C Oliver O’donnell
Biographic Data
| ID | 1684413 |
|---|---|
| NAME | C Oliver O’donnell |
| GIVEN NAMES | C Oliver |
| FAMILY NAME | O’donnell |
| SIGNATURE | O’DONNELL C O |
| AFFILIATIONS | Kunsthistorisches Institut in Florenz |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 0 |
Revisiting David Summers’ Real Spaces
David Summers’ Real Spaces: World Art History and the Rise of Western Modernism remains one the most ambitious and compelling attempts to develop a new analytic framework for art-historical analysis across geographic and temporal boundaries. Despite this accomplishment, since its publication nearly 15 years ago the book has continued to face the criticism of being a problematically Western project. But what are the philosophical ideas on which Re…
On Scientific Method in the Study of Art
The original manuscript is handwritten in pen and pencil on fifty-five loose sheets of paper, each measuring approximately 14 x 20 cm. The original pages are numbered in the top left corner; however, there are two pages numbered 30 and no page 23, presumably due to extensive editing on Marquand’s part. In addition to Marquand’s at times difficult handwriting, there are many corrections in the original manuscript (including extensive crossings-out…
Reading Allan Marquand’s “On Scientific Method in the Study of Art”
In this introduction I closely read Marquand’s arguments in “On Scientific Method in the Study of Art” both in relation to their sources and in relation to Marquand’s own subsequent scholarship. My thesis is that Charles Sanders Peirce’s writing is the most conspicuous and important inspiration for the essay; however I also contend that Marquand’s handwritten corrections to the surviving manuscript of the text reveal a struggle with Peirce’s idea…
No prominent works on this page.
On Scientific Method in the Study of Art
The original manuscript is handwritten in pen and pencil on fifty-five loose sheets of paper, each measuring approximately 14 x 20 cm. The original pages are numbered in the top left corner; however, there are two pages numbered 30 and no page 23, presumably due to extensive editing on Marquand’s part. In addition to Marquand’s at times difficult handwriting, there are many corrections in the original manuscript (including extensive crossings-out…
Reading Allan Marquand’s “On Scientific Method in the Study of Art”
In this introduction I closely read Marquand’s arguments in “On Scientific Method in the Study of Art” both in relation to their sources and in relation to Marquand’s own subsequent scholarship. My thesis is that Charles Sanders Peirce’s writing is the most conspicuous and important inspiration for the essay; however I also contend that Marquand’s handwritten corrections to the surviving manuscript of the text reveal a struggle with Peirce’s idea…
Revisiting David Summers’ Real Spaces
David Summers’ Real Spaces: World Art History and the Rise of Western Modernism remains one the most ambitious and compelling attempts to develop a new analytic framework for art-historical analysis across geographic and temporal boundaries. Despite this accomplishment, since its publication nearly 15 years ago the book has continued to face the criticism of being a problematically Western project. But what are the philosophical ideas on which Re…
Art (3 works) · Epistemology (3 works) · Philosophy (3 works) · Philosophy (3 works) · Pragmatism (3 works) · Aesthetic Perception and Analysis (2 works) · Computer Science (2 works) · Linguistics (2 works) · Literature (2 works) · Reading (process (2 works)