Martin Seel
Biographic Data
| ID | 1683667 |
|---|---|
| NAME | Martin Seel |
| GIVEN NAMES | Martin |
| FAMILY NAME | Seel |
| SIGNATURE | SEEL M |
| AFFILIATIONS | Johann Wolfgang Goethe-University Frankfurt/Main |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 12 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1992 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 1 |
Inszenieren Als Erscheinenlassen
Estética del aparecer
Realism and Anti-Realism in Film Theory
This essay argues that film as a medium breaks through the clearly delineated boundaries between realism and anti-realism that have been established by film theory. Film itself is basically indifferent to each. As an alternative to both, I put forward a thesis of indeterminism, which argues that films engender a unique event of sight and sound that does not have to be perceived to be a real event or an illusion of such an event
Gestalten der Kritik
Form as an Organization of Time
This paper argues that time, not space, is the highlight of aesthetic and especially artistic form. Spatial relations must be translated into temporal relations and experienced as such if they are to be experienced as aesthetic form. The reverse is not the case, for aesthetic and artistic forms are not generally there to create spaces, at least not in a literal sense, but to give time in a very literal sense. The meaning of form is time
Adornos Philosophie der Kontemplation
Adorno's Contemplative Ethics
This paper argues that there is an ethics of contemplation that is internal to Adorno's critique of modern functionalised and administered societies. It is argued here that ‘contemplation’ is Adorno's name for a praxis by which one is open to the other, and yet can let the other be. Adorno sees a kernel of experience in such contemplative practices, which, although increasingly being stripped bare by the modern world, is the basis for its possibl…
Ereignis. Eine kleine Phänomenologie
Die Kunst der Entzweiung. Zum Begriff der ästhetischen Rationalität.
Well‐Being
On Rightness and Truth
Aesthetic Arguments in the Ethics of Nature
Well‐Being
Realism and Anti-Realism in Film Theory
This essay argues that film as a medium breaks through the clearly delineated boundaries between realism and anti-realism that have been established by film theory. Film itself is basically indifferent to each. As an alternative to both, I put forward a thesis of indeterminism, which argues that films engender a unique event of sight and sound that does not have to be perceived to be a real event or an illusion of such an event
On Rightness and Truth
Aesthetic Arguments in the Ethics of Nature
On Rightness and Truth
Die Kunst der Entzweiung. Zum Begriff der ästhetischen Rationalität.
Well‐Being
Ereignis. Eine kleine Phänomenologie
Adornos Philosophie der Kontemplation
Adorno's Contemplative Ethics
This paper argues that there is an ethics of contemplation that is internal to Adorno's critique of modern functionalised and administered societies. It is argued here that ‘contemplation’ is Adorno's name for a praxis by which one is open to the other, and yet can let the other be. Adorno sees a kernel of experience in such contemplative practices, which, although increasingly being stripped bare by the modern world, is the basis for its possibl…
Gestalten der Kritik
Form as an Organization of Time
This paper argues that time, not space, is the highlight of aesthetic and especially artistic form. Spatial relations must be translated into temporal relations and experienced as such if they are to be experienced as aesthetic form. The reverse is not the case, for aesthetic and artistic forms are not generally there to create spaces, at least not in a literal sense, but to give time in a very literal sense. The meaning of form is time
Realism and Anti-Realism in Film Theory
This essay argues that film as a medium breaks through the clearly delineated boundaries between realism and anti-realism that have been established by film theory. Film itself is basically indifferent to each. As an alternative to both, I put forward a thesis of indeterminism, which argues that films engender a unique event of sight and sound that does not have to be perceived to be a real event or an illusion of such an event
Estética del aparecer
Inszenieren Als Erscheinenlassen
Philosophy (7 works) · Epistemology (6 works) · Philosophy (4 works) · Sociology (4 works) · Aesthetics (3 works) · Critical Theory and Philosophy (3 works) · Sociology and Education Studies (3 works) · Psychology, Coaching, and Therapy (2 works) · 1903-1969 (1 works) · 20th century (1 works)