Gianluca Gariani
Biographic Data
| ID | 168674 |
|---|---|
| NAME | Gianluca Gariani |
| GIVEN NAMES | Gianluca |
| FAMILY NAME | Gariani |
| SIGNATURE | GARIANI G |
| AFFILIATIONS | Université Paris Sciences et Lettres |
| ORCID | 0000-0002-4244-4537 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 10 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2017 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Renaissance plaster casts: First insights by means of Structured Light 3D Scanner
As part of an ongoing project dealing with the technical study of 15th century Florentine devotional reliefs, a focus was made to investigate their production by serial casting. Manufacturing techniques of the so-called Madonne di gesso were investigated on 12 artworks chosen after three different models of Donatello and B. Bellano, Desiderio da Settignano and Antonio Rossellino. Results obtained with a structured light 3D scanner were invaluable…
Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
The production of devotional reliefs, flourished in 15th century in Florence, where models from Renaissance Masters were reproduced in series by using a large variety of materials. One of the most frequently used is gypsum plaster, often referred to as “stucco” or “gesso”. Despite devotional reliefs wide diffusion, details concerning their constitutive materials and manufacture are insufficiently studied. In the framework of a research program fo…
Geochemical and isotopic provenance determination of gypsum used for stucco artworks: Application to Florentine stucco reliefs
Gypsiferous rocks of Tuscany and derived materials (i.e. alabaster, stucco and gesso) have been frequently used as sculptural materials. Remarkable examples are attested from the Renaissance Florence. At the junction of two ongoing programs, dealing respectively with the study of 15th century stucco reliefs (called Madonne di gesso) and the provenance of European alabasters used in artworks, an investigation on raw gypsum supply was conducted via…
Microstructure imaging of Florentine stuccoes through X-ray tomography: A new insight on ancient plaster-making techniques
First insights on the mineral composition of "stucco" devotional reliefs from Italian Renaissance Masters: Investigating Technological Practices and Raw Material Sourcing
Protocol for lapis lazuli provenance determination: Evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy)
Protocol for lapis lazuli provenance determination: Evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy)
First insights on the mineral composition of "stucco" devotional reliefs from Italian Renaissance Masters: Investigating Technological Practices and Raw Material Sourcing
Protocol for lapis lazuli provenance determination: Evidence for an Afghan origin of the stones used for ancient carved artefacts kept at the Egyptian Museum of Florence (Italy)
First insights on the mineral composition of "stucco" devotional reliefs from Italian Renaissance Masters: Investigating Technological Practices and Raw Material Sourcing
Microstructure imaging of Florentine stuccoes through X-ray tomography: A new insight on ancient plaster-making techniques
Renaissance plaster casts: First insights by means of Structured Light 3D Scanner
As part of an ongoing project dealing with the technical study of 15th century Florentine devotional reliefs, a focus was made to investigate their production by serial casting. Manufacturing techniques of the so-called Madonne di gesso were investigated on 12 artworks chosen after three different models of Donatello and B. Bellano, Desiderio da Settignano and Antonio Rossellino. Results obtained with a structured light 3D scanner were invaluable…
Multi-analytical approach for the compositional and micro-structural study of Florentine Masters stucco devotional reliefs
The production of devotional reliefs, flourished in 15th century in Florence, where models from Renaissance Masters were reproduced in series by using a large variety of materials. One of the most frequently used is gypsum plaster, often referred to as “stucco” or “gesso”. Despite devotional reliefs wide diffusion, details concerning their constitutive materials and manufacture are insufficiently studied. In the framework of a research program fo…
Geochemical and isotopic provenance determination of gypsum used for stucco artworks: Application to Florentine stucco reliefs
Gypsiferous rocks of Tuscany and derived materials (i.e. alabaster, stucco and gesso) have been frequently used as sculptural materials. Remarkable examples are attested from the Renaissance Florence. At the junction of two ongoing programs, dealing respectively with the study of 15th century stucco reliefs (called Madonne di gesso) and the provenance of European alabasters used in artworks, an investigation on raw gypsum supply was conducted via…
Archaeology (5 works) · Art (5 works) · Cultural Heritage Materials Analysis (5 works) · Geology (4 works) · Art history (3 works) · Building materials and conservation (3 works) · Conservation Techniques and Studies (3 works) · Gypsum (3 works) · History (3 works) · Materials Science (3 works)