Claas Lattmann
Biographic Data
| ID | 1679741 |
|---|---|
| NAME | Claas Lattmann |
| GIVEN NAMES | Claas |
| FAMILY NAME | Lattmann |
| SIGNATURE | LATTMANN C |
| AFFILIATIONS | Christian-Albrechts-Universität zu Kiel |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
The Cambridge Companion to Pindar
Pindar was the single most important, canonical and influential lyric poet in the ancient Greek world, and he remains one of the most demanding and rewarding poets whose work has come down to us from antiquity. This volume represents the most comprehensive introduction to the poet and his reception yet published. Eighteen leading contemporary scholars contribute individual chapters that together help to provide a holistic understanding of Pindar'…
Pindar and the Poetics of Permanence by Henry Spelman
BOOK REVIEWS/COMPTES RENDUS 191 Chapter Four proceeds to mediaeval manuscripts, with several topics discussed. Multiformity of myth is seen in the startling speech of Briseis over the body of Patroclus in Book 19, in which the concubine suddenly opens one window onto the sack of her city by Achilles before slamming shut another upon her hoped-for marriage to Achilles in Greece. The Catalogue of Ships, missing in several manuscripts and a third-ce…
Pindar’s Voice(s): The Epinician Persona Reconsidered
Models as icons: Modeling models in the semiotic framework of Peirce’s theory of signs
Icons of novel thought: A new perspective on Peirce's definition of metaphor (CP 2.277)
This paper tries to elucidate Peirce's notoriously obscure definition of metaphor (CP 2.277) in the context of his general theory of signs. It is argued that Peirce defined metaphor not as a proposition, but as a genuinely original iconic (meta-)sign that represents a novel sign relation and, hence, novel thought. The adequacy of this approach is discussed against the background of rival theories of metaphor. This shows, inter alia, 1) that metap…
Das Gleiche im Verschiedenen: Metapher des Sports und Lob des Siegers in Pindars Epinikien
The Greek poet Pindar (c. 520-440 BC) wrote odes honouring the victors of Greek sporting festivals such as the Olympic Games. They have long been a source of curiosity to scholars, particularly since they appear to mention the victor only in passing. This book,using the methodologyof Charles S. Peirce’s semioticsand byreconstructing the cultural historical setting, reveals that this impression is misleading: in songs with a coherent and meaningfu…
Gleiche Im Verschiedenen: Metapher des Sports und Lob des Siegers in Pindars Epinikien
Models as icons: Modeling models in the semiotic framework of Peirce’s theory of signs
Icons of novel thought: A new perspective on Peirce's definition of metaphor (CP 2.277)
This paper tries to elucidate Peirce's notoriously obscure definition of metaphor (CP 2.277) in the context of his general theory of signs. It is argued that Peirce defined metaphor not as a proposition, but as a genuinely original iconic (meta-)sign that represents a novel sign relation and, hence, novel thought. The adequacy of this approach is discussed against the background of rival theories of metaphor. This shows, inter alia, 1) that metap…
Das Gleiche im Verschiedenen: Metapher des Sports und Lob des Siegers in Pindars Epinikien
The Greek poet Pindar (c. 520-440 BC) wrote odes honouring the victors of Greek sporting festivals such as the Olympic Games. They have long been a source of curiosity to scholars, particularly since they appear to mention the victor only in passing. This book,using the methodologyof Charles S. Peirce’s semioticsand byreconstructing the cultural historical setting, reveals that this impression is misleading: in songs with a coherent and meaningfu…
Gleiche Im Verschiedenen: Metapher des Sports und Lob des Siegers in Pindars Epinikien
Icons of novel thought: A new perspective on Peirce's definition of metaphor (CP 2.277)
This paper tries to elucidate Peirce's notoriously obscure definition of metaphor (CP 2.277) in the context of his general theory of signs. It is argued that Peirce defined metaphor not as a proposition, but as a genuinely original iconic (meta-)sign that represents a novel sign relation and, hence, novel thought. The adequacy of this approach is discussed against the background of rival theories of metaphor. This shows, inter alia, 1) that metap…
Models as icons: Modeling models in the semiotic framework of Peirce’s theory of signs
Pindar’s Voice(s): The Epinician Persona Reconsidered
Pindar and the Poetics of Permanence by Henry Spelman
BOOK REVIEWS/COMPTES RENDUS 191 Chapter Four proceeds to mediaeval manuscripts, with several topics discussed. Multiformity of myth is seen in the startling speech of Briseis over the body of Patroclus in Book 19, in which the concubine suddenly opens one window onto the sack of her city by Achilles before slamming shut another upon her hoped-for marriage to Achilles in Greece. The Catalogue of Ships, missing in several manuscripts and a third-ce…
The Cambridge Companion to Pindar
Pindar was the single most important, canonical and influential lyric poet in the ancient Greek world, and he remains one of the most demanding and rewarding poets whose work has come down to us from antiquity. This volume represents the most comprehensive introduction to the poet and his reception yet published. Eighteen leading contemporary scholars contribute individual chapters that together help to provide a holistic understanding of Pindar'…
Computer Science (4 works) · Classical Antiquity Studies (3 works) · Philosophy (3 works) · Art (2 works) · Context (archaeology) (2 works) · Epistemology (2 works) · History (2 works) · Linguistics (2 works) · Mathematics (2 works) · Poetry (2 works)