Maria-Kristiina Lotman
Biographic Data
| ID | 1679933 |
|---|---|
| NAME | Maria-Kristiina Lotman |
| GIVEN NAMES | Maria-Kristiina |
| FAMILY NAME | Lotman |
| SIGNATURE | LOTMAN M |
| AFFILIATIONS | University of Tartu |
| ORCID | 0000-0003-3106-1976 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2001 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Intersensoorne dekadents
Teesid: Käesolev artikkel uurib Oscar Wilde’i ühevaatuselise dekadentliku näidendi „Salomé“ kolme eestikeelset tõlget: Aleksander Tassa käsikirjalist versiooni (1917), mille ta tõlkis arvatavasti vene keelest, Henrik Visnapuu (1919) eeldatavasti prantsuse keelest eestindatud ja esmakordselt 1919. aastal lavastatud teksti ning Linnar Priimäe (2023) tõlget inglise keelest. Seejärel keskendume „Salomés“ esineva dekadentliku sümboolika kirjeldustele …
Riim eesti poeetilises kultuuris. Teooriad ja praktikad
Eesti ilukirjandusliku luule algusperioodil kuulus riim pea lahutamatult värsikunsti juurde, kuid alates 1950. aastate lõpust on selle tähtsus kirjalikus luules järk-järgult kahanenud, jäädes eelmise sajandi lõpus pigem kõrvaliseks võtteks. XXI sajandi tunnustatud luulekogud on vaid mõne üksiku erandiga kõik vabavärsilised, kindla meetrumi ja regulaarse riimita. Seevastu niinimetatud leviluules – luulelaadides, mis ei mahu raamatukaante vahele, […
Häälikuinstrumentatsioon Artur Alliksaare luules
Sõnakunst oli Artur Alliksaarele eksistentsiaalne küsimus. 6. veebruaril 1954. aastal kirjutas ta Eino Lainvoole: Mõeldav on, et tuleb brutaalse jõukultuse epohh, mil luule kuulutatakse luksuseks, rüütellikkus tõveks, hinge peenus surmapatuks ja mil tundevabadus pahena seotakse pilkesambale. Sellele vaatamata või õigemini selle tõttu peab julgema olla tark ja hoidma vahedana vaimu relva. Tark, suutmata vältida hävitavat [...]
Noore Jaan Bergmanni poeetika
Kui küsite: Mis ma tahtsin? E e s t i k i r j a v a r a j õ u d u m ö ö d a k a s v a t a d a! Jaan Bergmann Jaan Bergmanni (1856–1916) varaseim teadaolev käsikirjaline luulekogu pärineb aastast 1875, kui luuletaja oli vaevalt saanud kaheksateistkümneseks. Juba selles esimeses käsikirjas avaldub tema ilukirjandusliku loomingu intellektuaalne mõõde: siht avardada eestikeelse luule võimalusi ja piire, tuues sinna lääne vanemaid traditsioone ning li…
On Performativity and Perception in Early Estonian-Language Theatre Translation / Performatiivsusest ja tajust varases eesti teatritõlkes
The present article will address the role of translation in the very first stage of Estonian language theatre history, during the so-called August Wiera period in the activities of the Vanemuine Society. We aim to map and define the early Estonian translational drama through the concepts of “self” and “other” considering its performative aspect. Four tentative categories emerge when looking at the mechanisms of theatre translation of the time tha…
Jaan Bergmanni pilaeepos „Jaaniida
Mock-epics were first created already in the antiquity and the most famous of them, the Batrachomyomachia, was translated into Estonian already in 1875 by Jaan Bergmann; it was also the first full translation of an ancient epic poem into Estonian. However, until now, no Estonian original mock-epics were known and this genre was presumed to have evolved in Estonian literature only in the 20th century, mostly used in parodies of the national epic, …
Intrasemiotic translation in the emulations of ancient art
In his 1959 paper “On linguistic aspects of translation,” Roman Jakobson distinguished between interlingual, intralingual, and intersemiotic translation. As Gideon Toury (1986, Translation: A cultural-semiotic perspective. In Thomas A. Sebeok (ed.), Encyclopedic dictionary of semiotics , vol. 2, 1111–1124. Berlin: Mouton de Gruyter) pointed out, such an approach centers on verbal systems and comprises only the translations that one or another way…
Kreeka pärisnimed antiikkirjanduse õpikutes Baltimaade näitel
Kuigi viimasel ajal on palju räägitud tõlkeloo kaardistamise ja uurimise tähtsusest, on vähem tähelepanu pööratud vajadusele seda teha ka komparatiivsest perspektiivist, kõrvutades erinevaid traditsioone: just nii võivad välja tulla olulised jooned ja seaduspärasused, mis muidu jääksid märkamatuks. Sellisel lähenemisel on praktilised eelised, kuivõrd see aitab põhjalikumalt, täpsemalt ja senisest avarama vaatega analüüsida tõlkelugu, tõlkenorme j…
Ühest Juri Lotmani retsensioonist ja nõukogude aja entsüklopeediatest / Some Notes on One Review by Juri Lotman and Encyclopedias of The Soviet Period
Juri Lotman, Retsensioon Vjatšeslav Ivanovi LKEsse esitatud artiklile "Poeetika
Parallelistlik poeetika
.
