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Valentina Pisanty

Biographic Data

ID1680094
NAMEValentina Pisanty
GIVEN NAMESValentina
FAMILY NAMEPisanty
SIGNATUREPISANTY V
AFFILIATIONS1Università di Bergamo – Lettere, Filosofia, Comunicazione, Via Pignolo 123 Bergamo 24121, Italy
ORCID0000-0001-8697-4743
VERIFIEDYes
TOTAL WORKS3
TOTAL CITATIONS2
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Duck or Rabbit? Umberto Eco’s Structural Pragmatics

    Open Access•Valentina Pisanty•ARTICLE•European Journal of Pragmatism…•2018

    In this paper I will discuss the extent to which Umberto Eco’s Semiotics maintains the unstable and oscillatory equilibrium between conflicting matrices that is proper to humorous thinking and ambiguous figures such as the famous duck-rabbit illusion and Penrose’s impossible trident. To do so I shall summon the concept of bisociation (Koestler 1964): though never an item of Eco’s own philosophical toolbox, bisociation plays an important role in t…

  • Négationnisme et concurrence des victimes

    Valentina Pisanty, Benedicte Cavanna•ARTICLE•Témoigner. Entre Histoire et…•2016

    Cet article porte son attention sur certaines dynamiques culturelles initiées par le négationnisme dès sa première apparition sur la scène médiatique au cours de l’hiver 1978-1979, lorsqu’explosa en France le cas Faurisson. Pourquoi les négationnistes se sont-ils imposés à l’attention publique précisément à cette occasion, après trente ans d’activités souterraines ? Comment ont-ils été présentés par les médias, quel rôle ont-ils conquis sur la sc…

  • From the model reader to the limits of interpretation

    Open Access•Valentina Pisanty•ARTICLE•Semiotica•2015•Cited by: 2•References: 2

    This paper discusses the role of the reader as developed by Umberto Eco in numerous instances: Lector in fabula (1979), I limiti dell'interpretazione (1990, The Limits of Interpretation), Interpretation and Overinterpretation (1992) and Dire quasi la stessa cosa (2003, Mouse or Rat? Translation as Negotiation). According to Eco, the interpretation of a text implies the grasping of the intentio operis by way of the intentio lectoris. Yet, the ques…

  • From the model reader to the limits of interpretation

    Open Access•Valentina Pisanty•ARTICLE•Semiotica•2015•Cited by: 2•References: 2

    This paper discusses the role of the reader as developed by Umberto Eco in numerous instances: Lector in fabula (1979), I limiti dell'interpretazione (1990, The Limits of Interpretation), Interpretation and Overinterpretation (1992) and Dire quasi la stessa cosa (2003, Mouse or Rat? Translation as Negotiation). According to Eco, the interpretation of a text implies the grasping of the intentio operis by way of the intentio lectoris. Yet, the ques…

  • From the model reader to the limits of interpretation

    Open Access•Valentina Pisanty•ARTICLE•Semiotica•2015•Cited by: 2•References: 2

    This paper discusses the role of the reader as developed by Umberto Eco in numerous instances: Lector in fabula (1979), I limiti dell'interpretazione (1990, The Limits of Interpretation), Interpretation and Overinterpretation (1992) and Dire quasi la stessa cosa (2003, Mouse or Rat? Translation as Negotiation). According to Eco, the interpretation of a text implies the grasping of the intentio operis by way of the intentio lectoris. Yet, the ques…

  • Négationnisme et concurrence des victimes

    Valentina Pisanty, Benedicte Cavanna•ARTICLE•Témoigner. Entre Histoire et…•2016

    Cet article porte son attention sur certaines dynamiques culturelles initiées par le négationnisme dès sa première apparition sur la scène médiatique au cours de l’hiver 1978-1979, lorsqu’explosa en France le cas Faurisson. Pourquoi les négationnistes se sont-ils imposés à l’attention publique précisément à cette occasion, après trente ans d’activités souterraines ? Comment ont-ils été présentés par les médias, quel rôle ont-ils conquis sur la sc…

  • Duck or Rabbit? Umberto Eco’s Structural Pragmatics

    Open Access•Valentina Pisanty•ARTICLE•European Journal of Pragmatism…•2018

    In this paper I will discuss the extent to which Umberto Eco’s Semiotics maintains the unstable and oscillatory equilibrium between conflicting matrices that is proper to humorous thinking and ambiguous figures such as the famous duck-rabbit illusion and Penrose’s impossible trident. To do so I shall summon the concept of bisociation (Koestler 1964): though never an item of Eco’s own philosophical toolbox, bisociation plays an important role in t…

Philosophy (3 works) · Epistemology (2 works) · Language, Metaphor, and Cognition (2 works) · Linguistics (2 works) · Art (1 work) · Cognitive psychology (1 work) · Computer Science (1 work) · Contradiction (1 work) · Cultural Insights and Digital Impacts (1 work) · French Language Learning Methods (1 work)

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