Gerald Nestler
Biographic Data
| ID | 1689289 |
|---|---|
| NAME | Gerald Nestler |
| GIVEN NAMES | Gerald |
| FAMILY NAME | Nestler |
| SIGNATURE | NESTLER G |
| AFFILIATIONS | Independent Dance |
| ORCID | 0000-0001-8740-7564 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 4 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2016 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 1 |
Contingent Claims
Technocapitalism acts through micro-performative mechanisms which escape human cognition and sense perception but at the same time influence individual behaviour and social conduct. Automated finance and corporate surveillance are both leveraged by proprietary tools operating in the invisible realm of microseconds. While its immediate agency colonizes the future at present, it escapes our phenomenological scope. In fact, technocapitalism operates…
The derivative condition, an aesthetics of resolution, and the figure of the renegade
The work of the artist and writer Gerald Nestler explores finance and its social implications since the mid-1990s. Based on his professional experience as a trader as well as on post-disciplinary research, he has developed a unique approach that brings together theory and conversation with installation, video, performance, text, and other art forms. Probing into the narrative structures of contemporary capitalism, Nestler offers a techno-politica…
Introduction
The editorial premise of this special issue is that the adage 'art and money do not mix' is now wholly untenable. As detailed in our extended interview with Clare McAndrew, the art market has grown rapidly over the last twenty years, leading to systemic and structural changes in the art field. For some, this growth of the market and its significance for art is an institutional misfortune that, for all of its effects, is nonetheless inconsequentia…
Whisper - Status code
2K-single channel video, colour, 2.1 sound, 4:49 min., 2016. Video and audio: Eckermann/Text: Nestler. Sylvia Eckermann is an Austrian artist whose critical reflections engage with our (in)dividual entanglement in socio-political situations. Eckermann works with various media including digital and physical environments, game mods, installations, videos, objects and sculptures. Her work has been shown internationally since 1989. Among other grants…
Plotting the art market
Clare McAndrew is a leading analyst of the global art market. Here the guest editors of this special issue interview McAndrew on the structures of the art market, its sectorial and regional arrangements, and transformations in its historical, technical, and monetary operation. Their discussion highlights the rapid increase in prices for art and the global extension of the art market since the early-to-mid 2000s, as well as further changes to its …
Introduction
The editorial premise of this special issue is that the adage 'art and money do not mix' is now wholly untenable. As detailed in our extended interview with Clare McAndrew, the art market has grown rapidly over the last twenty years, leading to systemic and structural changes in the art field. For some, this growth of the market and its significance for art is an institutional misfortune that, for all of its effects, is nonetheless inconsequentia…
Plotting the art market
Clare McAndrew is a leading analyst of the global art market. Here the guest editors of this special issue interview McAndrew on the structures of the art market, its sectorial and regional arrangements, and transformations in its historical, technical, and monetary operation. Their discussion highlights the rapid increase in prices for art and the global extension of the art market since the early-to-mid 2000s, as well as further changes to its …
Introduction
The editorial premise of this special issue is that the adage 'art and money do not mix' is now wholly untenable. As detailed in our extended interview with Clare McAndrew, the art market has grown rapidly over the last twenty years, leading to systemic and structural changes in the art field. For some, this growth of the market and its significance for art is an institutional misfortune that, for all of its effects, is nonetheless inconsequentia…
Whisper - Status code
2K-single channel video, colour, 2.1 sound, 4:49 min., 2016. Video and audio: Eckermann/Text: Nestler. Sylvia Eckermann is an Austrian artist whose critical reflections engage with our (in)dividual entanglement in socio-political situations. Eckermann works with various media including digital and physical environments, game mods, installations, videos, objects and sculptures. Her work has been shown internationally since 1989. Among other grants…
Plotting the art market
Clare McAndrew is a leading analyst of the global art market. Here the guest editors of this special issue interview McAndrew on the structures of the art market, its sectorial and regional arrangements, and transformations in its historical, technical, and monetary operation. Their discussion highlights the rapid increase in prices for art and the global extension of the art market since the early-to-mid 2000s, as well as further changes to its …
The derivative condition, an aesthetics of resolution, and the figure of the renegade
The work of the artist and writer Gerald Nestler explores finance and its social implications since the mid-1990s. Based on his professional experience as a trader as well as on post-disciplinary research, he has developed a unique approach that brings together theory and conversation with installation, video, performance, text, and other art forms. Probing into the narrative structures of contemporary capitalism, Nestler offers a techno-politica…
Contingent Claims
Technocapitalism acts through micro-performative mechanisms which escape human cognition and sense perception but at the same time influence individual behaviour and social conduct. Automated finance and corporate surveillance are both leveraged by proprietary tools operating in the invisible realm of microseconds. While its immediate agency colonizes the future at present, it escapes our phenomenological scope. In fact, technocapitalism operates…
Art (4 works) · Sociology (4 works) · Computer Science (3 works) · Aesthetics (2 works) · Art History and Market Analysis (2 works) · Conversation (2 works) · Cultural Industries and Urban Development (2 works) · Digital Media and Philosophy (2 works) · Economics (2 works) · Law (2 works)