Catarina Miguel
Biographic Data
| ID | 168338 |
|---|---|
| NAME | Catarina Miguel |
| GIVEN NAMES | Catarina |
| FAMILY NAME | Miguel |
| SIGNATURE | MIGUEL C |
| AFFILIATIONS | University of Évora |
| ORCID | 0000-0002-4722-8067 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 18 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2019 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
An archaeometric study of blue smalt pigment in a mid-renaissance illuminated manuscript: Characterisation, production and uses
Tracing literacy in Roman Conimbriga: Insights from the metallurgy and ink of a Biebrich inkwell
On the use of in-situ spectroscopic techniques for the study of the provenance of historic ivories
Vestígios de pintura em miliário romano da via nova (milha XXXI a Bracara Augusta), Norte de Portugal. Uma abordagem multidisciplinar
A presença de vestígios de cor em miliários é um facto raramente documentado. No Noroeste hispânico, onde a densidade de miliários romanos é bastante elevada, até ao momento, só se conhecem dois casos, sendo um deles objeto do presente estudo. O miliário em causa pertence à via XVIII do Itinerário de Antonino e foi identificado na milha XXXI a Bracara Augusta, nos anos 90 do passado século.O objetivo deste trabalho é, para lá da apresentação do m…
Vestígios de pintura em miliário romano da uia noua (milha XXXI a Bracara Augusta), Norte de Portugal. Uma abordagem multidisciplinar
A presença de vestígios de cor em miliários é um facto raramente documentado. No Noroeste hispânico, onde a densidade de miliários romanos é bastante elevada, até ao momento, só se conhecem dois casos, sendo um deles objeto do presente estudo. O miliário em causa pertence à via XVIII do Itinerário de Antonino e foi identificado na milha XXXI a Bracara Augusta, nos anos 90 do passado século. O objetivo deste trabalho é, para lá da apresentação do …
The Power of Combining MA-XRF, Infrared Reflectography and Digital Microscopy to Unveil the Production of the 16th Century Illuminated Charter of Évora: What May Be Hidden under a Painted Surface
In recent decades, many works have been devoted to the study of materials and painting techniques used to produce illuminated manuscripts. If the analyses were once largely invasive, the approach has become increasingly more in situ and non-invasive over the years. This work presents the results of the analysis of the Portuguese Charter of Évora, an illuminated manuscript that dates back to 1501, combining an elemental mapping technique (MA-XRF) …
The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting
The painting The Descent from the Cross, painted in 1620 by Pedro Nunes (1586–1637), presents two large figures with orange-coloured fabrics with conservation problems. Through the analysis of two samples with several analytical techniques, especially scanning electron microscopy combined with X-ray spectroscopy and Raman microscopy, it was possible to conclude that the orange colour is due to a complex artificial pigment made of amorphous arseni…
Narrating codex history: The case study of a psalter-hymnal from Alcobaça Monastery, Portugal
This article provides the first in-depth study of historic content and materials used in the production of a liturgical codex from the collection of manuscripts of the Monastery of Alcobaça: the Psalter-hymnal (Lisbon, National Library, Alc. 11). To answer provenance questions and trace the manuscript’s history, a multidisciplinary team studied the entire procedure of making the codex, which went from in-depth textual, liturgical, and codicologic…
Study of a Late Bronze Age Casting Mould and Its Black Residue by 3D Imaging, pXRF, SEM-EDS, Micro-FTIR and Micro-Raman
In the present work, a fragment of a stone mould recently found in Galicia (NW Spain) was studied by multiple analytical techniques approach involving 3D optical imaging reconstruction to obtain data about the shape of the mould, typology of artefact produced, and distribution of a black residue at the surface of the mould and pXRF, SEM-EDS, micro-FTIR, and micro-Raman to investigate the nature of the black residue. The study shows that the mould…
Ancient restoration and production technologies of Roman mortars from monuments placed in hydrogeological risk areas: A Case Study
Unveiling the underprintings of a late-fifteenth-early-sixteenth century illuminated French incunabulum by infrared reflectography
Ancient restoration and production technologies of Roman mortars from monuments placed in hydrogeological risk areas: A Case Study
Unveiling the underprintings of a late-fifteenth-early-sixteenth century illuminated French incunabulum by infrared reflectography
The Power of Combining MA-XRF, Infrared Reflectography and Digital Microscopy to Unveil the Production of the 16th Century Illuminated Charter of Évora: What May Be Hidden under a Painted Surface
In recent decades, many works have been devoted to the study of materials and painting techniques used to produce illuminated manuscripts. If the analyses were once largely invasive, the approach has become increasingly more in situ and non-invasive over the years. This work presents the results of the analysis of the Portuguese Charter of Évora, an illuminated manuscript that dates back to 1501, combining an elemental mapping technique (MA-XRF) …
Narrating codex history: The case study of a psalter-hymnal from Alcobaça Monastery, Portugal