The derivatives of hexameter in Estonian poetry and their link with the traditional hexameter
The sources of the theory of the Estonian hexameter can be traced back to 17th century Germany, where the long syllables of ancient hexameter were replaced with stressed ones, and short syllables with unstressed ones. Although such understanding is clearly inadequate, to a great extent it still holds ground in contemporary approaches. Hexameter, like any other verse metre, can be treated from two angles. First, as an abstract scheme which is real…
Editors' preface
Equiprosodic translation method in Estonian poetry
Equimetrical translation of verse, which conveys the metre of the source text, should be distinguished from equiprosodic translation of verse, which conveys the versification system of the source text. Equiprosodic translation of verse can rely on the possibilities of natural language (for instance, when presumably Publius Baebius Italicus created the Ilias Latina, he made use of the quantitative structure in Latin), but it can also employ an art…
Antiikvärsimõõdud eesti tõlgetes 19. sajandi lõpul – 20. sajandi esimesel poolel / Ancient Meters in Estonian Translations at the End of the 19th Century – the First Half of the 20th Century
Although ancient verse has also been translated into Estonian with different non-equimetrical strategies, from the very beginning the equimetrical way of translation has prevailed, the purpose of which has been to convey the meter of a source text in the target text. Ancient meters are found in the Estonian tradition of translation from the end of the 19th century, when several authors undertook the translation of voluminous hexametrical texts. D…
Accentual-Syllabic Hexameter in Estonian Poetry at the End of the 19th Century – The Beginning of the 20th Century
The aim of the present paper is to analyse the structure of the Estonian accentual-syllabic hexameter of the second half of the 19th century and the beginning of the 20th century. The material includes Jaan Bergmann's translation of the first song of "The Odyssey", Friedrich Kuhlbars' stichic hexameters and elegiac distichs, Villem Ridala's elegiac distichs and some other attempts of dactylic hexameters in the earlier Estonian poetry. The analysi…
On the semantics of rhythm
The paper analyses the formal features of the characters of Oresteia in Greek tragedy. The protagonists and the minor characters are compared, for which the rhythmical liveliness and variability of the personages’ utterances, the length and number of utterances, and the number of dialogue verses in the metrical repertoire of the corresponding personage are taken into account. The analysis revealed that the data of Sophocles and Euripides are more…
Prosody and versification systems of ancient verse
The aim of the present study is to describe the prosodic systems of the Greek and Latin languages and to find out the versification systems which have been realized in the poetical practice. The Greek language belongs typologically among the mora-counting languages and thus provides possibilities for the emergence of purely quantitative verse, purely syllabic verse, quantitative-syllabic verse and syllabic-quantitative verse. There is no purely q…
Equiprosodic translation method in Estonian poetry
Equimetrical translation of verse, which conveys the metre of the source text, should be distinguished from equiprosodic translation of verse, which conveys the versification system of the source text. Equiprosodic translation of verse can rely on the possibilities of natural language (for instance, when presumably Publius Baebius Italicus created the Ilias Latina, he made use of the quantitative structure in Latin), but it can also employ an art…
On the semantics of rhythm
The paper analyses the formal features of the characters of Oresteia in Greek tragedy. The protagonists and the minor characters are compared, for which the rhythmical liveliness and variability of the personages’ utterances, the length and number of utterances, and the number of dialogue verses in the metrical repertoire of the corresponding personage are taken into account. The analysis revealed that the data of Sophocles and Euripides are more…
