Arash Ghazvineh
Biographic Data
| ID | 1679872 |
|---|---|
| NAME | Arash Ghazvineh |
| GIVEN NAMES | Arash |
| FAMILY NAME | Ghazvineh |
| SIGNATURE | GHAZVINEH A |
| AFFILIATIONS | Tarbiat Modares University |
| ORCID | 0000-0003-2434-5786 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Distributed semiosis
This paper argues that meaning-making in the digital age has undergone a fundamental shift, no longer confined to the province of human actors. In today’s complex digital environments, semiosis – the core mechanism of signification – has become a distributed process, emerging from dynamic interactions among human users, algorithmic agents, and technological affordances. This shift challenges traditional anthropocentric models of semiosis and unde…
Performance as discourse
This paper presents a multimodal framework to the analysis of meaning-making in theatrical performances, conceptualizing them as multimodal discourses. It posits that the adoption of a discourse-oriented approach to theatrical performances addresses the limitations inherent in traditional syntax-oriented semiotics, thereby facilitating a more nuanced examination of performance interpretation. The central argument of the paper is that the underlyi…
A Multimodal Analysis of Films
Declaration of Conflicting InterestsThe authors declare that there is no conflict of interest with regard to this study.Notes1 Directed by Brad Bird. 2007. USA: Walt Disney Pictures, Pixar Animation Studios.2 Directed by Oliver Stone. 1986. USA: Hemdale Film Corporation.3 Directed by Charlie Chaplin. 1936. USA: Charles Chaplin Productions.4 Also known as Koyaanisqatsi: Life out of Balance. 1982. USA: American Zoetrope, IRE Productions, Santa Fe I…
Behind the scenes of theatrical meaning
This article adopts a Social Semiotic perspective to meaning-making in theater, contending that such an approach is essential for comprehensively addressing the intricate interrelations among the diverse sign systems inherent to the theatrical domain. While existing scholarly literature acknowledges the complex nature of meaning construction in theater and underscores the importance of analyzing the interplay between various sign systems, there e…
An inter-semiotic analysis of ideational meaning in text-prompted AI-generated images
This paper explores the inter-semiotic analysis of the ideational meaning in images generated by the text-to-image AI tool, Bing Image Creator. It adopts Kress and Van Leeuwen’s Grammar of Visual Design as its theoretical framework as the original grounding of the framework in systemic functional grammar (SFG) ensures a solid theoretical basis for undertaking analyses that involve the incorporation of textual and visual components. The integratio…
A Multimodal Analysis of Films
Declaration of Conflicting InterestsThe authors declare that there is no conflict of interest with regard to this study.Notes1 Directed by Brad Bird. 2007. USA: Walt Disney Pictures, Pixar Animation Studios.2 Directed by Oliver Stone. 1986. USA: Hemdale Film Corporation.3 Directed by Charlie Chaplin. 1936. USA: Charles Chaplin Productions.4 Also known as Koyaanisqatsi: Life out of Balance. 1982. USA: American Zoetrope, IRE Productions, Santa Fe I…
Behind the scenes of theatrical meaning
This article adopts a Social Semiotic perspective to meaning-making in theater, contending that such an approach is essential for comprehensively addressing the intricate interrelations among the diverse sign systems inherent to the theatrical domain. While existing scholarly literature acknowledges the complex nature of meaning construction in theater and underscores the importance of analyzing the interplay between various sign systems, there e…
Behind the scenes of theatrical meaning
This article adopts a Social Semiotic perspective to meaning-making in theater, contending that such an approach is essential for comprehensively addressing the intricate interrelations among the diverse sign systems inherent to the theatrical domain. While existing scholarly literature acknowledges the complex nature of meaning construction in theater and underscores the importance of analyzing the interplay between various sign systems, there e…
An inter-semiotic analysis of ideational meaning in text-prompted AI-generated images
This paper explores the inter-semiotic analysis of the ideational meaning in images generated by the text-to-image AI tool, Bing Image Creator. It adopts Kress and Van Leeuwen’s Grammar of Visual Design as its theoretical framework as the original grounding of the framework in systemic functional grammar (SFG) ensures a solid theoretical basis for undertaking analyses that involve the incorporation of textual and visual components. The integratio…
Distributed semiosis
This paper argues that meaning-making in the digital age has undergone a fundamental shift, no longer confined to the province of human actors. In today’s complex digital environments, semiosis – the core mechanism of signification – has become a distributed process, emerging from dynamic interactions among human users, algorithmic agents, and technological affordances. This shift challenges traditional anthropocentric models of semiosis and unde…
Performance as discourse
This paper presents a multimodal framework to the analysis of meaning-making in theatrical performances, conceptualizing them as multimodal discourses. It posits that the adoption of a discourse-oriented approach to theatrical performances addresses the limitations inherent in traditional syntax-oriented semiotics, thereby facilitating a more nuanced examination of performance interpretation. The central argument of the paper is that the underlyi…
A Multimodal Analysis of Films
Declaration of Conflicting InterestsThe authors declare that there is no conflict of interest with regard to this study.Notes1 Directed by Brad Bird. 2007. USA: Walt Disney Pictures, Pixar Animation Studios.2 Directed by Oliver Stone. 1986. USA: Hemdale Film Corporation.3 Directed by Charlie Chaplin. 1936. USA: Charles Chaplin Productions.4 Also known as Koyaanisqatsi: Life out of Balance. 1982. USA: American Zoetrope, IRE Productions, Santa Fe I…
Semiotics (4 works) · Art (3 works) · Language, Metaphor, and Cognition (3 works) · Linguistics (3 works) · Meaning (existential (3 works) · Psychology (3 works) · Aesthetics (2 works) · Cognitive science (2 works) · Discourse Analysis in Language Studies (2 works) · Epistemology (2 works)