This article provides the first in-depth study of historic content and materials used in the production of a liturgical codex from the collection of manuscripts of the Monastery of Alcobaça: the Psalter-hymnal (Lisbon, National Library, Alc. 11). To answer provenance questions and trace the manuscript’s history, a multidisciplinary team studied the entire procedure of making the codex, which went from in-depth textual, liturgical, and codicologic…
Study of a Late Bronze Age Casting Mould and Its Black Residue by 3D Imaging, pXRF, SEM-EDS, Micro-FTIR and Micro-Raman
In the present work, a fragment of a stone mould recently found in Galicia (NW Spain) was studied by multiple analytical techniques approach involving 3D optical imaging reconstruction to obtain data about the shape of the mould, typology of artefact produced, and distribution of a black residue at the surface of the mould and pXRF, SEM-EDS, micro-FTIR, and micro-Raman to investigate the nature of the black residue. The study shows that the mould…
Unveiling the underprintings of a late-fifteenth-early-sixteenth century illuminated French incunabulum by infrared reflectography
Ancient restoration and production technologies of Roman mortars from monuments placed in hydrogeological risk areas: A Case Study
Study of a Late Bronze Age Casting Mould and Its Black Residue by 3D Imaging, pXRF, SEM-EDS, Micro-FTIR and Micro-Raman
In the present work, a fragment of a stone mould recently found in Galicia (NW Spain) was studied by multiple analytical techniques approach involving 3D optical imaging reconstruction to obtain data about the shape of the mould, typology of artefact produced, and distribution of a black residue at the surface of the mould and pXRF, SEM-EDS, micro-FTIR, and micro-Raman to investigate the nature of the black residue. The study shows that the mould…
The Power of Combining MA-XRF, Infrared Reflectography and Digital Microscopy to Unveil the Production of the 16th Century Illuminated Charter of Évora: What May Be Hidden under a Painted Surface
In recent decades, many works have been devoted to the study of materials and painting techniques used to produce illuminated manuscripts. If the analyses were once largely invasive, the approach has become increasingly more in situ and non-invasive over the years. This work presents the results of the analysis of the Portuguese Charter of Évora, an illuminated manuscript that dates back to 1501, combining an elemental mapping technique (MA-XRF) …
The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting
The painting The Descent from the Cross, painted in 1620 by Pedro Nunes (1586–1637), presents two large figures with orange-coloured fabrics with conservation problems. Through the analysis of two samples with several analytical techniques, especially scanning electron microscopy combined with X-ray spectroscopy and Raman microscopy, it was possible to conclude that the orange colour is due to a complex artificial pigment made of amorphous arseni…
Narrating codex history: The case study of a psalter-hymnal from Alcobaça Monastery, Portugal
This article provides the first in-depth study of historic content and materials used in the production of a liturgical codex from the collection of manuscripts of the Monastery of Alcobaça: the Psalter-hymnal (Lisbon, National Library, Alc. 11). To answer provenance questions and trace the manuscript’s history, a multidisciplinary team studied the entire procedure of making the codex, which went from in-depth textual, liturgical, and codicologic…
Vestígios de pintura em miliário romano da via nova (milha XXXI a Bracara Augusta), Norte de Portugal. Uma abordagem multidisciplinar
A presença de vestígios de cor em miliários é um facto raramente documentado. No Noroeste hispânico, onde a densidade de miliários romanos é bastante elevada, até ao momento, só se conhecem dois casos, sendo um deles objeto do presente estudo. O miliário em causa pertence à via XVIII do Itinerário de Antonino e foi identificado na milha XXXI a Bracara Augusta, nos anos 90 do passado século.O objetivo deste trabalho é, para lá da apresentação do m…
Vestígios de pintura em miliário romano da uia noua (milha XXXI a Bracara Augusta), Norte de Portugal. Uma abordagem multidisciplinar
A presença de vestígios de cor em miliários é um facto raramente documentado. No Noroeste hispânico, onde a densidade de miliários romanos é bastante elevada, até ao momento, só se conhecem dois casos, sendo um deles objeto do presente estudo. O miliário em causa pertence à via XVIII do Itinerário de Antonino e foi identificado na milha XXXI a Bracara Augusta, nos anos 90 do passado século. O objetivo deste trabalho é, para lá da apresentação do …
On the use of in-situ spectroscopic techniques for the study of the provenance of historic ivories
Tracing literacy in Roman Conimbriga: Insights from the metallurgy and ink of a Biebrich inkwell
An archaeometric study of blue smalt pigment in a mid-renaissance illuminated manuscript: Characterisation, production and uses
Cultural Heritage Materials Analysis (7 works) · Art (6 works) · Building materials and conservation (6 works) · Conservation Techniques and Studies (6 works) · Archaeology (3 works) · History (3 works) · History (3 works) · Painting (3 works) · Ancient Mediterranean Archaeology and History (2 works) · Archaeological and Historical Studies (2 works)