Prosody and versification systems of ancient verse
The aim of the present study is to describe the prosodic systems of the Greek and Latin languages and to find out the versification systems which have been realized in the poetical practice. The Greek language belongs typologically among the mora-counting languages and thus provides possibilities for the emergence of purely quantitative verse, purely syllabic verse, quantitative-syllabic verse and syllabic-quantitative verse. There is no purely q…
On the semantics of rhythm
The paper analyses the formal features of the characters of Oresteia in Greek tragedy. The protagonists and the minor characters are compared, for which the rhythmical liveliness and variability of the personages’ utterances, the length and number of utterances, and the number of dialogue verses in the metrical repertoire of the corresponding personage are taken into account. The analysis revealed that the data of Sophocles and Euripides are more…
Accentual-Syllabic Hexameter in Estonian Poetry at the End of the 19th Century – The Beginning of the 20th Century
The aim of the present paper is to analyse the structure of the Estonian accentual-syllabic hexameter of the second half of the 19th century and the beginning of the 20th century. The material includes Jaan Bergmann's translation of the first song of "The Odyssey", Friedrich Kuhlbars' stichic hexameters and elegiac distichs, Villem Ridala's elegiac distichs and some other attempts of dactylic hexameters in the earlier Estonian poetry. The analysi…
The derivatives of hexameter in Estonian poetry and their link with the traditional hexameter
The sources of the theory of the Estonian hexameter can be traced back to 17th century Germany, where the long syllables of ancient hexameter were replaced with stressed ones, and short syllables with unstressed ones. Although such understanding is clearly inadequate, to a great extent it still holds ground in contemporary approaches. Hexameter, like any other verse metre, can be treated from two angles. First, as an abstract scheme which is real…
Editors' preface
Equiprosodic translation method in Estonian poetry
Equimetrical translation of verse, which conveys the metre of the source text, should be distinguished from equiprosodic translation of verse, which conveys the versification system of the source text. Equiprosodic translation of verse can rely on the possibilities of natural language (for instance, when presumably Publius Baebius Italicus created the Ilias Latina, he made use of the quantitative structure in Latin), but it can also employ an art…
Antiikvärsimõõdud eesti tõlgetes 19. sajandi lõpul – 20. sajandi esimesel poolel / Ancient Meters in Estonian Translations at the End of the 19th Century – the First Half of the 20th Century
Although ancient verse has also been translated into Estonian with different non-equimetrical strategies, from the very beginning the equimetrical way of translation has prevailed, the purpose of which has been to convey the meter of a source text in the target text. Ancient meters are found in the Estonian tradition of translation from the end of the 19th century, when several authors undertook the translation of voluminous hexametrical texts. D…
Kreeka pärisnimed antiikkirjanduse õpikutes Baltimaade näitel
Kuigi viimasel ajal on palju räägitud tõlkeloo kaardistamise ja uurimise tähtsusest, on vähem tähelepanu pööratud vajadusele seda teha ka komparatiivsest perspektiivist, kõrvutades erinevaid traditsioone: just nii võivad välja tulla olulised jooned ja seaduspärasused, mis muidu jääksid märkamatuks. Sellisel lähenemisel on praktilised eelised, kuivõrd see aitab põhjalikumalt, täpsemalt ja senisest avarama vaatega analüüsida tõlkelugu, tõlkenorme j…
Ühest Juri Lotmani retsensioonist ja nõukogude aja entsüklopeediatest / Some Notes on One Review by Juri Lotman and Encyclopedias of The Soviet Period
Juri Lotman, Retsensioon Vjatšeslav Ivanovi LKEsse esitatud artiklile "Poeetika
Parallelistlik poeetika
.
