History (3 works) · Sociology (3 works) · Aesthetics (2 works) · Computer Science (2 works) · History (2 works) · Law (2 works) · Literature (2 works) · Media studies (2 works) · Political science (2 works)

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