Intrasemiotic translation in the emulations of ancient art
In his 1959 paper “On linguistic aspects of translation,” Roman Jakobson distinguished between interlingual, intralingual, and intersemiotic translation. As Gideon Toury (1986, Translation: A cultural-semiotic perspective. In Thomas A. Sebeok (ed.), Encyclopedic dictionary of semiotics , vol. 2, 1111–1124. Berlin: Mouton de Gruyter) pointed out, such an approach centers on verbal systems and comprises only the translations that one or another way…
Jaan Bergmanni pilaeepos „Jaaniida
Mock-epics were first created already in the antiquity and the most famous of them, the Batrachomyomachia, was translated into Estonian already in 1875 by Jaan Bergmann; it was also the first full translation of an ancient epic poem into Estonian. However, until now, no Estonian original mock-epics were known and this genre was presumed to have evolved in Estonian literature only in the 20th century, mostly used in parodies of the national epic, …
Noore Jaan Bergmanni poeetika
Kui küsite: Mis ma tahtsin? E e s t i k i r j a v a r a j õ u d u m ö ö d a k a s v a t a d a! Jaan Bergmann Jaan Bergmanni (1856–1916) varaseim teadaolev käsikirjaline luulekogu pärineb aastast 1875, kui luuletaja oli vaevalt saanud kaheksateistkümneseks. Juba selles esimeses käsikirjas avaldub tema ilukirjandusliku loomingu intellektuaalne mõõde: siht avardada eestikeelse luule võimalusi ja piire, tuues sinna lääne vanemaid traditsioone ning li…
On Performativity and Perception in Early Estonian-Language Theatre Translation / Performatiivsusest ja tajust varases eesti teatritõlkes
The present article will address the role of translation in the very first stage of Estonian language theatre history, during the so-called August Wiera period in the activities of the Vanemuine Society. We aim to map and define the early Estonian translational drama through the concepts of “self” and “other” considering its performative aspect. Four tentative categories emerge when looking at the mechanisms of theatre translation of the time tha…
Häälikuinstrumentatsioon Artur Alliksaare luules
Sõnakunst oli Artur Alliksaarele eksistentsiaalne küsimus. 6. veebruaril 1954. aastal kirjutas ta Eino Lainvoole: Mõeldav on, et tuleb brutaalse jõukultuse epohh, mil luule kuulutatakse luksuseks, rüütellikkus tõveks, hinge peenus surmapatuks ja mil tundevabadus pahena seotakse pilkesambale. Sellele vaatamata või õigemini selle tõttu peab julgema olla tark ja hoidma vahedana vaimu relva. Tark, suutmata vältida hävitavat [...]
Riim eesti poeetilises kultuuris. Teooriad ja praktikad
Eesti ilukirjandusliku luule algusperioodil kuulus riim pea lahutamatult värsikunsti juurde, kuid alates 1950. aastate lõpust on selle tähtsus kirjalikus luules järk-järgult kahanenud, jäädes eelmise sajandi lõpus pigem kõrvaliseks võtteks. XXI sajandi tunnustatud luulekogud on vaid mõne üksiku erandiga kõik vabavärsilised, kindla meetrumi ja regulaarse riimita. Seevastu niinimetatud leviluules – luulelaadides, mis ei mahu raamatukaante vahele, […
Intersensoorne dekadents
Teesid: Käesolev artikkel uurib Oscar Wilde’i ühevaatuselise dekadentliku näidendi „Salomé“ kolme eestikeelset tõlget: Aleksander Tassa käsikirjalist versiooni (1917), mille ta tõlkis arvatavasti vene keelest, Henrik Visnapuu (1919) eeldatavasti prantsuse keelest eestindatud ja esmakordselt 1919. aastal lavastatud teksti ning Linnar Priimäe (2023) tõlget inglise keelest. Seejärel keskendume „Salomés“ esineva dekadentliku sümboolika kirjeldustele …
Linguistics (11 works) · Philosophy (10 works) · Art (9 works) · Philosophy (9 works) · Literature (8 works) · Estonian (7 works) · Poetry (6 works) · Translation Studies and Practices (6 works) · History (5 works) · European Cultural and National Identity (4 works)